Bach, Suite N2. Prelude... ... The film is like a sudden old age that must be perceived without despair. Monotonous, but not annoying. We cannot say that there is no dynamics, it certainly is; like the stroke of a pendulum, the fall of the pumped cuff of a tonometer ... This is the rhythm of Enya songs for a wheelchair-bound paralytic / and such in the picture is occupied /. These are the sounds of a cello... full of tears eyes of an Angolan girl.
However, neither mood nor appetite Edoardo Ponti film will not spoil. The professional, the child of professionals - the son of Carlo Ponti and Sophia Loren - did not let the star parents down, and did not surprise anyone.
Interesting, but, alas, banal problems of moral choice are posed. Those who do not fall asleep at the first hour of viewing will witness the timid exit of skeletons from the dungeons of family capes, and the same timid attempts of the heroines to bring these skeletons “into the light.”
The film is not exciting, but not tense.
Enjoy watching in the rainy weather.