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When Hans wakes up one morning, he realizes that he is longer than his bed, his feet sticking out over the edge of the bed. The young man remembers his more
When Hans wakes up one morning, he realizes that he is longer than his bed, his feet sticking out over the edge of the bed. The young man remembers his happy childhood. Hans knows it's time to leave home. close
Zeichenfilm - Balzac oder das Auge Gottes is a play on the idea of trick film. And trick film it is. The 30-second work is shown twice in case the viewer more
Zeichenfilm - Balzac oder das Auge Gottes is a play on the idea of trick film. And trick film it is. The 30-second work is shown twice in case the viewer missed something the first time: in crude hand-drawn animation Zeichenfilm ... evokes the scatological sado-masochistic actions and performances of Otto Muehl and Günter Brus which Kren filmed during his second period. In Zeichenfilm Balzac a male figure hangs himself, achieves a monstrous erection and ejaculates into a woman's mouth. She in turn hangs herself; he enters her vaginally then anally. Finally, she defecates on the left side of the frame wherein appears an eye of God while on the right in a cartoon box the words "Aber Otto" ("But Otto") materialize, a comic reference to Otto Muehl. close
Rural policewoman Andrea wants to end her marriage and become a detective inspector in the city. After a birthday party, her drunken soon-to-be ex-husband more
Rural policewoman Andrea wants to end her marriage and become a detective inspector in the city. After a birthday party, her drunken soon-to-be ex-husband runs out in front of her car. In a state of shock, Andrea commits a hit-and-run. close
At the centre of Peter Patzak's existentialist film noir stands the hopeless struggle against the arms mafia in Czechoslovakia and its connections with Austria after the fall of the iron curtain.
At the centre of Peter Patzak's existentialist film noir stands the hopeless struggle against the arms mafia in Czechoslovakia and its connections with Austria after the fall of the iron curtain. close
Part three of the trilogy, centred on the Swiss tenor August Schram, is now located in an opera house during a running performance of Donizetti's humorous more
Part three of the trilogy, centred on the Swiss tenor August Schram, is now located in an opera house during a running performance of Donizetti's humorous melodrama "L'elisir d'amore" and furnished with a memorable cast of characters. close
Katharina Wallner is the owner of a long-established business for film videos. After the will of her disinherited landlord Heinz Ortner she should now more
Katharina Wallner is the owner of a long-established business for film videos. After the will of her disinherited landlord Heinz Ortner she should now close the lovingly run shop. So far, she was able to withstand Ortner's harassment, but the dreamy old lady is annoyed at the end. Her sister Hannah, surprisingly returning from South America, encourages Katharina to do something about the homeowner. When Ortner lies dead in the stairwell the next morning, Katharina comes over a terrible suspicion. close
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image more
Kren frames the image to suggest a proscenium, with a view to the harbor that conveys a literal sense of “tele-vision”. The static framing of the image and the clearly stratified mise-en-scène can hardly provoke interpretation. The sight of the girls does so all the more. Kren, the gentle voyeur - who turns the viewer into a secret accomplice - observes three teenagers, and probably like them, awaits a rendezvous. (Thomas Trummer) close
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. more
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl) close
A televised film of Peter Stein's landmark 1971 production of Henrik Ibsen's Peer Gynt, staged at the Schaubühne. The staging, produced for broadcast more
A televised film of Peter Stein's landmark 1971 production of Henrik Ibsen's Peer Gynt, staged at the Schaubühne. The staging, produced for broadcast by NDR Fernsehen, saw five actors (including Bruno Ganz) portraying Gynt over the two-evening, five-hour performance. close
An updated version of the original production by Lydia Steyer, where the multifaceted story of Mozart appears through the prism of perception of children.
An updated version of the original production by Lydia Steyer, where the multifaceted story of Mozart appears through the prism of perception of children. close
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