The film is a complete conflict-free nonsense, a kind of chanting of the simple idiocy of rural life. In the genre, it is also a comedy, and the comic effect is achieved by bulging eyes, vomiting the teacher, pooping on the lesson of the baby, etc. It is long and fair to compare genre films of South Korea with ours, of course, not in favor of the latter. It is more interesting to compare the example of this film, how it all began, from what heights our cinema fell and how the Koreans rose. “The Organ of My Heart” is unusually simpler and stupider than not only “The Big Change”, but also any “4: 0 in favor of Tanyochka”, but for fifteen years genre cinema in South Korea has reached an unimaginable heyday, but here we have...
The film is worth mentioning except for the early role of Lee Ben-hon. South Korean Alain Delon, who became an international style icon and a rather glamorous character, was not born in a golden font and the first steps in cinema did not foreshadow anything. I suppose this film, in which he's buff-eyed, wearing sweatshirts, Lee tends not to remember, having the same feelings as Ornella Muti when it comes to her early work as a rural simpleton with an unchanging nudity and a furry pube.
5 out of 10