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Say you’ve met a creature from another world. The creature that promises to guard you from deadly dangers which the future holds in store. Sounds like more
Say you’ve met a creature from another world. The creature that promises to guard you from deadly dangers which the future holds in store. Sounds like a sure bet? No hasty conclusions, though…. In every perfect offer there may be something that ruins any expectations of the wondrous. And yet, you accept the offer. So, do you really think you are protected? Funny…. close
Using one of the Lumière Brothers' first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes in industrial more
Using one of the Lumière Brothers' first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes in industrial production, workers' strikes and motion pictures-- via images of workers leaving factories throughout the years. close
While his lover is sleeping, a man assembles around her a Rube Goldberg collection of malevolent-looking implements. Then he leaves and lights the fuse . . .
While his lover is sleeping, a man assembles around her a Rube Goldberg collection of malevolent-looking implements. Then he leaves and lights the fuse . . . close
This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series more
This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images. close
Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in more
Sergey Dvortsevoy makes his international debut with this astonishingly intimate portrait of a nomadic family on the Kazakh plains. Several scenes in this slow, elegant film betray a certain dry humor -- a child devouring the last of a bowl of yogurt and then crying; a cow getting its head stuck in a pail; and a woman singing to herself, accompanied by her snoring husband. Other scenes capture the nomads' hardscrabble lives -- drunken herdsmen in the grips of existential despair, growling dogs, and a camel enduring a rather grim septum piercing. By the end of the film, the family pulls up stakes and herds its sundry four-legged beasts -- camels, cattle, goats, dogs, and horses -- to a more fertile plain. This film was screened at the 1999 Yamagata International Documentary Film Festival. close
