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Chuk Tai-ming elopes to Hong Kong with Shum Tsui-hung in defiance of his father but soon succumbs to harsh conditions and ill health. Shum becomes a courtesan more
Chuk Tai-ming elopes to Hong Kong with Shum Tsui-hung in defiance of his father but soon succumbs to harsh conditions and ill health. Shum becomes a courtesan to fulfil Tai-ming's last wish of funding his younger brother Chi-ming's studies in Australia, while creating the false impression that she is a rich widow. Chi-ming returns in summer and a chance encounter in the nightclub evolves into a budding romance. Tormented by a love doomed from the start, Shum pretends to despise the poor suitor. The rejection is taken hard by Chi-ming, who snubs the woman in public. Shum plunges into despair, taking gravely ill. Her lawyer Lee Chung-ling finally breaks the silence, making Chi-ming attuned to the woman's unspoken suffering after she's been laid to rest. close
Steely Brown, a young boy living in Harlem, wanders the streets of the city one night, reflecting on what led to the disappearance of his father. Meeting more
Steely Brown, a young boy living in Harlem, wanders the streets of the city one night, reflecting on what led to the disappearance of his father. Meeting the denizens of his neighborhood, he engages in conversations that begin to sketch the outlines of the enigma, invoking Vietnam, marital discord, paternal relationships, substance abuse, schooling and unemployment—in short, the life of an American family. close
The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva.
The story evolves around four women. The two lead characters, Vera and Gilda, middle-class women, are poor but ambitious. They face the bourgeois characters, Helena and Diva. close
A Burning Star depicts the physicality of destruction and disappearance through images of the Japanese filmmaker's father who dies and is cremated. Maintaining more
A Burning Star depicts the physicality of destruction and disappearance through images of the Japanese filmmaker's father who dies and is cremated. Maintaining a solid rhythm and perspective, this film highlights the meaning and importance of "viewing" and "filming" in documentary. close
The final days of the reign of the Shah: processions of mourning and jubilation, scenes after the fire in the Cinema Rex in Abadan, southern Iran, in more
The final days of the reign of the Shah: processions of mourning and jubilation, scenes after the fire in the Cinema Rex in Abadan, southern Iran, in which 377 viewers died; the famous interview with the Shah – shortly before his departure at Mehrabad Airport, followed by the acclaimed arrival and first speech by Ayatollah Khomeini; finally the graves of the martyrs of the revolution in Tehran’s large cemetery Behesht-e Zahra. Torabi and his cameramen film euphoric crowds and thoughtful revolutionaries, statesmen and members of various minorities such as Turkmen and Zoroastrians. close
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing more
Written and co-directed by 18-year-old Tunde Ikoli, this was made, he said, 'to show people what we have to put up with'; and its immediacy in dealing with the repressive influences on teenagers living in the East End of London often compensates for its lack of technical gloss. Particularly effective are a pointless search by goon-like policemen, and a café conversation between Tunde's friends, both of which do more to 'explain' delinquency than all of your glib sociological theorising. Like all neo-realism, Tunde's Film has the authority of performers re-enacting lived experience rather than acting. close
Klara and her father have been alone since her mother died. Her close friend Hans leaves for the military, and on returning as a fine young man, rushes more
Klara and her father have been alone since her mother died. Her close friend Hans leaves for the military, and on returning as a fine young man, rushes to see Klara. As their families work to keep them apart, their love grows stronger and stronger. close
The film deals with an imigrant woman from southern Italy, who lives in Frankfurt in the 1970s. Unusual about this film is the way of the storytelling. more
The film deals with an imigrant woman from southern Italy, who lives in Frankfurt in the 1970s. Unusual about this film is the way of the storytelling. The original plan was to make a documentary, but none of the female protagonists were willing to be seen in front of the camera. The fear to expose their own family was too big. The law of “omerta” exists in the diaspora as well. A southern italian proverb states: “The girls greatest value is her beauty - the womans greatest value is her silence”. For this reason, in the film only the sound of Maria M. from Basilicata, can be heard. She remains anonemous. In the movie, southern italian emigrants act in Maria's story. In fact, they end up playing themselves, which gives the film several layers and adds a refreshing sense of humor. close
In 1990, Robert Kramer receives a grant from the Ford Foundation. He goes to Berlin for 6 months, where he makes an hour long single video shot (for a more
In 1990, Robert Kramer receives a grant from the Ford Foundation. He goes to Berlin for 6 months, where he makes an hour long single video shot (for a festival) in the bathroom of his apartment. Facing the camera, the filmmaker thinks, alone, about the fall of the Berlin wall. "I've already spent 6 weeks here. With all the events in eastern Europe, it was like a hurricane. Berlin is a city where you feel the biggest changes, where you meet Polish immigrants, or others, escaping. Berlin will become a very violent city. What happens in eastern Europe is a bit like the end of the civil war in the US. The North, and all it's power stimulated by years of war, took over the South, who has lost everything. And there is this German past, the war, on all levels. close
Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant more
Kristl was a member of the prestigious Zagreb Studio of Animation and his early works as painter and filmmaker had brought him instant acclaim and instant censorship. He fled Croatia and lived in Germany; he died there in 2004. Poor People, a “collective scream” of Cold War fear, was produced just after he left his country. close
Two young men from Paris bring "wonderful civilizing ideas" into the brain. But, as they returned without pity, they began to call for an auction of the more
Two young men from Paris bring "wonderful civilizing ideas" into the brain. But, as they returned without pity, they began to call for an auction of the furniture and objects of art that garrison their "garconiére", last vestige of the passage of opulence. The great idea would be to install a cabaret in the favela for tourists in search of new sensations and also for the inhabitants of the city. On the hill, one of the boys experiences the greatest surprise: he found there, living among the humble, teaching to read to the children, Rosinha, an enchanted little princess, queen of the hill. close
Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival more
Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival before her marriage with the Kos. She has been in love with Sun. Sun finds out about her love for him when she is about to be married off, he is too weak to oppose to Wai's betrothal to another man. Sun's son, Hoi-sun, falls ill. Fearing the displeasure of his elders, Sun dares not consult a western doctor.
Meanwhile, another dispute arises among members of the family over the ancestral land. When accused of being incompetent in his management, Sun takes the blame silently. Wai dies of grief while Hoi-sun becomes a victim of mistreatment. Sun is devastated at this double blow.
Hak-ming instructs Sun to arrange for Ying's wedding. Knowing the kind of man Ying's fiancee is, Sun is reluctant. Not wanting to follow in Wai's footsteps, Ying fights for her own rights, and backed by an enlightened Sun, she leaves for a new start. close