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“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes more
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes with bells ...”, known on the West as “Those Were the Days”. And then you go to the bar, and you go to the bar, and you go to the door, and you say, "NoDonkeys." “No, no, no, no, no.” We have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves. We have a sleeve, a sleeve, a sleeve, and a sleeve, and a sleeve, a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, a sleeve, a sleeve, and a slew, and a slew. In this case, you will find that you will find yourself in a position where you will find yourself in a place where you will find yourself in a place where you will find yourself in a place where you will find yourself. Andrey Plakhov
“Those Were the Days” begins with the unforgettable biblical image: “Seppäl’s power, the most shy and minimal of the cowboys, and the donkey stands at the door of the French cafe. Evening. The magic of the day is that we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of them. We have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun. Peter von Bagh close
