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Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her more
Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child. close
Some 20 years ago, two sex workers were murdered in an upper-class Brussels neighborhood. Celebrated Belgian magistrate Anne Gurwez decides to revisit more
Some 20 years ago, two sex workers were murdered in an upper-class Brussels neighborhood. Celebrated Belgian magistrate Anne Gurwez decides to revisit this cold case, pouring over the evidence with the use of new technologies and tracking down then-suspects. close
In Paris, Lulu, a passionate policeman, works with the faith of a rookie, despite the sclerotic bureaucracy and the incompetence or negligence of some more
In Paris, Lulu, a passionate policeman, works with the faith of a rookie, despite the sclerotic bureaucracy and the incompetence or negligence of some of his colleagues. In his new position as a narcotics inspector, he tries to keep his sanity as he witnesses the worst of the human condition. close
Starring French electro-pop songstress Yelle, this absurdist and surreal short follows two lost souls, ready to start life anew. A girl lost in the middle more
Starring French electro-pop songstress Yelle, this absurdist and surreal short follows two lost souls, ready to start life anew. A girl lost in the middle of nowhere finds improbable company with a man dressed as a giant chicken. close
An orthodox Jewish teen living with her family in France attempts to balance her religious upbringing with her increasingly complex view of the outside world.
An orthodox Jewish teen living with her family in France attempts to balance her religious upbringing with her increasingly complex view of the outside world. close
At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism more
At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader. close
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton more
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge. close
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, more
“In re-viewing our Super 8 films, shot between 1972 and 1981, it occurred to me that they comprised not only a family archive but a testimony to the pastimes, lifestyle and aspirations of a social class in the decade after 1968. I wanted to incorporate these silent images into a story which combined the intimate with the social and with history, to convey the taste and colour of those years.” Annie Ernaux close
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