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Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, more
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words. close
In a humorous form, the cartoon reminds that with the rapid pace of development of civilization, it is necessary to take care of the preservation of the environment.
In a humorous form, the cartoon reminds that with the rapid pace of development of civilization, it is necessary to take care of the preservation of the environment. close
The legend of the Parvan kingdom, whose ruler tried to find his only daughter a good husband. A variety of contenders were matched, but the proud beauty more
The legend of the Parvan kingdom, whose ruler tried to find his only daughter a good husband. A variety of contenders were matched, but the proud beauty announced that she would marry the one who would produce an unquenchable fire. close
Three people from the future, who travel spiritually to the era of the Egyptian queen Cleopatra VII Philopator and her Roman lovers Julius Caesar and more
Three people from the future, who travel spiritually to the era of the Egyptian queen Cleopatra VII Philopator and her Roman lovers Julius Caesar and Mark Antony, become their closest friends as they try to unravel the nature of the plan developed in their own time by a sinister enemy. close
Archive film showing possibly the first example of digital rendering, made by Pixar co-founders Ed Catmull and Fred Parke in 1972, was stumbled upon by more
Archive film showing possibly the first example of digital rendering, made by Pixar co-founders Ed Catmull and Fred Parke in 1972, was stumbled upon by the son of Robert B Ingebretsen, who also set up the world-famous U.S. studio. A six minute version shows additional CGI animation of an artificial heart valve, and human heads. close
An abstract color celebration of Soviet perseverance under fire (the literal firepower of foreign and capitalist warmongers), this lyrical animated short more
An abstract color celebration of Soviet perseverance under fire (the literal firepower of foreign and capitalist warmongers), this lyrical animated short aims to capture Mother Russia's essence like lightning in a bottle. There's a spaghetti western vibe at times to the striking silhouette imagery here. Florid patriotic folk songs on the soundtrack are often depicted line-for-line in the gorgeous animation. - Dennis Harvey close
In the film “The Wizard of the Emerald City”, created on the fairy tale of the same name by writer Alexander Volkov, a kind and responsive girl Ellie more
In the film “The Wizard of the Emerald City”, created on the fairy tale of the same name by writer Alexander Volkov, a kind and responsive girl Ellie with a faithful dog Totoshka gets into a magical country, meets with the Iron Woodcutter, Scarecrow, a cowardly lion, and all together go on the road from yellow brick to the Emerald City to the wizard Goodwin, ask who lacks something: intelligence, courage, luck.
Ellie herself just wants to go home. True, Goodwin is not a wizard at all, and evil sorceresses - the rulers of fairy-tale countries - are not at all happy with the appearance of Ellie. But goodness conquers evil, and after many adventures, the girl and the dog return home. close
"Picture." Ekhal Vanya is an animated film directed by Faina Epifanova, staged according to the script by Eduard Uspensky. The first story “Picture” tells more
"Picture." Ekhal Vanya is an animated film directed by Faina Epifanova, staged according to the script by Eduard Uspensky.
The first story “Picture” tells how the poet shared with the artist Ivanov what a beautiful view he has from the window, poetically described it on the phone and asked to transfer it all to the canvas. Ivanov understood everything literally and drew such an abracadabra that the poet gave his honest word never to greet Ivanov again. And the second story is just an untranslatable play on the words of two funny clowns who juggle lines of a poem like balls, and are completely confused, who was riding a horse there, and who led whom on a belt. close
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