It seemed like the 5th full-length about the League, and at the time it amazed me. Usually, the fat cons was that the action is not diverse and consists of 90% of the presentation of heroes and muzzle. But not this time. Really strongly and unexpectedly set the plot, there is no concentration on the characters themselves, even Superman did not become the omnipresent salvation, as it happened in every second series. All the action is gathered around the Flash and his mystery, and it is done at the highest level. Somewhat struck uncharacteristic for this universe cruelty: blood, mutilation, the death of children, heroes commit murder – in a sense, this is a plus, since “fake war” in other cartoons are dull tired. I am not a supporter of cruelty, but I am also against artificial gloss. I believe that if an author sets foot in a certain territory with his work, he must work honestly with what he has got himself into. But film sins: - There's a 3-way war going on. Amazons, Atlanteans and humans. What did not divide the first and second we understood, but how did people get involved in this? - How did Antiflash know all the details, all the answers to the mystery? He knew not only what Barry had done to break the time continuum, but even how things were before the change and how they had changed—in other words, he knew more than the hero. - And it should not have existed at all, since the Earth did not live up to its native 25th century. In general, again, it was not without some inconsistencies, but the work is very strong, stands out from other cartoons about the League by a fundamentally different plot construction, a different color and, most importantly, a powerful morality at the end. Sometimes you just have to accept the bad that happened to you, rather than violently shake the universe in an attempt to fix the impossible. Translation. There were 3 when I looked. In one of them right at 30 seconds sounded the phrase "as a child, my grandmother taught me prayer." What a lovely childish nonsense of an illiterate idiot. Switched to voiceover from SkyeFilmTV, it's fine. And the movie. In 2023, a film about the Flash came out with about the same plot, but the cold runs out of the gates from how much the DC studio has degenerated over the years. From the masters of their genre they turned into a rabble of degenerates. Same story, 10 years of difference... A picture of the complete and final extinction of creative thought and of human reason and dignity in general. Every scene, every character has been changed to be as stupid as possible. From DC, there is a mooing beast.
Jeff Jones got the job because of his love for the first two Superman movies. Because of this, he began to play the role of a “step-by-step leader.” Because of this, young Jeff found time to make friends at DC Comics. Jeff did a hard job writing the Justice Society of America. JSA evolved under Jones into the sometimes pretty microcosm of its own home universe. While the modern Justice League usually consists of characters with true cultural influences instantly recognisable even among the most illiterate among us, JSA thrived by combining characters from the comic Golden Age with rampant youth inspired by their example. That's what I've always loved about the DC universe: a metatextual awareness of its history. Unlike Marvel comics, where all roads lead to Cap and LH, and everything else is shunted for about ten years and continuity becomes epidemic, DC heroes are in different generations and time frames. The Old Guard began wearing masks and beating up bad guys in the mid-1920s. The planet’s new guard of superheroes, usually starting with Superman, has chosen to take the “coward and cloak” path in part because of this pre-existing heroic tradition. It adds historical depth to the fictional DC world, eliminating the fact that any single character boasts the title of "World's First Superhero." In our universe, right here, Clark is unwaveringly first, but in his universe he came later than many.
Almost no one in the DC Universe questions anyone's decision to fight. If you have superpowers (or a bunch of money, or an underwater kingdom, or a magic staff that an old family friend gave you because he wants to get out of the game and spend more time with his family), becoming a hero or villain in the DC Universe is like becoming a lawyer, a police officer, an emergency worker, and a volunteer. It’s all a far cry from all the hostility of the Marvel Universe toward heroism. In DC Comics, several long-running Heroic Legacy espouse a sense of trust between heroes and the communities in which they exist, no matter how inappropriate that trust is. Batman has been working on his own legacy since the first Robin fell through his Cave, and he's so damn good at it that there were at least five Robins at the time of this writing. Three of them were killed in battle, and one of them was returned from the grave. Don't even make me count Batwoman, Batgirl, Catwomen and Hunters.
The other heroes aren't much different. Superman's cousin, Kara, flew in the background for years, mostly because of her loneliness... until 1993. Aquaman is a king, so he needs to not only worry about the line of succession, but also enjoy a whole civilization of funny young men who rush into battle to become his king's good left hand. At the time of writing, six males (and one of their daughters) have been named Green Lantern. The Green Arrow tried to follow Batman’s lead. The Flash stories had a chaotic unpredictability that is now hard to find even in superhero books. He will fight Abracadabra for one month, and next time he will go on a journey to the days when the Dinosaurs ruled the Earth, or to the distant future of the 30th century, where everything has become even crazier. . .
