Yul Brynner in the remake of "T-Men" There was Anthony Mann's landmark film, "T-Men," about how several police officers infiltrated a gang of counterfeiters, luring them into the "deal of the century." In contrast to the black and white tape created in the era of noir, Sam Wannamaker created a colorful bright canvas, devoid of nervous tension. Playing the same plot, he showed us such a rampant shadowy London, which was shown in his “Photomagnification” by Antonioni and later Kubrick in “Clockwork Orange”. Velvet parties expectedly turned into bloody showdowns, and cruelty filled all the final aftertaste. In the end, only a number of episodes will remain from the film in memory scraps. A brutal murder. Random recognition of one of the characters in the store. Tied Yul Brynner, which at all speed dives the car. Well, I would also add to this list the rubs of villains, pampered and cruel.
In general, if you evaluate the picture by the expressiveness of cruel frames, then it may well correspond to Burman’s “At Point”, and “Take Carter” Hodges. So, make this tape Wannamaker more interesting, multifaceted and brighter, then probably there would be every reason to put in one row. All that remains to be said is the similarity. Fortunately, the expressive Yul Brynner very successfully once again exploits his courageous charisma.
7 out of 10