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A musical short film about the extermination of Roma by the Nazis during World War II. One of the first directorial works of Tony Gatlif and the first more
A musical short film about the extermination of Roma by the Nazis during World War II. One of the first directorial works of Tony Gatlif and the first in which he addresses directly to gypsy themes. In fact, all those elements from which Gatlif will build his famous films in the future are already presented here: ethnographic documentary, fantastic musical “pressure”, attention to the dark pages of history (the Roma will be remembered in Swing as well), the fate and inner strength of a person; a fierce speech against social injustice.
Perhaps that is why the plot of the tape is extremely simple, even schematic. Roma are sitting in a concentration camp, behind barbed wire and trying to use flamenco – “song and dance” – to express their protest, to ignite themselves to fight. These expressive musical numbers, performed in the French-Spanish "narrhechia", however, are wordless. The first number is actually a protest. The second is the laconic statement “I am a gypsy.” The third song is based on the phrase “Run the gypsies, live the gypsies”. Thus, the nomadic image of gypsy life acquires the maximum weight from Gatlif, as the only possible form of existence, and “flight” becomes a life victory. Although, of course, it can be viewed melancholy as a defeat, a lack of strength to fight.
I don’t think the German overseers need translation either. These are monosyllabic orders. Their execution is clearly illustrated by the director. In addition, they are on the "heard" of anyone who has seen at least one picture of the horrors of World War II. close
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the more
A scientific film essay, narrated by Phil Morrison. A set of pictures of two picnickers in a park, with the area of each frame one-tenth the size of the one before. Starting from a view of the entire known universe, the camera gradually zooms in until we are viewing the subatomic particles on a man's hand. close
Colleagues consider architect Nesterov a good man and specialist, and his wife a loser. Having accepted her point of view, he withdrew from active life. more
Colleagues consider architect Nesterov a good man and specialist, and his wife a loser. Having accepted her point of view, he withdrew from active life. One day Nesterov is entrusted to save the project and sent on a long business trip to the town where he spent his childhood and youth. Nesterov’s work was highly appreciated, and now he is offered to become the chief architect of this city. . . close
Lopushansky's second film focuses on a few hours in the life of a soloist musician during the siege of Leningrad, in WWII. The Leningrad philharmonic more
Lopushansky's second film focuses on a few hours in the life of a soloist musician during the siege of Leningrad, in WWII. The Leningrad philharmonic is going to play Tchaikovsky's 5th Symphony, which is to be broadcast to England. The soloist, like his fellow musicians, is weak and half-starved, and doubts whether he will be able to perform well enough. close
Classic short British comedy, full of stars, about two workmen delivering planks to a building site. This is done with music and a sort of "wordless dialogue" more
Classic short British comedy, full of stars, about two workmen delivering planks to a building site. This is done with music and a sort of "wordless dialogue" which consists of a few mumbled sounds to convey the appropriate emotion. TV remake of the 1967 short. close