Do you hear me, I spent all that money on comics that weren't near Flashpoint? Save our money! It's not worth it! Jor-El was right! We're a pack of fools! Every last one! Um... sorry... I had to yell at one of my past 'I'... Jeff Jones may not like Wally West, Kyle Raynor or Dick Grayson, but he obviously loves Batman. That's the only thing we can agree on. Because everyone loves Batman, right? He's so serious and real, with all his money and the way he kicks everybody. The defining element of Batman's tragedy is also his entire motivation - so obvious that you can reduce it to one high-contrast image and then reproduce that image when it's materially convenient. There are no confusing ethical questions about the proper use of power. Nobody gets into Batman's case for failing to "save everyone," we just give him points for trying because he's damn "normal," you know? Not like the Flash.
Batman gets around it all by addressing the obvious injury. Despite his cunning and rudeness, Batman is easy to explain: dead parents + huge wealth + ninja training = The Dark Knight. And aren't dead parents a purer and simpler motivation for heroism than "boring" ethical chatter? So easy...so simple...and like shipwrecked people turning to seawater out of uncontrollable thirst, comic book creators keep killing parents because Batman is standing right there! “Living” proof of such emotional stenography works! Everyone has parents, right? And nobody wants to see them die! So Jeff Jones returned to the Flash comics and killed his mom, catalyzing no less than a year of turbulent stories as The Flash mulled it over and continued a mass hunt to find the true killer. . .
I'll always like a little old cartoon. But because they missed as much binder as possible, simplifying this story to a minimum, its main weaknesses are exposed on the highest hilltops: a skeleton of cartoon violence without connective tissue. The reason for the heroes of the DC universe to gather and kill each other in particularly catchy (censorship) ways. Hundreds of pages turned into seventy-five minutes: "Hey - I know this guy from other comics where he's a hero!" Without proper context, violence loses any real reason for existence. They all run together in my head, becoming a vague mixture of colors, nothing like what the Flash sees as he piers through time.
“My battery is about to die and soon I’ll join it and I’ll join it.”—Lois Lane of the Daily Planet
Flashpoint is a pretty brutal story. We are shown a world where something went wrong.
Batman shoots pistols, throws grenades and throws criminals off the roof. Wayne Enterprises is not an innovation company, but a casino. Aquaman and Wonder Woman attacked people and started World War III. The world does not know Superman, because the special services since childhood keep him in a bunker - a kind of Guantanamo.
The Flash suddenly finds himself in this world and one realizes that everything has gone wrong. But I don't know why.
Such an unusual look at superheroes met in the comic book about the Red son, where the capsule Superman fell not in America and in the USSR and he became a Soviet superhero. But there's even more tin, a lot of ketchup. A serious cartoon with a taste of Tarantino. I advise you if you are tired of standard images. And it's only an hour and twenty.
9 out of 10
Barry Allen is the coolest of the Justice League. After Batman. I won't explain why. Okay, I'll explain. Because he's Batman! But Barry's cool, too. He can run, run, and ... crash into his back. Although no... he can run, run, and... he will be stabbed in the back by himself. In short, Flash is the hero whose view is most interesting to look at the world. Considering that he can look at it from beyond.
The Flashpoint Paradox is not a parody or fan fiction. It's an alternate world of DC, through the eyes of its culprit. Barry Allen wanted to change the past and save his mother. Well... Mission Complete! Mother is saved, the past is not known.
The animated film “Justice League: The Paradox of the Source of Conflict” has what the entire DC cinematic universe does not have: a competent script. And what in this universe boasts only “Man of Steel” – the elaboration of the screen world. A look at the usual characters (there are a lot of them here) at a time-distorted angle does not pass the picture. The cartoon is very qualitatively drawn, and inventive action does not require a multi-million dollar CGI conversion to look competent. And the dramatic notes here sound louder than in the gaming colleagues.
75 minutes of animation for $3.5 million is more impressive than 150 minutes of countonium for $200 million. And why watch for the hundredth time the emotionless reconstruction of American infrastructure, when Barry Allen, tormented by a dilemma, runs after himself. It is not a sin to suffer for the latter.
Man is an emotional being, and therefore makes many mistakes in his life. Or negative events happen to us that do not depend on our decision. In any case, there is always something to fix, but for this you need to go into the past and know what will happen in advance, solve all the problems. Here fantasy and begins to ask questions about the possibility of changing the past without cardinal changes to the present and future (we are talking about a trip to the past).
