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The second of five parts of Klaus Wyborny's "Lieder der Erde" / "Song of the Earth" cycle of films, whose theme is "the emergence of modern European civilization." more
The second of five parts of Klaus Wyborny's "Lieder der Erde" / "Song of the Earth" cycle of films, whose theme is "the emergence of modern European civilization." The series comprises five large parts, which are in turn divided into various selections or short films. close
In the depths of her mind, pain takes the form of a creature. A love relationship unleashes the obscurity within, to evoke in the real world, a world of shadows.
In the depths of her mind, pain takes the form of a creature. A love relationship unleashes the obscurity within, to evoke in the real world, a world of shadows. close
A cook in his heyday, Camilo is now a worn-out fifty-year-old who works for a cleaning company. We can guess a personal failure in the past of this solitary more
A cook in his heyday, Camilo is now a worn-out fifty-year-old who works for a cleaning company. We can guess a personal failure in the past of this solitary Mexican living in Montreal. However, Camilo wants to get back on track and an opportunity to recover his culinary passion finally presents itself. Everything is in place for this new beginning when Camilo receives a visit from his daughter Tania, with whom he had cut ties because of her drug addiction. She tells him that he is a grandfather and asks him to take care of the child while she undergoes her umpteenth rehab. The arrival of this grandson will upset Camilo’s plans. There will be a new beginning for him, certainly, but not as he imagined it. close
Set in Noah Purifoy’s Outdoor Desert Art Museum in Joshua Tree, California, artist Cauleen Smith reimagines this unique space as a radical feminist utopia. more
Set in Noah Purifoy’s Outdoor Desert Art Museum in Joshua Tree, California, artist Cauleen Smith reimagines this unique space as a radical feminist utopia. Among the scattered assemblages, a group of women whose dynamic, colourful outfits radiate with energy, gather to re-stage an iconic photograph of men taken by Billy May for Life Magazine in 1966. While paying homage to the feminist abolitionist Sojourner Truth, the title refers to the spiritual journey these women embark upon. close
There are about 140 landscapes painted by Claude Monet in Pourville during 4 long stays between 1882 and 1897. The coastline has hardly changed since more
There are about 140 landscapes painted by Claude Monet in Pourville during 4 long stays between 1882 and 1897. The coastline has hardly changed since then. Enriched by the historic dimension Wyborny presents a panorama of this coast by superimposing Monets paintings with the present reality of the location. close
In this kaleidoscopic portrait, a screenwriter, an actor, an urban shaman, and the director himself contend with the everyday annoyances that fill the life of an artist.
In this kaleidoscopic portrait, a screenwriter, an actor, an urban shaman, and the director himself contend with the everyday annoyances that fill the life of an artist. close
Paris, at the beginning of the 21st century. Edouard is a painter, Charles is a poet. The two artists are friends, but their adverse circumstances begin more
Paris, at the beginning of the 21st century. Edouard is a painter, Charles is a poet. The two artists are friends, but their adverse circumstances begin to weigh on them. Gulcan, a foreigner, suddenly appears. He has an idea. close
Hanna secretly joins a group called The Onania Club. Its members, strong independent L.A. women, get aroused by the misery of others. Hanna meets more more
Hanna secretly joins a group called The Onania Club. Its members, strong independent L.A. women, get aroused by the misery of others. Hanna meets more misery than she could ever hope for and in the process loses everything she cares for. close
A random seventies newsreel from the artists’ hometown in Soviet Siberia forms the substratum for a relentless exploration of representational and narrative more
A random seventies newsreel from the artists’ hometown in Soviet Siberia forms the substratum for a relentless exploration of representational and narrative strategies: without ever collapsing into a ‘story’ or abstraction, the film recants the relationship between analogue and digital, surface and reference, sense and experience, past and present. –Thomas Zummer close
'I don't know if you've ever heard a goat eating carrots? It's almost too much, it's so lovely' An Eyeful of Sound conjures up the fascinating visually more
'I don't know if you've ever heard a goat eating carrots? It's almost too much, it's so lovely' An Eyeful of Sound conjures up the fascinating visually complex internal world of audio-visual synaesthesia, where senses make unique neural connections the rest of us don't experience. Synaesthesia is discussed, argued over, dissected and celebrated in this beautifully sensitive animated documentary. close
When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out more
