No one but him. Ab Tak Chappan 2, 2014
Sadhu Agash, in the first part, who avenged the death of his wife, is early to be written off. And although he's been back to normal for a long time and all the shootings and showdowns are long gone, he never forgets that he's a cop. He likes his current life in the countryside, away from the hustle and bustle of the city. And he's not going to change anything about it. I like fishing, cutting coconuts and boating with my son. What else does it take to be happy? But the Maharashtra state government has other plans for it. That's exactly what they want. You need him, someone who is not afraid to get his hands dirty, for work where you can not do without blood. Only now the time for Sadhu is not very successful, and becomes again in the fighting link he is not burning with desire, and is not young. After all, work is not sugar, people are overwhelmed, risk their lives, become cannon fodder for the sake of the fatherland and debt. Nor can he forget how the government officials in Mumbai once pointed the door at him and removed him from office. Memories of his wife hurt him, thoughts of her crowd out everything else. But you need to pull yourself together, home, family, children do not bring thrills to a high-class professional. And the gloomy picture of crimes unfolding in the city suggests serious thoughts, does not allow you to withdraw, relax. The gangsters behave too brazenly and arrogantly, and there is no one to give them a worthy answer. The Minister of the Interior and the Prime Minister need a specialist with a tough, strong-willed character who has such a lethal force that the mafia shudders and gets knocked out. And such a monolithic force in the form of a former police inspector, who can not be frightened by anyone, capable of cleansing the city of thugs, breaks off from its native place.
Starring Nana Patekar. It is not the first time he played cops, the role of his heroes, as a rule, says: "When leaving, extinguish everyone and do not ceremony with anyone." His character in this film is no less good than in the movie "The Apprentice". About the same thing, but even harder, the same blood and sweat, and the limitless "messilov". His characters boldly go to rapprochement with the enemy, can be friendly, easily offer to drink tea, and just as calmly punch when you need to along the ridge. The analogies with Gleb Zheglov are obvious. Crime by its actions itself pushes the heroes of these films to reciprocal boundlessness and cruelty. But if only the mafia was a serious problem... Corruption of high-ranking officials in Mumbai is blossoming, but there all the moves and exits are blocked by armored doors. And go take them for rupees, for twenty, as the hero in Vysotsky Gleb Zheglov said. At once they will shorten, break their hands, wrap the whole initiative and send to rest, enjoy the beauty of nature. And even in the grave, if you go too far and dig too deep.
The film is certainly very interesting, although I had to watch it in the original language (Hindi), subtitles in English were to help. This film is not just about the murderous showdowns and working days of crime fighters. All this is there too, and the gloom and dirt with ambushes and bullets and blood on his hands. The film is more about who is the big geek and thug. Those who run around with knives and bats on the street, or those who freely commit criminal acts without leaving their seats in a chair in their office. And this problem cannot be solved with just one outlet of seven sixty-two or nine millimeters. However, despite the fact that his hands are chained, there is nothing that can stop police inspector Sadhu. And his anger, red-hot to white, can no longer be extinguished by anything.