Zombrex will help both the living and the dead, buy Zombrex and everything will be fine! So two brothers (one of them a wheelchair) in the midst of the zombie apocalypse did not sit at home, with food, water and other high-tech benefits of modern Japan, and now they went to seek refuge!!! They go, and naturally no one is allowed to their houses, so they reached a certain warehouse where they encountered a gang of Japanese loaders, with whom they will fight for a place under the sun in this warehouse.
Apparently, Keiji Inafune, having removed his only painting so far, is an ardent imitator of the legendary J.K. Romero, because you feel (including the ending of the film) it is the Romer influence.
Forgetting about the zombies, forgetting about the very savory Japanese thrash, where the katana replaces the American chainsaw, but the blood and meat from this becomes even more and more, so forgetting about all this, Keiji Inafune hit the Romerian social drama, but where the great George Romero skillfully balances between horror and social conflict, our Keiji Inafune drowns and drowns completely.
Of the advantages, we can note the gradual inclusion of the characters of the film, in the setting of the story, in more or less the lookability of individual episodes, again the same à la Tarantino-Rodriguez "Planet Terror" (a scene in the hospital), but there is no drama, there are very few zombies, logic is late, in general bad everything and alas, and it is a pity that many, very many novice directors can not gather their spirit and instead of a long boring film to make it a good, worth a short meter.