You want to choose most important history films and series from the selection "candidates for the major films of the 21st century" from this list, which you'll really like?
Tell us a little about yourself or rate some films.
Most important history films and series from the selection "Candidates for the major films of the 21st century" - choose and watch online
Anxo returns to his home village in the Galician countryside. There, he is greeted with concern by the victorious and the defeated, who see in him the more
Anxo returns to his home village in the Galician countryside. There, he is greeted with concern by the victorious and the defeated, who see in him the danger of diving back into their silenced memories. close
A true story, set in the future. About seeds and genetic diversity, about growth and decay, about love and war, about hunger of all kinds. About what more
A true story, set in the future. About seeds and genetic diversity, about growth and decay, about love and war, about hunger of all kinds. About what it means to be human, even when all your humanity is stripped away. close
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the more
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life. close
Weaving together music, politics and storytelling, THE DREAM OF SHAHRAZAD explores recent social and political events in Egypt, Turkey and Lebanon through more
Weaving together music, politics and storytelling, THE DREAM OF SHAHRAZAD explores recent social and political events in Egypt, Turkey and Lebanon through the metaphor of THE 1001 NIGHTS, and looks at the ways in which creativity and political articulation coincide in response to oppression. Drawing on Shahrazad, the princess who saves lives by telling stories, a youth orchestra conductor, a Cairean storytelling troupe, a troubled Lebanese actress and various others all put art to new political use. close
If the scorpion could see and the viper could hear, there would be no escape". The viper is deaf and the scorpion can't see, so it is and so shall be, more
If the scorpion could see and the viper could hear, there would be no escape". The viper is deaf and the scorpion can't see, so it is and so shall be, the same way the countryside is peaceful and the city bustling and the human being impossible to satisfy. Lacrau demands the return "to the curve where man got lost" in a journey from the city towards nature. The escape from chaos and emotional void we call progress; matter without spirit, without will. The search for the most ancient sensations and relationships of mankind. The amazement, the fear of the unknown, the loss of basic comforts, loneliness, the meeting with the other, the other animal, the other vegetable. A dive looking for a connection with the world. Where beginning and end are the same, but I am not. close
Set in Tokyo, Japan near the end of World War II. 19-year-old Satoko (Fumi Nikaido) lives with her mother (Youki Kudoh) and her aunt. The war is turning more
Set in Tokyo, Japan near the end of World War II. 19-year-old Satoko (Fumi Nikaido) lives with her mother (Youki Kudoh) and her aunt. The war is turning more grave. Even though Satoko is near the age to get married, she can't even think of marriage due to the unstable situation. Satoko then begins to communicate with her neighbor, Ichikawa (Hiroki Hasegawa). He has avoided military service due to failing his physical test. As Satoko communicates with Ichikawa, she begins to awake as a woman. close
With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor more
With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor of the hacienda and businesses of his powerful clan, agonizes on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. He is aware of his clan’s long history of violence; he knows the very violent history of his county; and he foresees a very violent future with the Marcos dictatorship. close
20 from 20
If you were registered, you should have seen the full description right here...