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Country clubbers, workers, lovers, rivals, gods, ghosts, Hollywood retirees, Native Americans, Hispanics, whites, the fleeting and the eternal, the deep more
Country clubbers, workers, lovers, rivals, gods, ghosts, Hollywood retirees, Native Americans, Hispanics, whites, the fleeting and the eternal, the deep and the dead, the people behind the gates, all mix up in this chronicle of a dying American joy. Using modern-day characters to illuminate an infamous 1908 manhunt for Willie Boy, a Native American who outran a mounted posse on foot across 500 miles of desert in the Coachella Valley, Pow Wow presents individuals that have, in many ways, utilized the desert to survive and run free. close
Weaving together music, politics and storytelling, THE DREAM OF SHAHRAZAD explores recent social and political events in Egypt, Turkey and Lebanon through more
Weaving together music, politics and storytelling, THE DREAM OF SHAHRAZAD explores recent social and political events in Egypt, Turkey and Lebanon through the metaphor of THE 1001 NIGHTS, and looks at the ways in which creativity and political articulation coincide in response to oppression. Drawing on Shahrazad, the princess who saves lives by telling stories, a youth orchestra conductor, a Cairean storytelling troupe, a troubled Lebanese actress and various others all put art to new political use. close
Examines the resilience of residents who are profoundly overlooked by media representations and wider social responses. Interweaving intimate portraits more
Examines the resilience of residents who are profoundly overlooked by media representations and wider social responses. Interweaving intimate portraits with the residents' own historical re-enactments, landscape and architectural studies and dramatised scenes, the film asks how we might resist being framed exclusively through class, gender, ability or disability, and even through geography. close
Exposure time – in photography it is nothing more than the time that an object lives in a frame. And based on this, any photo is not only a two-dimensional more
Exposure time – in photography it is nothing more than the time that an object lives in a frame. And based on this, any photo is not only a two-dimensional graphic composition. It also has a third, temporal dimension, a temporal depth. She is the bearer, the keeper of time. Which means memory. Whose memory? Faces, objects, landscapes captured in the picture? The photographer's own memory?
Making the photo material for the film “The life time of the object in the frame” (the Hour of life of the object in the frame), its authors inevitably found themselves in a maze of “aliens” and their memories, “alien” and their time. And in search of a way out of this maze, they themselves became part of it and the material for their own film. close
A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In more
A handful of prisoners in WWII camps risked their lives to take clandestine photographs and document the hell the Nazis were hiding from the world. In the vestiges of the camps, director Christophe Cognet retraces the footsteps of these courageous men and women in a quest to unearth the circumstances and the stories behind their photographs, composing as such an archeology of images as acts of defiance. close
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the more
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life. close
If the scorpion could see and the viper could hear, there would be no escape". The viper is deaf and the scorpion can't see, so it is and so shall be, more
If the scorpion could see and the viper could hear, there would be no escape". The viper is deaf and the scorpion can't see, so it is and so shall be, the same way the countryside is peaceful and the city bustling and the human being impossible to satisfy. Lacrau demands the return "to the curve where man got lost" in a journey from the city towards nature. The escape from chaos and emotional void we call progress; matter without spirit, without will. The search for the most ancient sensations and relationships of mankind. The amazement, the fear of the unknown, the loss of basic comforts, loneliness, the meeting with the other, the other animal, the other vegetable. A dive looking for a connection with the world. Where beginning and end are the same, but I am not. close
With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor more
With the imminent death of his autocratic grandfather, coinciding with the burgeoning oppressive regime of Ferdinand Marcos, Servando Monzon III, inheritor of the hacienda and businesses of his powerful clan, agonizes on becoming the new feudal lord and capitulating with Marcos’ designs to control the Philippines. He is aware of his clan’s long history of violence; he knows the very violent history of his county; and he foresees a very violent future with the Marcos dictatorship. close
Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also one more
Landscapes of Resistance traces a journey through the memories of antifascist fighter Sonja (97), the first Partisan woman in Serbia, who was also one of the leaders of the Resistance movement at Auschwitz. We make her story travel through time towards the bodies of the new generation of antifascists, bespeaking that it is always possible to think and practice resistance. close
Set in Tokyo, Japan near the end of World War II. 19-year-old Satoko (Fumi Nikaido) lives with her mother (Youki Kudoh) and her aunt. The war is turning more
Set in Tokyo, Japan near the end of World War II. 19-year-old Satoko (Fumi Nikaido) lives with her mother (Youki Kudoh) and her aunt. The war is turning more grave. Even though Satoko is near the age to get married, she can't even think of marriage due to the unstable situation. Satoko then begins to communicate with her neighbor, Ichikawa (Hiroki Hasegawa). He has avoided military service due to failing his physical test. As Satoko communicates with Ichikawa, she begins to awake as a woman. close
