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The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic more
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on more
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a blacksmith is pounding a piece of metal on an anvil, then plunges the shaft into a tub of water, causing a cloud of vapor in the process. close
This picture was taken at one of the curves on the Lehigh Valley Railroad, along the beautiful Susquehanna River. The train is seen rapidly approaching more
This picture was taken at one of the curves on the Lehigh Valley Railroad, along the beautiful Susquehanna River. The train is seen rapidly approaching in the distance, clearly outlined against the grey mountains. Smoke can be seen pouring in volumes from the stack of the locomotive, and as the train approaches closely, she sounds a whistle, warning some section men, who are working on the tracks in the foreground. As she rushes by the camera, the swing motion of the train gives a vivid idea of the lightning speed at which she is traveling. (Edison film catalog) close
Three athletes make their way to wicker baskets that contain a mishmash of wacky costumes. They need to dress up as quickly as they can, and make their way back on the running track.
Three athletes make their way to wicker baskets that contain a mishmash of wacky costumes. They need to dress up as quickly as they can, and make their way back on the running track. close
Carmaux is in south-central France, near the Tarn River. As a brick of coke, about four feet high and three feet wide, is gradually pushed out of a smelter more
Carmaux is in south-central France, near the Tarn River. As a brick of coke, about four feet high and three feet wide, is gradually pushed out of a smelter into a yard, one worker sprays it with water from a hose while two workers with long metal rakes wait to spread it out. Other workers buzz in and out of the foreground of the stationary camera. Atop the first level of the brick smelter, workers push full carts of coal along a track. close
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, more
Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks. close
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. more
Vaudeville dancer Amy Muller performs a portion of her stage routine, which features dancing on her toes. She dances on one toe for part of the performance. Later, she also twirls and does cartwheels. close
The camera shows a water ride at Bergen Beach at Coney Island. A raised track filled with water forms a chute, and a small boat full of park visitors more
The camera shows a water ride at Bergen Beach at Coney Island. A raised track filled with water forms a chute, and a small boat full of park visitors slides down the chute. Alongside, empty boats are hauled back up to the top of the ride. close
“This subject taken just after the recent first fall of snow, shows two enthusiastic horsemen indulging in a "brush" with their respective horses and cutters.” (Maguire & Baucus)
“This subject taken just after the recent first fall of snow, shows two enthusiastic horsemen indulging in a "brush" with their respective horses and cutters.” (Maguire & Baucus) close
A very heavy turret is transported on a truck drawn by a long line of horses. The inscription “Charlemagne 53790K” readable on the turret suggests that more
A very heavy turret is transported on a truck drawn by a long line of horses. The inscription “Charlemagne 53790K” readable on the turret suggests that this view was shot in the vicinity of Saint-Chamond, a town where there are factories specializing in the construction of heavy steel. It is certainly a turret intended for the battleship “Charlemagne”. In addition, a view projected by the Aléthorama on January 20, 1898 in Saint-Étienne, and entitled “Transportation of the armored turret of Saint-Chamond by a team of 80 horses”, could represent the same event. close
Along the seashore near San Francisco, a boat belonging to the Pacific Coast Life Saving Service can just be seen as it returns to shore. Several men more
Along the seashore near San Francisco, a boat belonging to the Pacific Coast Life Saving Service can just be seen as it returns to shore. Several men are at the oars. As the boat approaches land, it must make its way through rough waves and surging water. close
Walking four abreast, in groups of six rows, 144 of Chicago's finest parade past a stationary camera. Each of the six groups that pass is escorted by more
Walking four abreast, in groups of six rows, 144 of Chicago's finest parade past a stationary camera. Each of the six groups that pass is escorted by an officer. All are men, all are white, all look tall, all wear identical high-buttoned uniforms and badges and carry a nightstick. Almost all sport mustaches. Behind the police comes a horse-drawn carriage. close