Never give up. They're so different, but he wants to be with her. She, flirting, does not put him in anything, and he does not give up, even losing a decisive fight. Surface signs of romantic drama promise the lightness of youth comedy, but something else is revealed on the output.
Cinema could remain meaningless, if not for one surprise, revealing the not quite obvious purpose of the picture about the loser, as it seemed at first, getting rid of any hint of stupidity at the end, where the number of losers doubles, revealing the winner, for which all this fuss was started.
This could be another story about the loser’s futile efforts to cope with an unruly fate. But the relationship of a forty-a-kilogram high school student with a lush-breasted classmate, suitable for him as a teacher, suddenly builds up in parallel with two life approaches to the desire to be here or not to be.
The truth is that both have problems: the subtile Peck, as everyone seems, has no male perspectives, and the girl’s relationship with the family, she thinks, makes no sense to continue to follow the circumstances. The only difference is that he is looking for a solution, trying to change and change, and she is locked in a ring of depression, strangling her slogan:" Life is shit, and then you die.
An unassuming young optimist and self-buried pessimist, two characters present alternative options for crisis behavior, gradually approaching the painful topic of teenage suicide, which seems to be more relevant than ever.
Imposing simplicity, cinema, pretending to be harmless, stops, forcing to turn back. There, where the beautiful Emily (all with her - Brie Larson) finishes the humble Peck (positively charged Keir Gilchrist) with an honest refusal, who, ignoring the stunning defeat, gets the picture an alternative ending with a life-affirming bias that promises everyone salvation here, before, not after the end.