All Cats Love to Eat (The Sweet Pussycats, 1969) The rightful heirs are looking forward to when the judges will finally make a decision, according to which it will become known who will get the castle. While waiting for the verdict of the judges, the men draw a red line, thus dividing the territory of their possessions. Along the way, men bet. The argument boils down to who is the first to drag one of the two daughters of a local laundromat into bed.
The IMDB database states that All Cats Love to Eat was released six months after Arrival, Favorite Girl and Work. That's pretty logical, in my opinion. Let me remind you that Joseph Zakar was engaged in the production, providing both films with a common video sequence. It turns out, having released the first film in the spring of 1969, the director collected the box office and began to think about whether to shoot something else, since the project brought profit. However, this is again my assumption, since I do not know anything about the rental fate of Zachar's films. It is unlikely that after forty years it will be possible to find out whether the director originally planned to make two films or this idea came to him a little later.
For directors filming “exploitation”, this move is quite common. The same Roger Corman often wondered why such a luxurious prop from a large project remains dusty in the attics in the pavilion or simply burned. With a couple of weeks to spare, Corman could make several films in sets that were about to be destroyed. Joseph Zachar went to the same trick, shooting the same actors in the same castle with the only difference that the humor of the second film is much more inventive, and the plot really has weight.
The humor of the writers in the spirit of modern sitcoms, that is, the viewer either accepts it or completely rejects it. As an example, a joke with the only servant in the castle, who after the heirs have checked the line, runs back and forth, trying to please the future owner. Or a TV joke: a potential client has just stepped on the doorstep of a brothel, as the priestesses of love meet him. Rifling skirts, they bare the butts with a drawn letter. Collectively, the letters give the phrase "Wilkkommen" (in Russian, "welcome!"). If you find this kind of humour even slightly fun, then this movie was made for you too.