In science, two theories about the possibility of moving into history are most common: motion at a speed close to the speed of light (the so-called “twin paradox”) and ultrahigh gravity (about “black holes”). Who is interested in reading articles about “wormholes”, “Einstein-Rosen bridge”, etc.
In science fiction, these theories and hypotheses are played thousands of times. Herbert Wells was the first to mention this in literature in 1895 in The Time Machine. Let’s go back to “our sheep.”
Barry Allen's lifelong dream was to prevent the murder of his mother. Having super speed one day in pursuit of the worst enemy Professor Zoom, Barry realizes that he must do something to save the long-dead Nora. And then he gets into the Speed Force and saves it in the past. This is what we are going to see throughout the film.
I liked this book primarily because of its logic. Yes, you did not hear the logic. Despite the confusing basic idea of the tape, there are practically no inconsistencies. The director portrayed the altered reality in the most believable tones.
The most important question in such stories: changed the past, and will the main character remember this and in general will he be born, because there are infinite possible time turns? But all these questions are, so to speak, the costs of "production."
"The Conflict Source Paradox" is one of the most important milestones in the storyline of the Justice League and the Flash in particular. Jay Oliva - a long-recognized master of animation adaptations of graphic novels. And this work takes its place among his successful creations.
Anyone interested in DC, as well as those who are lazy to read / consider the releases of comics, I advise you to watch it. The film, in addition to all the advantages, is also endowed with a dramatic component, which makes it not just a cartoon!
8 out of 10
The river murmured and the birds chirped, life in the world went on as usual, Gotham City was just as gloomy and populated by criminals who, in the nightlight of the moon, found their defeat at the hands of Batman; in Central City everything was the same, criminals suffered their fiasco thanks to the efforts of the Flash, and the Justice League stood guard over the earth. But as we know, there is always one big "but" in this situation, this "but" was Barry Allen's desire to change the course of time, or rather save his mother in the past, but the game over time is fraught with terrifying consequences. And when the course of time changed, the River was still murmuring and birds were still chirping, but, something changed, Barry changed the course of usual events with his marathon and the future may not seem the same as superheroes imagine it. Jay Oliva, who has such successful projects as: “The Dark Knight Revival of Legend” and “Attack on Arkham”, shows the adaptation of one of the most famous comics about the Flash, Flashpoint and the risk of this adaptation, the risk because Flashpoint is full of fans and you need to try not to spoil the original source – the risk is fully justified. Justice League: The Paradox of the Source of Conflict is a diamond in the DC animated film universe.
Many will believe, and many may be skeptical, that if you move a glass of milk, it will affect a whole chain of serious events that will unfold in the future, but surely the mysteries of time for centuries will not be solved, the Flash could not wait so long and moved his “glass” and Bach! Around the chaos and around the destruction in Gotham City everything has changed, in Central City too, and around the world. This animated film should be treated as one of the degrees of human fantasies about games with time and their consequences, the idea is to show not only the superhero confrontation, but also to unleash the imagination of the viewer, and in this case, to inspire thoughts about time and all this under the “wrapper” of superhero discord. As in the original comic, the main advantage of the picture in the plot, and this is good!
Barry does not change the future, it leads to strange and unusual events, which are a real “brain explosion” for fans of comic books. For example: Batman, who does not value human life, Amazon - Wonder woman who has forgotten what it is to serve the homeland and protect everyone and everyone, now she is driven only by the desire to take over the world, almost the same situation with the lord of the seas. There is a war going on, even Superman will be taken prisoner. Oh, Barry, what have you done?
Drawing and animation of this project at a decent level, although they do not bring anything new and do not make a breakthrough, the plot and dynamism do not let you sleep, well-designed characters add even more advantages, and the director’s respect for the source is palpable. Jay Oliva perfectly coped with the task, and once again pleased DC fans and Flash fans, and their thanks they will say in the form of assessments and positive reviews.
Summarizing
Justice League: The paradox of the source of conflict is an impeccable superhero film with a great plot and a beautiful picture, and for this the film deserves high praise.
Review of "Briefly on the main"
That's what really good animation works DC is the courage of their creators. It’s not about adding violence or sex to cartoons. Rather, the fact is that they do not hesitate to take not very well-known, or even turning the whole familiar picture of their universe comics and transfer them to the screens.
