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Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone more
Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone as Sherlock Holmes. The remembrances of such a formative cinematic experience leads him to recall the dark days after the end of the Spanish Civil War, to confess the many fears stalking children and to reflect on the nature of memory itself. close
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are more
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males. close
Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of more
Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of Leuco", which had already been adapted by Straub et Huillet as Ces Rencontres Avec Eux (2006). close
Los Angeles City Hall is reflected onto the window of the Paradise Motel. It serves as an anchor for this traversal through the natural expanse of California. more
Los Angeles City Hall is reflected onto the window of the Paradise Motel. It serves as an anchor for this traversal through the natural expanse of California. Here, we discover a restrained psychodrama of play, loss, and the transformation of everyday habitats. Music appears across the interiors and exteriors and speaks of limitlessness and longing. close
"The shadows play an essential part in the mixture of loneliness and peace that exists here. The seasons move from the garden into the house, projecting more
"The shadows play an essential part in the mixture of loneliness and peace that exists here. The seasons move from the garden into the house, projecting rich diagonals in the early morning or late afternoon. Each shadow is a subtle balance of stillness and movement; it shows the vital instability of space. Its special quality opens a passage to the subjective; a voice within the film speaks to memory. The walls are screens through which I pass to the inhabited privacy. We experience a place through the perspective of where we come from and hear another's voice through our own acoustic. The sense of place is never separate from the moment." – R.B. close
The Anthem is a celebration of filmmaking and the viewing experience. In Thailand, before every cinema film screening, there will be a Royal Anthem before more
The Anthem is a celebration of filmmaking and the viewing experience. In Thailand, before every cinema film screening, there will be a Royal Anthem before the feature presentation. The purpose is to honour the King. It is one of the rituals imbedded in Thai society to give a blessing to something or someone before certain ceremonies. The Anthem presents a 'Cinema Anthem' that praises and blesses the approaching feature for each screening. This audio-visual purification process is performed by three old ladies. They also channel energy to the audience in order to give them a clear mind. close
What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker/stonemason. A tower or ruin of remembrance. With more
What lives in the space between the stones, in the space cupped between my hand and my chest? Filmmaker/stonemason. A tower or ruin of remembrance. With each swing of the hammer I cut into the image and the sound rises from the chisel. A rhythm, marked by repetition, and animated by variation; strokes of hammer and fist, resounding in dialogue. In this space which the film creates, emptiness gains a contour strong enough for the spectator to see more than the image – a space permitting vision in addition to sight. close
"As Filhas do Fogo" follows the story of three young cape-verdean sisters upon their arrival at a foreign European port, in an attempt to escape another more
"As Filhas do Fogo" follows the story of three young cape-verdean sisters upon their arrival at a foreign European port, in an attempt to escape another devastating eruption of the volcano Fogo. In this unknown country, they roam, hand in hand, evoking their secret fears through music and singing. close
Rottenberg’s newest film, Cheese (2007), conflates farm-girl imagery with the fairy tale “Rapunzel” into a story loosely based on the Sutherland Sisters, more
Rottenberg’s newest film, Cheese (2007), conflates farm-girl imagery with the fairy tale “Rapunzel” into a story loosely based on the Sutherland Sisters, renowned for their extremely long hair. Floating through a pastoral yet mazelike setting of raw wooden debris cobbled together into a benign shantytown, six longhaired women in flowing white nightgowns “milk” their locks and the goats they live with to generate cheese. Shots of animals crowded in pens and the sisters’ bunk bed– cluttered room visually compare the women to their ruminant allies. As nurturing caretakers, these women represent maternal aspects of Mother Nature. Here Rottenberg investigates feminine magic, the ability to “grow things out of the body” as she says, as the ultimate, wondrous physical mystery. close
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back more
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back from Senegal, their country of origin. Actually, he did not come back alone. He returned with the young Senegalese Rama whom he introduced as his second wife. Aida is very sensitive to her mother's distress. She decides then to get rid of the new visitor. close
