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I give a friend a tale to read. He leaves his house, walks across the countryside, repeats the tale to himself, and arrives at the sea. And so it was more
I give a friend a tale to read. He leaves his house, walks across the countryside, repeats the tale to himself, and arrives at the sea. And so it was that a stonecutter, who became rich, then king, then sun, then cloud, then rock, became a stonecutter once again. close
A Black boy’s journey through an ineffectual public school system reveals the racial inequities built into everyday British life. Young Kingsley Smith more
A Black boy’s journey through an ineffectual public school system reveals the racial inequities built into everyday British life. Young Kingsley Smith is a spirited aspiring astronaut with a love of drawing whose life is turned upside down when he is thrust into a new school for the “educationally subnormal”—a harrowing experience that gradually awakens his mother to the institutional mistreatment of the children of West Indian immigrants. Shot on Super 16 mm to evoke BBC television dramas from the 1970s. close
LITTLE EDEN opens with the Big Bang and the first five billion odd years of the universe. Several million years later, we follow the mishaps of Simon more
LITTLE EDEN opens with the Big Bang and the first five billion odd years of the universe. Several million years later, we follow the mishaps of Simon Moog, a former High Energy Astrophysicist and Edena, a world renowned psychic healer who suffers from an inoperable brain tumor. The lives of both characters revolve around the premise that everything that exists evlolved from stardust, and beyond that there is a great, mysterious force that governs the universe. Because Simon cannot come to terms with the endless conflicts that arise in his head, his quest leads him to insanity and devastation, while Edena ultimately finds salvation through love and self-forgiveness. close
A restless daughter meets a spirit-fish who gives her pure water. But as her family devours the delicious water, they begin to suspect more than the origin of its taste.
A restless daughter meets a spirit-fish who gives her pure water. But as her family devours the delicious water, they begin to suspect more than the origin of its taste. close
« In the shadows of Low Life, a secret ceremony dedicated to thirteen guardians of humanity’s common treasures, love and resistance, youth and poetry, more
« In the shadows of Low Life, a secret ceremony dedicated to thirteen guardians of humanity’s common treasures, love and resistance, youth and poetry, equality and difference, insurrection and revolution. Saxifrages … These rootless plants’ windblown destiny is a soft perseverance doubled by an imperceptible intransigence, which, in time, imposes on the hardness of stones a patience that can break them. » – Saad Chakali close
The laid-back, scenic and conservative Terengganu was the only one out of the 13 states of Malaysia that director Amir Muhammad had never been to. So more
The laid-back, scenic and conservative Terengganu was the only one out of the 13 states of Malaysia that director Amir Muhammad had never been to. So he decided to go there for the first time in December 2015 and do a kind-of-travelogue about it. He quotes from "Voyage to Kelantan" (1838), a book by Munshi Abdullah (often referred to as the father of Malay journalism) which had some very scathing observations about the state and the men who live in it. These quotes are interspersed with conversations with some Terengganu men of today. Co-directed by Badrul Hisham Ismail who is a Terengganu native. close
Hanna secretly joins a group called The Onania Club. Its members, strong independent L.A. women, get aroused by the misery of others. Hanna meets more more
Hanna secretly joins a group called The Onania Club. Its members, strong independent L.A. women, get aroused by the misery of others. Hanna meets more misery than she could ever hope for and in the process loses everything she cares for. close
The “Film about the Father” is a difficult genre. Andreas Goldstein, son of the GDR cultural functionary Klaus Gysi (1912–1999) has tackled this task more
The “Film about the Father” is a difficult genre. Andreas Goldstein, son of the GDR cultural functionary Klaus Gysi (1912–1999) has tackled this task with a complete lack of vanity, but with insistence: measured and calm, honest and intellectual, analytical and personal. He uncovers a mosaic that renounces both the teleologies of the self-styled winners of history and the simplifications of (West) German Oscar nominees. This film is not about the lives of others, but about his own life. Not about yesterday, about today, too. close
A bilingual documentary essay about the construction and illusions of American identity from an intimate, biographical and anecdotal perspective." I was more
A bilingual documentary essay about the construction and illusions of American identity from an intimate, biographical and anecdotal perspective." I was born in New York City, a Jew from Queens, raised in the 1970s and 80s, the child of another New York Jew born in 1919, the child of immigrants from the Ukraine. When I became a father myself, I was gripped by the need to share this inheritance of identity with my daughters. But my daughters were born in Buenos Aires where I have been living since 2002.” Richard Shpuntoff close
When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out more
When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new. close
The story of the crew of the Odessa, a Ukrainian ship blocked in Italy because of the bankrupcy of its owners. For several years now they are stuck without more
The story of the crew of the Odessa, a Ukrainian ship blocked in Italy because of the bankrupcy of its owners. For several years now they are stuck without a salary in a foreign land, taking care of the ship while it waits for a buyer. close
The pigeon is probably fake, says the five-year-old daughter of Mexican filmmaker Eugenio Polgovsky. Perhaps it’s a robot. Why else would a pigeon sit more
The pigeon is probably fake, says the five-year-old daughter of Mexican filmmaker Eugenio Polgovsky. Perhaps it’s a robot. Why else would a pigeon sit so still on that nest she built atop the power lines, diagonally under their window? For seven days and nights, Polgovsky filmed the bird from his second floor apartment. Together with daughter Mile, he watches life go by: the bin men, the neighbours and their dogs, the gas delivery man, the squirrels dashing through the treetops in search of food. All from the same perspective – basically identical to that of the brooding pigeon, who gets most attention. "Papa, why are you filming her, really?" close
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to more
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away. close
An unconventional activist epic, filmed in Greece over several years among the many refugees and amidst some of the mass demonstrations that have rocked more
An unconventional activist epic, filmed in Greece over several years among the many refugees and amidst some of the mass demonstrations that have rocked the country. The film is at once an essay, guerrilla journalism and poetic portrait. It tackles the socio-political upheavals of a country that stands alone in bringing down the western neoliberal model. close
The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship more
The piece, an experiment that begins on the skin, in the skins of a family that spoke in silence about a tropical dictatorship in the 1980s, the dictatorship of a house. The skins whispered silently and their voices were heard in the corners, on the walls, in the cooking pot, on the soupspoon, on the wet beans. As the soldiers marched in the streets, the echo of their footsteps resonated in the walls of the home of a military man’s family, a house where the words were forgotten. With few oral resources, some photographs and some stolen confessions, the director proposes an exploration that goes from the personal to the political through a fictionalized experience of the family story related to the dictatorship of Panama. close
This film begins, so to speak, where ‘Vol spécial’ left off. The reality of migration bears its teeth: Following a scuffle, 20-year-old Koumba from France more
This film begins, so to speak, where ‘Vol spécial’ left off. The reality of migration bears its teeth: Following a scuffle, 20-year-old Koumba from France is sent back to the place where she was raised – Senegal. She returns to the lost village of her ancestors hysterical, argumentative and unproductively rebellious. Now the mother of a toddler, she continues to come to terms with the two cultures; the outcome is unforeseeable, as is the outcome of this cinematic long-term observation. The risk of its failure due to its protagonist is palpable. But Koumba’s fascinating metamorphosis is also obvious, her body and character have taken on a more harmonious nature. All hope is not lost. close
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