Laura Antonelli - Cunning The power of prohibition. Salvatore Samperi literally enjoys this situation, when each of the participants of the forbidden novel fully misses the inadmissibility of the very possibility of such a connection and therefore only heats up. At the same time, Samperi draws attention to the play of feelings, fervor and passion of the young man, the false submission of the maid. But in reality, they are all fleeing from a terrible reality. The sudden death of the mother of the family, which is not mentioned in the film, upsets the feelings of her family.
Therefore, you can see in this film and the cult of Eros, consisting in the heaping of erotic scenes, and the sad ballad about Thanatos. After all, all heroes live without love, without the meaning and plot of existence. It's not even life - fast rafting on the River of Life. Intrigue allows them to feel the importance of everything that happens.
Look at the movie poster. Laura Antonelli washes the window baring her hips. It's beautiful, it's realistic. Actually, this movie will be her benefit. The actress managed to show more than just the erotic experiences of a young girl. There were maternal notes, responsibility, and guilt. One can only guess the nature of her relationship with the dead. But whether they were good or bad, the weight of the guilt could still nail it.
As for the story itself, I don’t think it needs to be discussed in detail. One can and should mention the Oedipus complex and the subsequent films of Sampieri. But it's all superfluous. Here you can just look at Antonelli, and realize that previously seemed very worthy "Malena" in comparison is nothing more than a loser's attempts to do something similar.
8 out of 10