Flashpoint comic, as I understand, is quite famous, but you can not deny it in courage. One fateful decision of Barry Allen completely changed the usual course of events. Some did not happen at all, and those that happened clearly do not look like we are used to it.
And yes, the world after Flashpoint is even more depressing than usual, we hardly show its villains, and enough of the heroes themselves. After all, Aquaman and Wonder Woman unleashed a war between Atlantis and Temescira. And the whole world was involved in their senseless but fierce confrontation.
Against this backdrop, new versions of old heroes seem far more suited to this crazy universe. Especially Thomas Wayne, who became Batman for his son. Well, the all-powerful suffocator, who grew up in government dungeons, causes endless pity. Well, personally, I was incredibly pleased with the appearance of Grifter, although I always considered WildStorm a separate universe.
But still they are not the main characters of the story, and The Flash, and he has to find a new common language with his old friends. And in order to correct what he did, he will have to make the greatest sacrifice of his life.
A great story on the seemingly hackneyed theme of time travel, in which you can see a different look at the characters DC
Justice League: The Paradox of the Source of Conflict
The theme of alternate and parallel universes has always been quite popular among ordinary filmmakers. After all, it is this plot move that allows you to play even the most interesting stories in an absolutely fresh, unusual and unexpected way. This allowed the guys from DC Comics to create “Injustice: Gods Among Us”, which is still considered one of the best works of the studio and certainly it is to her that you can safely include the Flashpoint comic book series of one of the best DC Comics authors Jeff Jones.
It was he who revived the popularity and reputation of Aquaman as the "Throne of Atlantis". It was he who refreshed most of today’s comic-oniongs, including Justice League. What was ideally reflected in the example of this animated film directed by Jay Olive, who has already established himself with such primeval works as “The Dark Knight: The Revival of Legend”, “The Attack on Arkham” and “Justice League: War”.
As in the case of the Flashpoint series by Jeff Jones, the main advantage of the picture is certainly a story that captures almost from the very first frames and does not release the final credits. The creators of the film are so much carried away by the alternate universe and the “butterfly effect”, which has changed the fates of the main characters so much that you unwittingly discover each of the screen characters anew and in an unusual way. At the same time, accepting the fact that most will not live to the end, and many comrades suddenly turned out to be sworn enemies for all time. What the creators played on the screen is just great. Thus, having so much inflated the degree of surprise that it is difficult to determine until the last frames how this story will end in the end. Except that, disappointing that the origins of other characters in the format of the work of Jones and remained behind the scenes. When it would be interesting to know how the individual characters of the picture “came to such a life” and at what point they changed so much.
No less fascinating is the disclosure of the Origen Flash, which is perhaps the main story arc of the picture. Actually, like the Flash himself, the main character of the entire tape. The characters are simply stunning and the unexpected roles of some heroes really make a strong impression. What naturally contributes to a truly luxurious visualization of the picture. From a visual point of view, the film is made in the already established style of animation, which is even closer to the image of Japanese anime and has already managed to gain a foothold against the background of “War” and “Throne of Atlantis”. Naturally, it was the animation that gave the already impressive scenes of the spectacle even more epic and spectacular. When the focus of the picture for an adult audience, which was reflected in a considerable number of deaths, brutal violence and blood on the screen, gave these scenes even more entertainment.
10 out of 10
Justice League: The Source of Conflict Paradox is by far the best DC Comics animated film that impressed me the most. Stunning animation, epic spectacle, almost complete lack of censorship, the most fascinating plot and truly exciting presentation of screen events, all this gives the impression of a full-fledged animated blockbuster, which even outside the format of a feature film literally demolishes the tower.
Among other DC cartoons for 3.5 million, this one became interesting to me because of the recent series “The Flash”, after which this character became a discovery for me, especially since he was assigned a primary role here, like Downey Jr. in “The Avengers 2012”.
Unfortunately, the beginning of history on all fronts can be called a failure. All the dialogue, the lines and the plot are so trivial that it feels like I’m watching SpongeBob or Cotops. It is a pity that the creators did not invest in the beginning of the cartoon, although they showed many villains that are familiar to me from the same “Flash” and “Arrow”.
Among the advantages is, of course, the remaining 2/3 of the film and all this slurry with time travel, the consequences of these movements, including a change in morality in the main characters. Almost everyone, except Cyborg, has changed their moral principles to different or even completely opposite ones. Blood is attached. By the way, it seems that the writers and the director did not have a clear certainty in terms of rating. The first third calmly goes as 6+, and the rest with all its cruelty pulls on all 18+, so the feeling after watching is two-fold, as if the thoughts of Two-Face.