Director Jenn Nkiru authors a personal and powerful exploration of blackness through piecing together dreamlike portraits with stunning archival footage more
Director Jenn Nkiru authors a personal and powerful exploration of blackness through piecing together dreamlike portraits with stunning archival footage that includes Afrofuturism pioneer Sun Ra and revolutionary organization the Black Panther Party. close
In the sixth great mass mortality of the earth, humankind became extinct. Their technology had recently progressed so far as to deconstruct the algorithms more
In the sixth great mass mortality of the earth, humankind became extinct. Their technology had recently progressed so far as to deconstruct the algorithms of evolution and allow artificial life to develop on Earth. close
Filmed from the artist’s window during the first English lockdown, ‘Citadel’ combines short fragments from British Prime Minister Boris Johnson’s speeches more
Filmed from the artist’s window during the first English lockdown, ‘Citadel’ combines short fragments from British Prime Minister Boris Johnson’s speeches relating to coronavirus with views of the London skyline. close
Chic Point was shot in a fictional location: the occupied catwalk. Employing all the elements of a fashion show, models reveal their abdomens in outfits more
Chic Point was shot in a fictional location: the occupied catwalk. Employing all the elements of a fashion show, models reveal their abdomens in outfits designed especially to suit Israeli checkpoints. For Israelis in the present time, the individual Palestinian body is the most dangerous weapon there is, and it is therefore the subject of ongoing and humiliating surveillance. close
Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies.
Four alternating stories about mundane, personal methods of control. Children and a developmentally disabled adult operate control panels made out of paper, lists, monsters and their own bodies. close
Consolation Service follows a young Finnish couple, Anni and J-P, as they make public their decision to divorce. It is set in early spring in Helsinki, more
Consolation Service follows a young Finnish couple, Anni and J-P, as they make public their decision to divorce. It is set in early spring in Helsinki, with its frozen landscape on the cusp of thawing. close
Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the more
Rejecting the billions of alphabetic diktats to liberate the incessant metamorphoses and metaphors of a necessary and true language by re-turning to the locations of past film shoots, while keeping track of modern times. close
In Kevin Jerome Everson’s deeply affecting Ears, Nose and Throat, a woman’s testimonial faculties are confirmed through medical examinations before she more
In Kevin Jerome Everson’s deeply affecting Ears, Nose and Throat, a woman’s testimonial faculties are confirmed through medical examinations before she recites a tragic story, whose horrors we don't see, hear, or smell, but can imagine far too easily. close
A sad child is going to pay a visit to her mother in prison. Her solitude is immense. Sitting in the backseat, she looks on in silence outside the window more
A sad child is going to pay a visit to her mother in prison. Her solitude is immense. Sitting in the backseat, she looks on in silence outside the window while the landscape passes in front of her eyes. close
Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, more
Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, presents the bond of life through her own childbirth experience. "First, I was planning to film from the day I conceived a child and to the moment I gave birth. But I realized, while filming, that this is not the story of "one life." In the end, the film sublimed to a higher stage on which we can witness the knot tying one life with another." close
An expedition leaves Ushuaia for the Antarctic circle. Pierre Huyghe, along with six other artists, is brought aboard Jean-Louis Etienne's boat in search more
An expedition leaves Ushuaia for the Antarctic circle. Pierre Huyghe, along with six other artists, is brought aboard Jean-Louis Etienne's boat in search of an uncharted island inhabited by a strange creature. Imprisoned by ice floats, they come across an albino penguin that they capture with their recording station. Six months later, on the Wollman Ice Rink in New York's Central Park -- another sea of ice -- Joshua Cody conducts his orchestral score inspired by the expedition's topographical records. close
Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films more
Caribs’ Leap / Western Deep comprises two complementary films that are shown together as a three-screen, synchronised colour video projection. The films were originally commissioned for the Documenta 11 exhibition in Kassel, Germany in 2002. They were then screened in London by Artangel in the former Lumiere Cinema on St Martins Lane in the autumn of that same year. close
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