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The city of Douala is in trepidation for the start of the new school year. A long line of customers come to Mambar Pierrette, the neighbourhood dressmaker, more
The city of Douala is in trepidation for the start of the new school year. A long line of customers come to Mambar Pierrette, the neighbourhood dressmaker, to have their clothes ready for imminent social events and ceremonies. More than just a sewer, Pierrette becomes the confidant of her customers, of a generation. But when the rain starts pouring down and threaten to flood her workshop – one of several successive misfortunes – Pierrette will have to stay afloat. close
In the oceanside village of Iyi, the revered Mama Efe acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when more
In the oceanside village of Iyi, the revered Mama Efe acts as an intermediary between the people and the all-powerful water deity Mami Wata. But when a young boy is lost to a virus, Efe’s devoted but rebellious daughter Zinwe and skeptical protégé Prisca warn Efe about unrest among the villagers. With the sudden arrival of a mysterious rebel deserter named Jasper, a conflict erupts, leading to a violent clash of ideologies and a crisis of faith for the people of Iyi. close
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original more
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution. close
Unemployed youths, many looking to leave the country for want of better options, are swelling the ranks of gangs that sow violence in Zinder, in Niger. more
Unemployed youths, many looking to leave the country for want of better options, are swelling the ranks of gangs that sow violence in Zinder, in Niger. Aïcha Macky explores the origins of the radicalization that is spreading through her hometown and the prospects for escaping it. close
This film is the portrait of Delphine, a young Cameroonian girl who, after the death of her mother and the abandonment of her father’s parental responsibilities, more
This film is the portrait of Delphine, a young Cameroonian girl who, after the death of her mother and the abandonment of her father’s parental responsibilities, was raped at the age of 13. She sinks into prostitution to support herself and her daughter. She ends up marrying a Belgian man who is three times her age, hoping to find a better life in Europe for her and her daughter. Seven years later, the European dream has faded and her situation has only gotten worse.Delphine, like others, is part of this generation of young African women crushed by our patriarchal societies and left with this Western sexual colonization as the only means of survival. Through her courage and strength, Delphine exposes these patterns of domination that continue to lock up African women. close
In the depths of an ancient forest, something has been growing. Something older than humanity itself, and perhaps greater too. When a park ranger discovers more
In the depths of an ancient forest, something has been growing. Something older than humanity itself, and perhaps greater too. When a park ranger discovers a man and his son living wild, she stumbles onto a secret that is about to change the world. close
Although Nuit debout opens with a woman’s account deploring the shortage of electricity in Kinshasa, the direct nature of the invective is put at a distance more
Although Nuit debout opens with a woman’s account deploring the shortage of electricity in Kinshasa, the direct nature of the invective is put at a distance by the way it is treated: the image that should accompany the voice is first absent, then tripled. The film seems to be the result of a mischievous prism that sometimes multiplies the image, sometimes associates it with others. By combining colourful shots bordering on the abstract with ambient sounds, the filmmaker proposes a personal variation on a documentary tradition: that of the urban symphony. The visual stream is as precarious as the electric current and it happens that darkness invites itself onto the screen without warning. The images echo each other or are sometimes attuned to create veritable triptychs. close
An RNZ documentary on the violent end of the occupation at Parliament grounds. On 2 March 2022, police cleared hundreds of people from a sprawling occupation more
An RNZ documentary on the violent end of the occupation at Parliament grounds. On 2 March 2022, police cleared hundreds of people from a sprawling occupation and protest in the area around New Zealand’s Parliament. The conclusion of the three-week occupation was angry and violent. Previously unseen footage gives fresh insight into the rage that overtook some people. And eyewitness accounts take us back to the chaos, confusion and shock of it all. close
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. more
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River. close
After years of swimming every day in the freezing ocean at the tip of Africa, Craig Foster meets an unlikely teacher: a young octopus who displays remarkable more
After years of swimming every day in the freezing ocean at the tip of Africa, Craig Foster meets an unlikely teacher: a young octopus who displays remarkable curiosity. Visiting her den and tracking her movements for months on end he eventually wins the animal’s trust and they develop a never-before-seen bond between human and wild animal. close
A man and a woman in Lagos want to escape their everyday lives, but extricating themselves is no easy task. Two stories narrated with tenderness and restraint more
A man and a woman in Lagos want to escape their everyday lives, but extricating themselves is no easy task. Two stories narrated with tenderness and restraint that only fleetingly touch, the dream of migrating to Europe floating above them all the while. close
A hybrid film set in London by a Rwandan director, exploring a threeway relationship between a mysterious Nigerian man, a British woman and her ex. After more
A hybrid film set in London by a Rwandan director, exploring a threeway relationship between a mysterious Nigerian man, a British woman and her ex. After his death, Simon appears to the ex as a ghost to tell his story, demanding a presence that was denied him as an asylum seeker. British and European political furor threaten both the director’s film plans and his stay in the UK. The fictional scenes are intercut with scenes of demonstrations. close
A young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality.
