King Genghis Khan and His Bulat Guard Historical and satirical film material exposing the colonial policy of the Horde military autocracy on the formation of Cossack outposts and peasant communities in the occupied territory, existing at the monastic will of the Bay governors, engaged in breeding vicious wild population for use in slaveholding farms and punitive operations of the Turkish-imperial power with its regular Indian Sabantuys - intertribal tournaments-fights.
The plot reveals the criminal actions of the Kazan kingdom to seize and plunder lands, where local residents were taxed with heavy tribute, and in case of impossibility to pay off the "defenders-allies" were evicted and destroyed by whole families. And in ruined places were built inns and taverns with Basurman customs.
It is ingeniously shown how, under the guise of ethno-cultural national settlements, terrorist arms and fortress bases were created, where spies of the Khan’s stake depicted loyal civilians, and where children gathered during gang raids were trained in sabotage barracks in pirate skills.
In the film, the myth of the “Russian nobility” is ridiculed, which in reality was the Tatar official merchants who owned cannon factories, galley fleet and harem enterprises. Also exposed "European nobility" in masquerade-circus forms and outfits with ancient oriental mystifications of worship of deities-kings and other demonic characters from the ancient Persian epic.
Scenes of ceremonial execution demonstrate the “heroic” essence of barbaric mass spectacles with ritual sacrifices and soldier’s drill. The final footage shows an oprichnaya army with spears, which symbolizes the “valiant army” of mercenary invaders from the Arab districts.