It could be a nice series for teenagers. I went to watch this series only because of the drops of tracks Vanya Dmitrienko. And I understand that this is a series for teenagers, and I am not the target audience is far away. But it is terribly disappointing that a good idea in general, albeit a clichéd idea, was spoiled.
The main plot revolves around the girl Masha (Nika Zhukova, the daughter of the permanent frontman of the group “Hands Up”), who is forced with her family to move from Moscow to some small town by the sea, and go to a regular school after the Russian-American lyceum. Even before the first lesson in this school, she begins to be bullied by the thunderstorm of the district and, concurrently, her classmate and main rival.
There are a few hellish clichés in the series that I have nothing against – they can be coolly beaten. And I also liked the music, although the tracks that Nick sings herself are very rackets.
But man, the implementation in terms of the plot ... It's as stupid as possible. Starting from the bundle (as her father suddenly leaves without money after the house on the ruble), continuing the behavior of Masha (instead of showing teenagers how to resist bullying, Masha sometimes starts frankly and does not try to fit into the team at all). Dialogues are sometimes not alive at all - teenagers do not say that.
Well, ending with the music series. The series beautifully filmed songs, they often begin in some setting of the series (stage, promenade, room), and continue in the video fantasy. And that's why there were moments where the characters sing at the microphone in reality, shoot live? So that they really sing and play instruments, so that it looks real, so that teenagers, seeing this, want to take tools in their hands? Why immediately let plywood with recorded backs and so on, it looks as foreign as possible. Despite the fact that both Nika and Vanya (who played the lover in Masha Nikita) can sing well live - no, it was necessary to make a video sequence where Masha can not bring the microphone to her face normally, under plywood ...
It's nice to have teenagers in the series.
It’s nice to have some good ideas.
It's nice that the songs are cool for me for that age.
It is not clear why it was not possible to refine the plot a little and do it on 5, and not on three.
You could find fault with the actors, but I won’t, against the background of the plot flaws, the game looks OK.