Although still do not forget about the incredible Flash, because thanks to him, this cartoon is really interesting to watch, and already tired of cartoons with Batman in the title role, he is already beginning to infuriate. Therefore, the change of the main character is a bold step that fully justified itself. And although the film in the title has the phrase “Justice League”, personally I will remember it as a cool film about the Flash.
9.5 out of 10
P.S. How the whole costume fits in a small ring!
P.S.S. How long is it to wait for the 2017 movie, and how soon will it be back after the Flash break?
Justice League: The Source of Conflict Paradox is an adaptation of Flashpoint. The story of how the Flash (Barry Allen) changed reality. There is no Justice League in the new world. Of all the superheroes on earth, only Cyborg and Batman remain.
The film is not without flaws, but you can watch it. Let's go through the pluses:
+1
Drawing
Artists from Warner Bros Animation for 5 years of work (the first cartoon about Superman came out in 2007, and he began the DC animated universe) have created their own unique style. Beautiful faces, effects, and in this cartoon there is almost no 3D graphics (which periodically appeared in previous cartoons). But I think Batman’s face is weird. This feeling was drawn in 15 minutes. Well, that's my IMHO.
+2
Plot
He's very interesting. This is what everyone loves about DC. Darkness, seriousness, cruelty. Plus, coupled with a cool denouement, this is generally what you need for comic book lovers.
+3
The main character
In all the Justice League animated series, the Flash has always impressed me the most. From the scheme our hero can run quickly authors (mostly comics) gave Flash the opportunity to creatively use their power. Which is well shown at the beginning of the animated film. But no matter what, the other heroes are pretty good. Especially pleased with the local Batman, he does not hesitate to kill (although he somehow quickly scored on the capture of the Joker only to help Alain). Well, and pleased the superman, who here made the object of experiments of the American authorities.
-1
Only one minus, but it is very significant. Warner Bros Animation has just released the Flashpoint series. Which had only 6 issues. But there were other comics from the Flashpoint series (about the green lantern, about superman, about aquaman and a miracle woman, Batman, a black canary and a green arrow). Yes, the creators sometimes show excerpts from these comics. But, in order to understand the motivation of the characters, you need to read all these series.
Summary
The animated film Justice League: the paradox of the source of conflict is highly recommended for viewing. He's no better than the Dark Knight's return, but he's definitely the latest cartoon in the league. And yes, this cartoon is the beginning of a new (relaunched) DC animated universe.
8 out of 10
I consider this animated film 2 after dark knihts return, because there is something that has never been in such animated series - realism. In an ordinary cartoon, the same flash (or kid flash) appeared before us as a simple fun person, inexperienced and unserious person. And here we see the opposite. From the very beginning, the cartoon shows us a bright picture. Everything is simple enough and nothing complicated. But then everything soon changes to dark tones. Well, it's not realism yet, because the dark tones were in Batman of the '90s. All as usual (only aquaman and miracle baba somehow not very drawn). Realism begins only when the flash is already in another reality (or in the past). We are shown a completely different batman,
He lost everything, including his wife and son, a cyborg, Obama’s henchman (hell, I didn’t expect to see him there), and Captain Marvel, but in a herd of several people. And the thing that stunned me, but at the same time interested me - superman, instead of getting out of his capsule, fell under the arm of the military, Hal Jordan did not find the rings at all and died in a normal disaster, and aquahrene and Vonder Vuman decided to triple World War 3. And all of this is because of the flash paradox. Cartoon often appears as FDBs, which in principle he needs in various situations. What is realism then?
As mentioned above, superheroes get everything from pheny and just like that. Even luck just helps. But dark knights return and in this cartoon everything is different. Disappointment, hope and despondency - this was how the life of real superheroes, all the time risking lives, was represented.
I also enjoyed the right amount of hardness. Superman Darkseid hit 100,000 times, and he's wearing a tattered suit, but there's no such thing. Here pierced, cut, ripped, strangled, shot, burned, cut.
I received the greatest pleasure from this creation and the assessment boldly.
9.9 out of 10
(for the monotonous drawing of women and aquahrene)
And the supreme act of your selfishness shook history and, like a cynical amateur, turned this world into a living hell on the verge of destruction.