Khalo Matabane spent two years making the film, interviewing those who knew and loved Mandela, and also those who criticised him. Global thinkers, politicians more
Khalo Matabane spent two years making the film, interviewing those who knew and loved Mandela, and also those who criticised him. Global thinkers, politicians and artists including the Dalai Lama, Henry Kissinger and Ariel Dorfman talk about the effect of his policies and his decision making. Their thoughts are weighed equally with ordinary South Africans like Charity Kondile, who refuses to forgive her son's apartheid operative murderer. Through these interviews, completed in the last months of Mandela's life, Matabane interrogates for himself the meaning of freedom, reconciliation and forgiveness. By doing so he challenges Mandela's enduring impact in today's world of conflict and inequality. Thought-provoking and reflective, Mandela, the Myth and Me is a moving film which frames Mandela from a fresh, deeply personal perspective. (Storyville) close
From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature more
From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories? close
War of Lies is the story of an Iraqi refugee, whose information about portable weapons of mass destruction passed through the hands of the BND, MI6 and more
War of Lies is the story of an Iraqi refugee, whose information about portable weapons of mass destruction passed through the hands of the BND, MI6 and CIA. This information was ultimately used by the US government to legitimize the invasion of Iraq in 2003. Today we know the war was based on a lie. The press blamed Rafed Ahmed Alwan, he, though, proudly presents himself as the man who helped remove Saddam Hussein. Was Alwan really able to walk all over the worlds intelligence services and how did this lie become a convenient truth? close
From the Sea to the Land Beyond is a film about the British coast made from 100 years of our film heritage stored in the British Film Institute collection, more
From the Sea to the Land Beyond is a film about the British coast made from 100 years of our film heritage stored in the British Film Institute collection, edited by Penny Woolcock with a soundtrack by British Sea Power close
A portrayal of the singular experience shared by people of her generation -- those living Cuba's utopian dream during the golden era of the revolution. more
A portrayal of the singular experience shared by people of her generation -- those living Cuba's utopian dream during the golden era of the revolution. It is also a lament for the end of that dream, which began to fizzle after the fall of the Berlin Wall. close
A thrilling reconstruction in so-called Rashomon style, with several eyewitnesses offering their own perspectives on a single event. On October 18, 2015, more
A thrilling reconstruction in so-called Rashomon style, with several eyewitnesses offering their own perspectives on a single event. On October 18, 2015, a terrorist started shooting at the bus terminal in the Israeli town of Be’er Sheva, killing an Israeli soldier. This detailed, minute-by-minute reconstruction reveals what happened in the crucial 18 minutes following the attack. close
Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist government organizes a crisis team. Soon after, the police more
Poland, 1970. When popular protests erupt in the streets due to rising prices, the communist government organizes a crisis team. Soon after, the police use their truncheons and then their firearms. The story of a rebellion from the point of view of the oppressors. close
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe.
Germany's economic movers and shakers get a thorough going-over in Friedl's docu-fiction hybrid, which doesn't hesitate to point fingers at those partially responsible for Europe's financial woe. close
Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia.
Milan-based duo Yervant Gianikian and Angela Ricci Lucchi create an astonishing work of militant poetry with this found-footage chronicle of Mussolini's brutal invasion of Ethiopia. close
Interkosmos is a musical documentary-style film about the East German space program-a program with the energy and creativity of the Soviet arts scene more
Interkosmos is a musical documentary-style film about the East German space program-a program with the energy and creativity of the Soviet arts scene of the 1920s and a bit of the hippie sensibility from West Germany of the early 1970s. The story is about a failed space colonization mission called "wundertüte" and is told through narration, dialogue, letters, and period songs. close
In 1918, the poet and boxer Arthur Cravan disappears in the Gulf of Mexico without a trace. Today, another boxer and artist, film director Frank Nicotra, more
In 1918, the poet and boxer Arthur Cravan disappears in the Gulf of Mexico without a trace. Today, another boxer and artist, film director Frank Nicotra, begins an investigation that will take you behind the mysterious steps Cravan from Switzerland to Mexico, passing through Paris, London and Barcelona. close
A response in music and film to the conflict that launched a century of war, and a celebration of the power of art to keep us sane and offer us comfort. more
A response in music and film to the conflict that launched a century of war, and a celebration of the power of art to keep us sane and offer us comfort. Beyond Zero: 1914-1918 brings together three of the world's most pioneering artists: the Kronos Quartet, known for decades for their trailblazing performances and collaborations; acclaimed Serbian composer Aleksandra Vrebalov; and filmmaker Bill Morrison, respected for his work with rare and even partially destroyed archive images. close
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