Quiet sister-in-law Hello, gentlemen of film lovers! Let me introduce you to another Soviet film of moral and instructive nature, for which it has always been famous. The theme of family, marriage and have always been under strict moralization and state regulation, and under the ardent supervision of the party and the Komsomol, as guardians of the honor and purity of the Soviet youth and individual.
The theme of the film raises the question of “fathers-children”, “mother-daughter-in-law”. It is difficult for a new person (fiancé or bride) to enter an unfamiliar family, with its foundations, prejudices and oddities, and it is especially difficult to change their existing worldview about status, world order, fashion, tastes, etc.
The quality of the plot and the adequate perception of the idea is hampered by an overly simplified, smiling narrative, revealing facial expressions, dialogue and looks at the camera, posturing. But, despite this, the film looks, and psychologically begins to like. Especially it can come to the liking of those who faced in a newfound family with similar problems of relationships, as the heroes of this film. For some reason, increasingly enemies or initiators of rejection of new family members are mothers of families.
In sum, a good movie, neither bad nor good!
4 out of 10