A young man in 1981 South Africa must complete his brutal and racist two years of compulsory military service while desperately maintaining the secrecy of his homosexuality. close
In a Mediterranean country plunging into armed conflict, a doctor tries to do his duty against all odds, until the day his destiny is turned upside down…
In a Mediterranean country plunging into armed conflict, a doctor tries to do his duty against all odds, until the day his destiny is turned upside down… close
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the more
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat. close
CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their more
CIA agents Palmer and Gagano are tasked with the perilous mission of destroying “The Soviet Union!" As they enter the system using a VR simulation, their mission quickly turns into a delirious trap, far more complex than expected, as the fabric of reality starts unraveling around them. A cornucopia of stylistic influences, virtuosic cinematic techniques, and set design (ranging from stop-motion animation to stylized live-action), Llanso’s latest blends inter-dimensional intrigue, spy-fi, kung-fu, and Philip K. Dick-esque mind-melting weirdness to achieve truly unclassifiable results. close
Algeria, 1994. S. and Lotfi, two friends from childhood, travel through the desert looking for Abou Leila, a dangerous terrorist on the run. Their quest more
Algeria, 1994. S. and Lotfi, two friends from childhood, travel through the desert looking for Abou Leila, a dangerous terrorist on the run. Their quest seems absurd, given that the Sahara has not been affected by the wave of attacks. Lofti has only one priority : to keep S. as far from the capital as possible, knowing his friend is too fragile to face more bloodshed. But the closest they get into the desert, the more they will be confronted with their own violence. close
Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a more
Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a normal life. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to put on a fashion show. close
No es (It isn’t) is a cumulative poem by Mariano Blatt, whose constant writing process extends over a lifetime. The text of the poem, to which verses more
No es (It isn’t) is a cumulative poem by Mariano Blatt, whose constant writing process extends over a lifetime. The text of the poem, to which verses are added over days, months and years, can cover anything: images, people, memories, landscapes, phrases, ideas, etc. Having that list of “what seems to be but isn’t” ringing in his head, Eduardo Williams’ film Parsi observes in a perpetual movement the spaces and people to create another poem that is caressed, crashes and spins next to No es. close
In a remote, abandoned industrial site near a centuries-old ore mine in the Austrian Alps, a self-taught mechanic runs a business exporting used cars more
In a remote, abandoned industrial site near a centuries-old ore mine in the Austrian Alps, a self-taught mechanic runs a business exporting used cars to his native Nigeria. As he pursues his lonely day-to-day activities with wondrous serenity, past, present and future begin to overlap, and memories of a lost friendship resurface against the backdrop of a mysterious promise of everlasting resources. close
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad more
Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum. close
Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s more
Rosine Mbakam is invited to step in Sabine’s small hairdresser’s because it is dangerous in the street. She accepts and pushes in with her camera. Sabine’s stories and the customers’ joys, worries, problems and fears bring depth and life into the premises. At times, it feels like the entire African quarter of Brussels had squeezed in. Laughter abounds, anecdotes and life stories elicit emotions, and a male visitor brings a touch of flirt into the salon. close
In post-revolution Libya, a group of women are brought together by one dream: to play football for their nation. But as the country descends into civil more
In post-revolution Libya, a group of women are brought together by one dream: to play football for their nation. But as the country descends into civil war and the utopian hopes of the “Arab Spring” begin to fade, can they realise their dream? And is there even a country left to play for? Freedom Fields is a film about hope and sacrifice in a land where dreams seem a luxury. Through the eyes of these accidental activists we see the reality of a country in transition, where the personal stories of love, struggle and aspirations collide with History. close
Cambodia, once the ancient kingdom of Funan, April 17th, 1975. The entire country falls under the tyranny of Angkar, the communist party of the Khmer more
Cambodia, once the ancient kingdom of Funan, April 17th, 1975. The entire country falls under the tyranny of Angkar, the communist party of the Khmer Rouge. The cities are abandoned, the population is thrown to the roads and forced to walk towards an uncertain future… close
Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each more
Kena and Ziki long for something more. Despite the political rivalry between their families, the girls resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety. close
Jo, a witty 9-year old terminally ill girl is taken back to her rural village to live out the rest of her short life. Her only comfort during these dull more
Jo, a witty 9-year old terminally ill girl is taken back to her rural village to live out the rest of her short life. Her only comfort during these dull times are her dreams of being a superhero, which prove to be something her rebellious teenage sister Mwix, overprotective mother Kathryn and the entire village of Maweni think they can fulfill. close
Maki has been on the streets a long time and is married to Mbingazor, the gang’s boss. But at some point, the 19-year-old has had enough of this gang more
Maki has been on the streets a long time and is married to Mbingazor, the gang’s boss. But at some point, the 19-year-old has had enough of this gang of boys, who are too busy getting high and drunk to do anything with themselves. Survival must be secured. The next time money for food runs out, Maki crosses paths with the much younger Acha. This newcomer is a fresh arrival in Kinshasa, and doesn’t yet know the rules. Spurred on by Acha’s beginner’s luck as a thief, the pair set off on an adventure together, which soon arouses Mbingazor’s jealousy. close
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