Portuguese musical movies - quite rare category. We know total 55 this movies.
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portuguese musical movies
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Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João more
Part memoir, part city symphony, part noir-ish B-movie adventure, the new feature from critically acclaimed film-making duo João Pedro Rodrigues and João Rui Guerra da Mata (To Die Like a Man) is a sensual, shape-shifting ode to one of the world's most mythic, alluring and exoticized cities. close
This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, more
This odd film is a major representative of an even odder film genre: direct-to-celluloid opera. It was commissioned by the Portuguese master of style, director Manoel de Oliveira from composer João Paes. Musically, it ranges from 19th-century romanticism to popular, modernist and even "post-modernist" styles. In the initially tame story, a host-narrator tells the story of a wedding between the two lovebirds: Viscount d'Aveleda and the beautiful Marguerite. However, what happens in the bridal chamber is incredibly bizarre. The events after that are even stranger, and the wedding guests and family indulge in cannibalism, among other perversions. close
Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants more
Lively scenes of Paris, all narrated by Maurice Chevalier, link together four dramatic ballet choreographies by Roland Petit: La Croqueuse de diamants (The Gold Digger), Cyrano de Bergerac, Deuil en 24 heures (A Merry Mourning), and Carmen. close
One night, a group of workers realises that the administration is stealing machines and raw materials from their own factory. As they organize to survey more
One night, a group of workers realises that the administration is stealing machines and raw materials from their own factory. As they organize to survey the equipment and block the relocation of production, they are forced to stand at their posts with no work to do, as a form of retaliation, while negotiations over general lay-offs take place. The pressure leads to a breakdown of the workers along with the world around them. close
On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. more
On his deathbed, his royal highness Alfredo, King without a crown, is taken back to distant youth memories and the time he dreamt of becoming a fireman. The encounter with instructor Afonso from the fire brigade, opens a new chapter in the life of the two young men devoted to love and desire, and the will to change the status quo. close
The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks more
The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish. close
Alone in a secluded mansion, Giacomo Casanova cries out then collapses. When the mysterious and beautiful writer, Elisa von der Recke, comes to visit, more
Alone in a secluded mansion, Giacomo Casanova cries out then collapses. When the mysterious and beautiful writer, Elisa von der Recke, comes to visit, it breathes new life into the old man. A movie that captures the myth of the greatest seducer of all times, Casanova, his story is told both through fiction and on-stage opera performances that unravel the tale of his adventures, his passions, and ultimately his fear of death. close
Tomás and Sofia have been married for five years. He works as a cartoonist in the local newspaper. She works in a hotel. Tomás dreams of being an artist. more
Tomás and Sofia have been married for five years. He works as a cartoonist in the local newspaper. She works in a hotel. Tomás dreams of being an artist. But he lacks the inner strength to achieve it. Raul, his best friend and his "Guardian Angel" insists on the highest quality of his paintings. But when everything seems to be happening, Tomás enters in an emotional crisis that keeps him increasingly apart from Sofia into a point that she does not recognize him anymore. Sofia begins to lose her mental sanity. She starts living in an unwanted isolation. In her dormant mental state, she begins to feel bad about what she discovers inside of her...She feels something evil coming closer and closer to her. Sofia realizes that her life became something that now she can not control anymore. Two parallel stories about two persons that look for each other but simultaneously fear one another. Only life as itself close
The priest of Villablanca is determined to build a housing for the poor. However, do not have enough money and will have to earn singing in festivals. more
The priest of Villablanca is determined to build a housing for the poor. However, do not have enough money and will have to earn singing in festivals. They are all obstacles to get what you want, but his faith makes him see the problems as easy to overcome. close
"As Filhas do Fogo" follows the story of three young cape-verdean sisters upon their arrival at a foreign European port, in an attempt to escape another more
"As Filhas do Fogo" follows the story of three young cape-verdean sisters upon their arrival at a foreign European port, in an attempt to escape another devastating eruption of the volcano Fogo. In this unknown country, they roam, hand in hand, evoking their secret fears through music and singing. close
Manuel bids farewell to his routine and boards a 15th century vessel under pirate law. Treason on board triggers a series of terrible events our protagonist more
Manuel bids farewell to his routine and boards a 15th century vessel under pirate law. Treason on board triggers a series of terrible events our protagonist overcomes while keeping his moral principles intact. close
Geninha and Fortunato are couple who loves music. He's a good songwriter, she sings well. Despite this, their parents hate each other and do not seem more
Geninha and Fortunato are couple who loves music. He's a good songwriter, she sings well. Despite this, their parents hate each other and do not seem willing to allow their marriage, nor the creation of a local radio for them. close
A Marialist nobleman falls in love with a fado singer, who puts an end to the ephemeral relationship, accepting the love of a teenager, recently arrived from Africa.
A Marialist nobleman falls in love with a fado singer, who puts an end to the ephemeral relationship, accepting the love of a teenager, recently arrived from Africa. close
Tó and Pedro are cyclists from rival clubs, sponsored by small, highly competitive local companies: Famel (bicycles) and Caves (wines). Their competition more
Tó and Pedro are cyclists from rival clubs, sponsored by small, highly competitive local companies: Famel (bicycles) and Caves (wines). Their competition extends to girls. Clara, the school teacher, ends up by marrying Tó, after he suffers a nasty accident which Pedro was involved - or that may have been Pedro's fault. 1 year later, it's again competition day when Clara gives birth to a son, and a similar head-to-head race finish... close
Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings more
Ana Maria loves a modest guitar player, Júlio; when she herself in a 'retiro' (typical fado tavern), public and critics rend major applause. Fame brings about new friends, namely bohemian young who play and sing the fado with her, and not so young men but who rich and powerful enough to patronize her, promote her, and wish to become intimate with her. Júlio the guitarist feel betrayed, and he sets his mind to depart to the African colonies, to leave her forever. Knowing that he's going to embark, Ana Maria's heart between her first love, and the appeal of the rich and famous. close
The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university more
The great fadista, Amelia Rodrigues, made her screen debut in Capas Negras, which took its name from the black capes worn by the students in the university city of Coimbra, where the film is set. The action begins in a tavern where a group of former students are reminiscing about their time at the university. One of the students, Jose Duarte then breaks into song, performing an impromptu fado in the local Coimbra style. The tavern owner's niece, the aptly named Maria Lisboa promptly retaliates with a fado of the Lisbon variety. The melodramatic plot then centers on the frustrated romance between these two characters, and the soundtrack is essentially a musical duel between these two different styles of Portugal's national song. close
How happy and proud they are those two ladies back in Oporto! Thanks to them, their bright nephew can study medicine in Lisbon and may already have become more
How happy and proud they are those two ladies back in Oporto! Thanks to them, their bright nephew can study medicine in Lisbon and may already have become a doctor. Little do they know, not only Vasco wastes all his time drinking, dancing and picking up girls but he has just failed his final exam! And in that same day, he receives an email from the two aunts announcing their visit to Lisbon! Will he be able to make them believe he is such a good student as they think? close
From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we more
From our window one can see a set of the film The Green Years, directed by Paulo Rocha in 1963. This was our starting point: guided by Rocha's gaze, we look back at the places of that film. The successive geological, urbanistic and social strata of Lisbon, besieged by the pandemic that interrupted the shooting, are drawn out in front of our camera, like a contemporary jazz impro from a score written in 1963. close