Cunning and love When a familiar serial maniac wrote that he had found the perfect series for me, from which it would be impossible to break away, I did not believe it. Naive Chukchi girl. After all, it was the Velvet Gallery, and there are Spanish passions, love, suffering, intrigue, family ties - in general, everything I love. And the unbearably beautiful Madrid of the late fifties, many beautiful dresses. Men wear impeccable dark suits, women - lush skirts to the knee, and everyone is constantly talking about fashion, claiming that "Dior is outdated" and "Balenciaga is a genius."
So, in 1958, in the heart of Madrid, there is a building occupied by the Velvet Gallery, a very large and very expensive fashion store with its own workshop, with shows of new models twice a year and other things. Don Rafael Marquez, a fashion conservative, rules here. After his tragic death, the company goes to his son Alberto, who is forced to take risks to save the family business. In addition, other members of the Marquez family also have their own views of the Velvet Gallery, and intrigue is weaved, and everyone is ready to go to head for power in this small empire.
Among the employees of the Gallery there are also passions: here they fall in love, separate, quarrel, reconcile, dismiss and return to work sellers, messengers and seamstresses, all under the strict supervision of the manager Don Emilio and the head of the sewing workshop Dona Blanca.
Everyone in the gallery has their own secrets. At first glance, each secret concerns only the one who keeps it, but in fact the Gallery is one big family, and the secret life of one family member affects the interests of all.
The most important thing in the Velvet Gallery is love. Here love and hate passionately and passionately. The central love story is the story of the son of shop owner Don Alberto Marquez and seamstress Anna Rivera. They fell in love with each other as children, and can neither be together nor part. In general, drama, drama, drama!
The series, of course, has references to the ancestor of all stories about large shops and their staff - the novel "Lady's happiness" E. Zola. In the plot, it is also similar to the already closed "Paradis" - British variations on the theme of "Lady's happiness". But the same plot (poor girl - rich man - rich girl) in the Velvet Gallery acquires "flesh and passion." There are people here, not mannequins dressed in fine costumes. (I hope with this phrase I was able to fully express my dislike for the series Paradise, similar to its literary predecessor Ladies' Happiness, like a nail at a funeral service.)
Even if you are an opponent of excessive passions, watch the first episode at least for aesthetic reasons. Firstly, there are beautifully placed color accents, everything revolves around a dress of wine-red color. Secondly, the ingeniously twisted intrigue: the frames of the prologue at the end of the series are repeated again, and the viewer watches the same thing twice, the first time understanding nothing, the second time fully realizing the meaning of each look and each spoken word.
In general, if you are not indifferent to fashion, to Spain and want to see great love at least on the screen – this is for you.
If you are not interested in all this, just look at the main male actor – Miguel Angel Silvestre. Or Paulo Echevarria, who played Anna.