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Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone more
Spanish filmmaker Víctor Erice talks about the first movie he probably ever saw, Roy William Neill's The Scarlet Claw (1944), starring Basil Rathbone as Sherlock Holmes. The remembrances of such a formative cinematic experience leads him to recall the dark days after the end of the Spanish Civil War, to confess the many fears stalking children and to reflect on the nature of memory itself. close
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are more
Robert Breer’s What Goes Up... continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather than using animation to produce seamless illusions, his films reveal cinema’s dual nature as both an illusion of movement and a succession of stills. The ultimate effect of his work is ecstatic: by combining various rhythmic patterns, abstract and photographed shapes, and flatness mixed with depth illusions, Breer energizes ordinary eyesight. The whole world can seem more alive, alive with rhythms and colors and shapes and textures as well, after seeing one of his films. But Breer’s films also often have a theme of failure, of failed movements and failed aspirations, and the title What Goes Up..., in referencing the idiom “What goes up must come down”, refers to his childhood dreams of flying (illustrated here as in many of his films with airplanes) as well as to the limpness that follows orgasm for males. close
Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of more
Jean-Marie Straub's first film after the death of Danièlle Huillet is a love poem to her. Le Genou d'Artémide is based on Cesare Pavese's "Dialogues of Leuco", which had already been adapted by Straub et Huillet as Ces Rencontres Avec Eux (2006). close
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back more
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back from Senegal, their country of origin. Actually, he did not come back alone. He returned with the young Senegalese Rama whom he introduced as his second wife. Aida is very sensitive to her mother's distress. She decides then to get rid of the new visitor. close
Conceived as a reflection on the theme of time at the turn of the millennium, "Dans le noir du temps" functions as a Pandora’s box which hides all the more
Conceived as a reflection on the theme of time at the turn of the millennium, "Dans le noir du temps" functions as a Pandora’s box which hides all the horrors of the world: the last moments of youth, fame, thoughts, memory, love, silence, history, fear, eternity and, of course, cinema. close
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment more
While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006). close
A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up but never arrives) and a restless dog who doesn't more
A woman watches time passing next to the suitcases of her ex-lover (who is supposed to come pick them up but never arrives) and a restless dog who doesn't understand that his master has abandoned him. close
While a veteran actor laments the state of film and film acting, a group of young children sneak a Panavision camera into the apartment where the actor resides and decide to make a film with it.
While a veteran actor laments the state of film and film acting, a group of young children sneak a Panavision camera into the apartment where the actor resides and decide to make a film with it. close
A boy is fighting for survival in the deserted ruins of what used to be a city. Suddenly, from behind a massive wall, someone or something tries to communicate more
A boy is fighting for survival in the deserted ruins of what used to be a city. Suddenly, from behind a massive wall, someone or something tries to communicate with the boy. His reaction might mean the difference between life or death. close
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by more
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film. close
In the film, Jean-Luc Godard addresses members of the Swiss Federal Office of Culture, responding to the award awarded to him in the director’s inherent more
In the film, Jean-Luc Godard addresses members of the Swiss Federal Office of Culture, responding to the award awarded to him in the director’s inherent manner: using a language game, cultural references and other allusions. close
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. more
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. Virgile talks about life and death and Blanche listens acceptingly. Eustache enters the room in a blue cap. He sees Virgile first, then Blanche. Then Blanche remembers having danced with Virgile and leves the room to join him. close
This is the final short film of Michelangelo Antonioni, starring as himself, as he seeks out the Italian Renaissance artist Michelangelo Buonarotti's statue of Moses at St Peter's Church in Rome.
This is the final short film of Michelangelo Antonioni, starring as himself, as he seeks out the Italian Renaissance artist Michelangelo Buonarotti's statue of Moses at St Peter's Church in Rome. close
Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for more
Wordless story about a man who awakes in his bed wearing his clothes (including a check vest). He rises, washes his face, combs his hair, and heads for work across the street at a copy shop. He inadvertently makes a photocopy of his hand, and then the machine beings turning out copies of photographs of himself, the street outside, and his apartment. He unplugs the copier and heads home. He repeats the scene we saw earlier. Copies of himself emerge from bed; baffled, he watches them go to work. Soon, it seems, he's part of a society in which everyone looks like him and wears check vest. Can he get things back to normal? close
Borrowing its title from an experimental text by Walter Benjamin.
Many years ago, the cities by the river were gripped by a contagion. Things started more
Borrowing its title from an experimental text by Walter Benjamin.
Many years ago, the cities by the river were gripped by a contagion. Things started to change and everything slowly became something else. It was not clear if transformation was a symptom of the disease or a way to escape it. The contagion touched everything and everyone: animals and plants, stones and soil, men, women and children, their thoughts, their dreams, their memories. An old woman once told me how all memories turn into trees, I could hardly make out what she was saying. She said she could hear the trees singing: To be a body, to be any body. After the years of contagion ended, the cities appeared untouched. One had to look hard to see the traces of the previous time. If one could listen to the trees, what would they say? A way out, a way out? close
During an opulent and luxurious banquet, complete with hordes of servers and valets, eleven pampered guests participate in what appears to be a ritualistic more
During an opulent and luxurious banquet, complete with hordes of servers and valets, eleven pampered guests participate in what appears to be a ritualistic gastronomic carnage. In this absurd and grotesque universe, an unexpected sequence of events destabilizes the endless symphony of abundance. close
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present.
After 25 years, an ex hired gun visits his old colleague, who is now a small town sheriff. Their past relationship is explored, as is how they reflect on it in the present. close
Within the chambers of a desolate house, a solitary servant tends to his invalid master. Tangibly detailed period design and hauntingly lifelike puppetry unearth the dreamworld of Poe.
Within the chambers of a desolate house, a solitary servant tends to his invalid master. Tangibly detailed period design and hauntingly lifelike puppetry unearth the dreamworld of Poe. close
When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, more
When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities. close