When poverty-stricken Korean-Japanese (Zainichi) discover there is valuable iron ore in the rubble of a destroyed shantytown they plan to haul it out for profit. Amidst this plan there is discrimination, war and an infatuation between a man and a woman, but like everything around them there and owing to the forces around them, there is as much chance that these may burn to ashes and be destroyed or be the beginning of something new. close
Although Nuit debout opens with a woman’s account deploring the shortage of electricity in Kinshasa, the direct nature of the invective is put at a distance more
Although Nuit debout opens with a woman’s account deploring the shortage of electricity in Kinshasa, the direct nature of the invective is put at a distance by the way it is treated: the image that should accompany the voice is first absent, then tripled. The film seems to be the result of a mischievous prism that sometimes multiplies the image, sometimes associates it with others. By combining colourful shots bordering on the abstract with ambient sounds, the filmmaker proposes a personal variation on a documentary tradition: that of the urban symphony. The visual stream is as precarious as the electric current and it happens that darkness invites itself onto the screen without warning. The images echo each other or are sometimes attuned to create veritable triptychs. close
The story of the crew of the Odessa, a Ukrainian ship blocked in Italy because of the bankrupcy of its owners. For several years now they are stuck without more
The story of the crew of the Odessa, a Ukrainian ship blocked in Italy because of the bankrupcy of its owners. For several years now they are stuck without a salary in a foreign land, taking care of the ship while it waits for a buyer. close
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to more
On a late-summer Sunday in 2011, a female director gathers a team of filmmakers, writers, musicians, artists, critics, and friends in an apartment to recreate a scene from Michael Curtiz's Depression-era drama The Cabin in the Cotton. Over plates of pasta and glasses of red wine, a round robin of non-professional actors take turns performing the same scene, again and again, In different permutations. With a freedom Influenced by pre--Code Hollywood, cameras, phones, and laptops are scattered around & set at almost every possible angle, documenting the action both in front of and behind the camera as it unfolds, from rehearsals to equipment adjustments to the banter between takes. An intimate. playful, and spontaneous look Into the collaborative cinematic process emerges. a snapshot of the filmmaker's perennial struggle to capture fleeting moments before the day (and light) slip away. close
In a squat in Nantes, Mat and her friends organise a self-gynaecology workshop to “look at oneself and know oneself”. A lively and intimate portrait of more
In a squat in Nantes, Mat and her friends organise a self-gynaecology workshop to “look at oneself and know oneself”. A lively and intimate portrait of a young woman, filmed through her personal and collective questioning of the relationship with oneself, love, sex and the links that they all maintain between each other. close
This film begins, so to speak, where ‘Vol spécial’ left off. The reality of migration bears its teeth: Following a scuffle, 20-year-old Koumba from France more
This film begins, so to speak, where ‘Vol spécial’ left off. The reality of migration bears its teeth: Following a scuffle, 20-year-old Koumba from France is sent back to the place where she was raised – Senegal. She returns to the lost village of her ancestors hysterical, argumentative and unproductively rebellious. Now the mother of a toddler, she continues to come to terms with the two cultures; the outcome is unforeseeable, as is the outcome of this cinematic long-term observation. The risk of its failure due to its protagonist is palpable. But Koumba’s fascinating metamorphosis is also obvious, her body and character have taken on a more harmonious nature. All hope is not lost. close
Full of self-confidence, three-year-old Zhana explores her neighbourhood in Plovdiv, Bulgaria. A fresh look at the world, at places and people who fascinate, more
Full of self-confidence, three-year-old Zhana explores her neighbourhood in Plovdiv, Bulgaria. A fresh look at the world, at places and people who fascinate, who make one laugh, who challenge or are challenged by the little explorer. close
Contemporary Shanghai, the young gathering. A mega-structure under rapid development. Ubiquitous screens, fragmented materiality, masked crowd. We keep more
Contemporary Shanghai, the young gathering. A mega-structure under rapid development. Ubiquitous screens, fragmented materiality, masked crowd. We keep performing ourselves hard. Living in a space-time construction created by the times and us. Seeking for blending in and communication In many moments. We have no clue in which layer of space are we in: Virtual space, dream space, daily space, urban space, bodily space, cellphone space, social space. close