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Not to be confused with any of the sequels to Sylvester Stallone's classic Oscar-winning Rocky, this short film from Finnish filmmaker Aki Kaurismäki more
Not to be confused with any of the sequels to Sylvester Stallone's classic Oscar-winning Rocky, this short film from Finnish filmmaker Aki Kaurismäki is actually meant as a parody of the late Cold War-era Rocky IV, which saw Stallone's character taking on a juiced-up Russian fighter played by Dolph Lundgren. In this 1986 send-up, Rock'y, played by Silu Seppala, goes head to head with Soviet Igor (Sakari Kuosmanen) and loses. close
A singer in a bar full of weird people and mutants sing the story of an abandoned robot that is reactivated hundreds of years after an apocalyptic war. more
A singer in a bar full of weird people and mutants sing the story of an abandoned robot that is reactivated hundreds of years after an apocalyptic war. Wandering off searching for his origins, the robot meets characters of the ruined world, mutants, adventurers and common people. Always set to help humanity he makes both friends and enemies. (IMDb) close
The story of post-war Finland as interpreted by Aki Kaurismäki to Nancy Sinatra’s famous hit “These Boots Are Made For Walking” performed by the Leningrad Cowboys.
The story of post-war Finland as interpreted by Aki Kaurismäki to Nancy Sinatra’s famous hit “These Boots Are Made For Walking” performed by the Leningrad Cowboys. close
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes more
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes with bells ...”, known on the West as “Those Were the Days”. And then you go to the bar, and you go to the bar, and you go to the door, and you say, "NoDonkeys." “No, no, no, no, no.” We have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves. We have a sleeve, a sleeve, a sleeve, and a sleeve, and a sleeve, a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, a sleeve, a sleeve, and a slew, and a slew. In this case, you will find that you will find yourself in a position where you will find yourself in a place where you will find yourself in a place where you will find yourself in a place where you will find yourself. Andrey Plakhov
“Those Were the Days” begins with the unforgettable biblical image: “Seppäl’s power, the most shy and minimal of the cowboys, and the donkey stands at the door of the French cafe. Evening. The magic of the day is that we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of them. We have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun. Peter von Bagh close
Somewhere between Alabama and Utah, a prisoner (Nicky Tesco) escapes from prison. He is looking for his girlfriend in bars and hotels, while having time more
Somewhere between Alabama and Utah, a prisoner (Nicky Tesco) escapes from prison. He is looking for his girlfriend in bars and hotels, while having time to perform with the “Leningrad Cowboys”. The pursuers overtake him, but the fugitive manages to escape through the back door of the restaurant into a remote alley, where his love, Cadillac and a sip of Coca-Cola await. close
ABBA - THE LAST VIDEO is the film about four hopeful musicians in search of a record contract. They pay a visit to the Big Record Company Boss and his more
ABBA - THE LAST VIDEO is the film about four hopeful musicians in search of a record contract. They pay a visit to the Big Record Company Boss and his oily assistant, performing one hit after the other, cheered on by their manager. But things don't really work out as planned...Agnetha, Bjorn, Benny and Frida look just like they did back then... or perhaps not. close
A hypnotic and slow-burning journey through the austere landscapes of the island of South Georgia and the Antarctic Peninsula. Shot on black and white more
A hypnotic and slow-burning journey through the austere landscapes of the island of South Georgia and the Antarctic Peninsula. Shot on black and white super 8 film as a series of mostly static tableaux over a period of 20 days during the waning days of the Antarctic Summer, the film is a startling look at life at the edge of the world. close
