Eggplant! Eggplant!) In fact, the whole village gathered to see this man:
Come! Come! Who are you talking to?
- I beg you, please let me go! Please, I don't need an education!
- We made you some homemade sweets, snacks. If you eat early, don’t come back! Let me know by phone!
The film almost immediately made me smile, which did not slip from the face of the whole first part and was replaced only by involuntary giggles.
Everything is quite simple and obvious, the plot is predictable, but it does not spoil the impression. Everything in the movie is bright and juicy! Nature, simple village life, leprosy of Virababu and his company, his relationship with his father and Varalakshmi, all seemed alive and tasty to me!
- Dad! Where are you from?
- From there! What are you doing as Jackie Chan? Eggplant! Eggplant! Come home, I'll give you one! Eggplant! Eggplant!
Now "eggplant" is my personal clandestine expletive!
The actors were delighted:
Rajendra Prosad. He did not limit himself only to jokes, grimaces and grimaces, so beloved by Telugu comedians. His character turned out not just funny and cheerful, but whole and dramatic.
Pranitha. I have not seen this actress before, the girl is not that it is quite beautiful, but with such appearance you can be funny, and beautiful, and serious, you can be different, and this is for the actress, without a doubt, a plus. And those eyes on the floor of the face... Anyway, I liked her. I think her Varalakshmi turned out to be very nice and organic.
Siddhartha. The charm of his Virababu is simply impossible not to succumb! His grins are hilarious and natural, love is sincere, and grief and pain are genuine.
You! You don't know what love is! If you spent one day at my house, you would know what love is. When my father came home tired, my mother massaged his legs and put him to bed. If my mother was tired, my father would massage her legs. It's true love! Love is not about delicacies on the table or buying jewelry. Give each other what the heart asks. That's what love is!
Listening to Siddhartha's monologue, I cried sobbing. Everything in it, the pain and anger of Virababu, the belated epiphany of Father Varalakshmi, is a pure, undisturbed understanding of love. Everything touches and makes you believe! And the song by Siddhartha, which sounds when his father died, is so simple (almost recitative) and so piercing that everything inside turns. I wish the filmmakers hadn’t included it in the sound collection.
By the way, Siddharth also performs the incendiary “Baava, baava”, which seemed to me an additional bonus.
I really liked all the music. Dance compositions are unpretentious, but in this case it is good, they perfectly fit into the overall canvas of the film and increased the brilliance feeling of simplicity and coziness. The songs in the film are wonderful, of those that not only complement the visual range, but are also an independent work. All of them have already settled in my playlist and I am very happy to listen to them.
Even the comedy inserts, which I usually perceive only as an inevitable evil of South Indian films, did not cause any negativity this time. Everything was as usual not in the subject and not particularly funny, but Brahmanandam parodied the film “Groom” with Alla Arjun and I remembered this favorite film with pleasure.
In addition, in the first part of the film, the characters are lit up under Ring Ringa from Arya 2, so the film is not just good in itself, but also evokes sweet memories of your favorite films.
10 out of 10