Apocalypse. Post-apocalyptic cinema is not so much, the genre niche has a lot of empty space, and a fan of the setting often has to look for the right kind of movies to satisfy their wishes. Unfortunately, due to the same emptiness of the genre, most of the paintings are crafts of terrible quality, although not many in my memory descended to the plinth of this picture.
Describing this film, we can say that there is a terrible computer graphics from the game commercials of the late 90s, but this is the best that there is, because the rest is even worse. In fact, the graphs here are for only three frames in which show the snow-covered towers of bunkers and the surrounding reality of a post-apocalyptic society, locked up after the disaster in a closed community, where some took control and others remained in poverty. The arrangement is banal. The pleasure of the top is alcohol and women, and one of the women is our Valkyrie, who sabotages the regime, trying to achieve equality between the two groups. Then everything is terrible – the dialogue, the setting of the action, the nightmare staging of fights and... sorry, even silicone in large quantities is terrible. The impression that the film is the hands of teenagers does not leave for a second, however, the seconds spent behind this movie will most likely be numbered for you - not many will withstand it to the end. If so, then that is truly a feat.
In the dry balance: forget it.