Sexual pleasure robots Four best friends ride late at night along a remote forest road, with inexhaustible fun, weeding wild urban tales about a maniac allegedly living in this quiet area and professing clearly the traditions of ancient Indian vivisection towards his victims. However, instead of dreaming of a maniac, they receive an alien abduction with very unusual consequences.
To a wide range of viewers, the name of the director Roman Noviska, under which the British porn counterfeiter Trevor Barley hides, does not say anything specific, but avid fans of underground cinema will immediately remember his four-act porno thrash franchise “Phantom Killer”. But not only these films are in the filmography of Barley-Noviska, to find which in the open access is unrealistic due to its truncated content, because in 2005, under the auspices of British producers, the Honorable Director of Fake Polish origin shot the film “Abducted by the Daleks”, in which these most mysterious alien species Daleks are none other than sexually concerned robots and which is only relatively out of the general pornographic environment of the creations of this not the most famous director.
The film, having begun with a very scanty plot plot plot in the style of an average passing low-budget slasher, rather quickly (timekeeping in 55 minutes somehow does not involve a long chewing) turns into a perverse porn film (hello to the Phantom Killer) with a clear bias in the absurd, with notes of Japanese anime motives of hentai properties, a sci-fi horror, in which the role of the main antagonists is played by funny and prone to sexual addiction robots from their views of Luka. In fact, the plot of the film is built around the erotic misadventures of four friends on the space station, and the crumpled finale looks obvious plagiarism of second-rate fighters.
The cast of the film star names, of course, does not shine and most of the female faces of this picture migrated from the “Phantom killer”, because the actresses are good only when naked and not very talkative, because their acting skills even in the gentle frame of thrash is not ideal.
However, “Kidnapped by the Daleks” with all their minuses, with not the most realistic visual effects, with camera work far from perfection and a dull soundtrack, are still in some century an original genre creation (at least, nothing like in the environment of Eurothrash on “Kidnapped by the Daleks” I found), which I can safely recommend to all fans of non-standard horror films and thrash.
6 out of 10