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A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the more
A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the movement of the presidential motorcade and the hit of two shots in the neck and head of Kennedy. close
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. more
“A silent perusal of the Grand Canyon, morning to night, from a single, fixed camera position, by means of constant dissolves spaced a few seconds apart. Man — entirely absent — is no longer the center of the universe; the canyon exists outside of him. Despite the invisible photographer and his technologically-caused dissolves, this is a creditable approximation of the true foreign-ness of nature.” — Amos Vogel, Film as a Subversive Art (1974) close
A promotional short on the movie Dirty Harry (1971) , which compares it to such classics as 'G' Men (1935) or The Big Sleep (1946), focusing on the toughness of those movies' main characters.
A promotional short on the movie Dirty Harry (1971) , which compares it to such classics as 'G' Men (1935) or The Big Sleep (1946), focusing on the toughness of those movies' main characters. close
A man walks into a meticulously clean and sterile bathroom and proceeds to shave. When his face is clean, however, he only continues to shave until he more
A man walks into a meticulously clean and sterile bathroom and proceeds to shave. When his face is clean, however, he only continues to shave until he pierces through his skin. Blood covers him and falls around him, the red contrasting the perfect spotlessness of the bathroom. close
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their more
A film shot during the summer of 1968 in Oakland, California around the meetings organised by the Black Panthers Party to free Huey Newton, one of their leaders, and to turn his trial into a political debate. They tried and succeeded in catching America’s attention. close
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s more
Breakaway plays out like a visual symphony. A prototype for the best (but still, lesser) contemporary formalist music videos, like Peter Care’s “What’s the Frequency, Kenneth?” and “Drive” (both for REM), Conner’s movie is an experiment in the visual language of film. But no matter how powerful a formal analysis of his filmmaking process may be in suggesting how Conner’s rhythms affect us, there is much in Breakaway – in Basilotta’s brash and unbridled self-assertiveness, in Conner’s feverish camera style, and even in the uncomplicated honesty of Cobb’s catchy lyrics and tune – that defies verbalisation… and must simply be loved! -- Senses of Cinema close
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four more
A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four Seasons plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it water games. close
In which the off-screen voice of Michael Snow narrates a series of Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate.
In which the off-screen voice of Michael Snow narrates a series of Frampton's photographs (speaking as Frampton, in the first person)—as each picture catches fire on a hot plate. close
A stand of birches. Sunlight brightens and dims, revealing more or less of the woods. A little grass is on the forest floor. Is there a shape in the shadows? more
A stand of birches. Sunlight brightens and dims, revealing more or less of the woods. A little grass is on the forest floor. Is there a shape in the shadows? Something green is out of focus. The light flashes, and the screen goes dark from time to time. We look up close at the bark of trees. Is the god of the forest to be seen? close
An ailing elderly woman is paid a perfunctory visit by her family while she sits despondently in a nursing home. Nobody can get through to her except more
An ailing elderly woman is paid a perfunctory visit by her family while she sits despondently in a nursing home. Nobody can get through to her except for her young grandson, who talks to her about the happy times they shared between the two of them when she was well. close
A young filmmaking student turns his camera on a female friend as she gets ready to go out for the night. She confides in him something he struggles to come to grips with.
A young filmmaking student turns his camera on a female friend as she gets ready to go out for the night. She confides in him something he struggles to come to grips with. close
Part of the "Through Navajo Eyes" series of seven short documentaries, along with Intrepid Shadows (1966), The Navajo Silversmith (1966), Old Antelope more
Part of the "Through Navajo Eyes" series of seven short documentaries, along with Intrepid Shadows (1966), The Navajo Silversmith (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966). close
At the Gotham City library, Barbara Gordon helps Bruce Wayne find a book on butterflies so he can prove a point to a friend, a millionaire explorer. As more
At the Gotham City library, Barbara Gordon helps Bruce Wayne find a book on butterflies so he can prove a point to a friend, a millionaire explorer. As Bruce and his youthful ward, Dick Grayson, are leaving they spot the villainous Killer Moth and three of his henchmen and, suspecting they are up to no good, determine to return as their superhero alter-egos, Batman and Robin. While the Caped Crusaders are donning their costumes, the criminal quartet knock out the millionaire, lock Barbara in an alcove and prepare to spirit their victim away. When the Dynamic Duo attempt to capture the crooks, they are encased in Killer Moth's silk cocoon. Is this the end of our Gotham City heroes? And why does a beautiful librarian have a cowl and a cape hanging in a convenient closet? close
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal more
Furniture and clutter of one small apartment room become the subject of a moving still life—with Akerman herself staring back. This breakthrough formal experiment is Akerman's first film made in New York. close
Mad with pain by a terrible splitting headache, and unable to function, let alone think clearly, a desperate young man has no other choice but to resort more
Mad with pain by a terrible splitting headache, and unable to function, let alone think clearly, a desperate young man has no other choice but to resort to the only remedy he knows: the well-advertised analgesic, Anacin. Could one tablet of the incomparable Anacin painkiller do the trick? close
Short film utilizing quick cuts and multiple angles of a one-man-band musical performance by Sid Lavarents (who served as both film-maker and musician). more
Short film utilizing quick cuts and multiple angles of a one-man-band musical performance by Sid Lavarents (who served as both film-maker and musician). Added to the National Film Registry, Library of Congress for 2000. close
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his more
The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub. close
George Lucas's senior project at the University of Southern California in 1966. It was named for the lap time of the Lotus 23 race car that was the subject more
George Lucas's senior project at the University of Southern California in 1966. It was named for the lap time of the Lotus 23 race car that was the subject of the film. It is a nonstory visual tone poem depicting the imagery of a car going at full speed, and featuring the car's engine as the primary sound element. Shot on 16mm color film with a 14 man student crew, it was filmed at Willow Springs Raceway, north of Los Angeles, CA. The Lotus 23 was driven by Pete Brock. close
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