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This early cinematic instance of a close-up—or, more accurately, a medium close-up shot of the chest and face of the maker of this film and others like more
This early cinematic instance of a close-up—or, more accurately, a medium close-up shot of the chest and face of the maker of this film and others like it, Georges Demenÿ saying “Je vous aime”—was made at the request of Hector Marichelle, professor and director of the National Deaf-Mute Institute in France, who planned to use filmed speech to teach deaf students to speak and lip read. This required close views of the performer's lip movements. The project was given to Demenÿ by Étienne-Jules Marey, who headed the Station Physiologique in Paris and whose chronophotographic scientific research of motion is among the most important contributions to the invention of movies. Despite these educational and scientific beginnings, however, this project led Demenÿ to pursue and influence the commercialism of cinema. close
One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other more
One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other heating iron at the forge. One would be seen to drive the nail into the shoe of the horse's hoof, to change his position and every movement needed in the work was clearly shown as if the object was in real (life). In fact, the whole routine of the two men's labor and their movements for the day was presented to the view of the observer. close
"Firemen in working uniform, rubber coats, helmets, and boots. Thrilling rescue from burning building. Smoke effects are fine." - from the Edison Catalog
"Firemen in working uniform, rubber coats, helmets, and boots. Thrilling rescue from burning building. Smoke effects are fine." - from the Edison Catalog close
Annabelle (Whitford) Moore performs her popular serpentine dance routine. She twirls around, and as she does so, she uses her long skirts to create a variety of patterns.
Annabelle (Whitford) Moore performs her popular serpentine dance routine. She twirls around, and as she does so, she uses her long skirts to create a variety of patterns. close
The Flicker Alley DVD "Georges Méliès: Encore New Discoveries (1896-1911)" misidentified a partial hand-colored print of the 1906 film "Alchimiste Parafaragaramus more
The Flicker Alley DVD "Georges Méliès: Encore New Discoveries (1896-1911)" misidentified a partial hand-colored print of the 1906 film "Alchimiste Parafaragaramus ou La cornue infernale" (The Mysterious Retort) as this film, "L'hallucination de l'alchimiste" (An Hallucinated Alchemist) from 1897, which continues to be considered a lost film. close
A man peeping through a keyhole at an attractive young woman gets his comeuppance. This film, presumed lost, is often mistaken for Ferdinand Zecca's "What Is Seen Through a Keyhole" (1901).
A man peeping through a keyhole at an attractive young woman gets his comeuppance. This film, presumed lost, is often mistaken for Ferdinand Zecca's "What Is Seen Through a Keyhole" (1901). close
A very clever and interesting picture. A family group composed of grandpa, mamma and several children are seen about a library table. One of the little more
A very clever and interesting picture. A family group composed of grandpa, mamma and several children are seen about a library table. One of the little girls takes a large reading glass, and with the other children looks at various objects about the room. As each object is inspected, it appears on the screen in enlarged form, just as it might look when viewed through a large magnifying glass. Among the objects thus shown are: 1. Little girl playing with kitten; 2. Monkey eating banana; 3. Parrot; 4. Baby's face; 5. Page from comic paper; 6. Mamma's face; 7. Mamma's eye. close
In this subject a "comique eccentric" enters the drawing room inhabited by spirits. He tries to take off his coat and hat, but these garments return to more
In this subject a "comique eccentric" enters the drawing room inhabited by spirits. He tries to take off his coat and hat, but these garments return to his head and shoulders as soon as he takes them off. The chairs, his umbrella, his hat, etc., fly away in different directions and by various methods. (Star Film Catalog) close
An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth more
An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth of her child enters, places her baby in care of the professor, who promptly places it in the incubator. An alcohol lamp is lighted under the apparatus, but the professor evidently gets his machine too hot, for in a few seconds the top is opened and the baby taken out. To the great anger of its mother it has grown about two feet in height and has long hair and a full beard. (Edison Catalog) close
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various more
A baker's assistant throws a handful of dough at a rat. The dough sticks to the side of a barrel and the assistant proceeds to sculpt the dough into various faces and shapes. There is some experimental use of stop motion. close
A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers. The first officer more
A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers. The first officer on the scene climbs the fence, enters the house, and is soon fighting with the thief on the roof. Falling from the roof, the officer is injured and requires an ambulance. Meanwhile, the thief flees, pursued by more men in blue. close
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