There is a search like it. Do you know what a funeral agent is doing?
- A funeral agent is now crawling through barrels.
- How do you know that?
- I know. I know he's doing better today than he did 5 days ago.
- Is he an idiot or something?
- No, I think he's a genius.
Tehran 43, 1980, dir. V. Naumov, A. Alov
How do you find a complete stranger? How do you make contact without causing rejection? How much time and effort do you have? For an opera, a spy or a scout, this is not a question. Each has its own method, but the result is the same, achieving the goal.
And Gleb Zheglov with notches imprinted in the mind of Volody Sharapov his principles in “The meeting place can not be changed”, and Kolya Krotov living according to the legend of Gregory Milinko in “Confrontation” it pedaled from series to series, and Nathan Muir teaching Tom Bishop in “Spy Games” showed the alphabetic basics of the CIA machine. What is it?
Here we are dealing with a man who knows his business well. A professional doesn't hang out in front of obstacles. They just don't exist for him. Denied attention? So, let's go in from the other side. There's a lot of variation. You say you're a scoundrel? Well, get to know me better. The more we see each other, the thinner the ice of distrust. Would you? What if, say, I put your garden in order by removing the dry spell? Agreed? Perfect. That's where we start. Contact established. Access to the house. Now the next step...
How did V. Bogomolov “In August of the 44th” sound about the orientation for Mishchenko? Other features: has an outstanding charm, easily enters the trust of others; loves hunting and horseback riding; from food - trepang with fried onions, meat borscht and steak with blood. Does not smoke, alcohol consumes when necessary; physiological contacts only with the women necessary for the task.
Physiological contacts only with the women needed to perform the task.
So who is he? He's a revolving guy. Private detective practice. Germany. He's young, moderately cynical, clever. He's about 30. Expensive car, couture suit, gloss in face and appearance. Heartthrob and hunter at the same time. Who can resist? The contract brings him to Munich. The customer instructs to find the painting stored in a private collection. A lot of assumptions, a lot of "ifs" and "maybes" - the rest itself. And you need to dig the ground, and you need to dig.
The master has begun. The master works for the client. The first lady, the second lady, the game of domestication, now push away - the characteristics of the character are already clear, let him get angry, again close - the goal is almost achieved.
German cinema is slow to turn around.
7 out of 10