What about another Justice League movie? How about visiting another reality? The reality where there is war on Earth. The war with the Amazons, which led by Wonder Woman destroy earthlings, and the inhabitants of Atlantis flooded almost all of Europe. Batman uses firearms and is ready to kill villains without pity. Clark Kent is held captive by the government, and Hal Jordan never became the Green Lantern. In this world, heroes become villains, and villains sacrifice themselves to save humanity. The plot is very interesting and very unusual. All the clichés of ordinary cartoons about superheroes are removed. The most famous heroes of the DC universe die, as do ordinary supporting characters.
The central figure of the cartoon is the Flash, which cannot but rejoice, since there are so few good cartoons about it. Can the Flash sacrifice his family and neglect his happiness to save the world? You will know the answer to this question after watching this movie.
First of all, the cartoon is significant in that its main line is dedicated to Flash Barry Allen, whose screen adaptation or something about the hero has long been waiting for fans, as well as many other heroes. It can introduce us closer to the world and the past of such a glorious hero, and those who begin to get interested in the DC comic universe, gives an opportunity to get acquainted with the character in more detail.
As far as the script is concerned, despite the slight template in terms of time travel, changing the present, it's great. The question remains: How did this happen, how did things change, and how will the Flash and the entire League save millions of lives? The storylines are fast and exciting, like the Flash race itself, so it’s hard to get away from the screen. They border on epic scenes in the form of battles, battles, unexpected encounters and the same turns.
The film does not focus on the main character of this saga. In the world we are shown, everything is different. And those unfamiliar with this comic will be pleasantly surprised to see and empathize with the characters, whom we are used to seeing in a different role and with other destinies. In addition to meeting with your favorite characters, we are waiting for a pleasant surprise in the form of meetings with other villains of the DC universe, whom we could only see in episodic series and meet on the pages of comics.
The cartoon is not devoid of sensuality, makes you worry, as well as it has a share of humor with jokes. Especially touching looks the last scene with Batman, but not about spoilers, but only warm up the intrigue.
In general, you can add a slightly modified drawing of the characters, looking new and cool, and you can summarize.
In the treasury of full-length cartoons of the Justice League, another much-anticipated creation was added, giving us the opportunity to plunge again into the world we love. And if you discard what we always know in advance, including this work, that the Justice League will win, the picture is brilliant and exciting, like the whole universe, like all previous works that we are unlikely to stop reviewing and waiting for. So let’s just say – ahead of a new super-fast and interesting story with our favorite characters and most importantly – one of our favorites.
We are looking forward to a new generation!
First I want to say that this animated cartoon I really liked . Full of darkness, apocalypse, violence and blood. I'm not going to say I'm a maniac, it's just that DC comic book highlight. No kidding, very epic, global and large. The cartoon is full of entertainment, drama, tragedy, empathy for heroes, action fights and thoughts for reflection and moral choice.
So, I wanted to write about the differences between the events of the comic book and the full-length cartoon:
The animated film begins with some epic fight between the villains (does not lack only Grodd, though he is not in the gang of villains) and Flash. Under the direction of Reverse Flash, they trap our hero. Here is the first inconsistency, as far as I remember, the whole team of scoundrels also fiercely hates the Reverse Flash, as well as the real one. In the end, he used them for his own purposes. There's no scene in the comic. There, the action unfolds with Barry waking up at the police station. In my opinion, this scene was included in the cartoon in order to justify the title "Justice League". She came to Barry's rescue. This is where the film ends;
The story of Barry's mother's murder has also been changed. I think it's because it's going to be easier for someone who doesn't know who's watching a cartoon for the first time and doesn't know anything about the DC universe. A thief who broke into the house kills her. But we know that this was done by the main villain and opponent of Flash.
It is also worth noting to the first point, Reverse Flash wanted to blow up and kill Barry, but according to the comics, Reverse Flash can not do this, because then in the future he will not become Anti-Flash, without speedforce Barry will not reverse speedforce. This was not the case in the comic, except after the world changed. Reverse Flash became the paradox of time and no longer needed Barry. What did Thomas Wayne stop him from doing?
By the way, the methods of this "interference" Batman is different too.
The last thing I want to say is that I liked the speed force effect, when the world around Barry was slowing down, and he was moving just as fast. The last scene with Bruce touches to the heart, I was ready to tear myself, despite the fact that I am a guy. Of course, it is still a pity that the cartoon missed the scene of the last conversation Barry and his mother, how she helped him choose the right but difficult moral choice.
I hope that this cartoon will be loved by the viewer, and DC and Warner Bros. will descend the thought of a full-length film about Flash. But, dreams, dreams...
Justice League outcome: The paradox of the source of conflict: