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Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw more
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced. close
Nev, a 24-year-old New York-based photographer, has no idea what he's in for when Abby, an eight-year-old girl from rural Michigan, contacts him on Facebook, more
Nev, a 24-year-old New York-based photographer, has no idea what he's in for when Abby, an eight-year-old girl from rural Michigan, contacts him on Facebook, seeking permission to paint one of his photographs. When he receives her remarkable painting, Nev begins a friendship and correspondence with Abby's family. But things really get interesting when he develops a cyber-romance with Abby's attractive older sister, Megan, a musician and model. Prompted by some startling revelations about Megan, Nev and his buddies embark on a road trip in search of the truth. close
Pablo Escobar was the richest, most powerful drug kingpin in the world, ruling the Medellin Cartel with an iron fist. Andres Escobar was the biggest soccer more
Pablo Escobar was the richest, most powerful drug kingpin in the world, ruling the Medellin Cartel with an iron fist. Andres Escobar was the biggest soccer star in Colombia. The two were not related, but their fates were inextricably-and fatally-intertwined. Pablo's drug money had turned Andres' national team into South American champions, favored to win the 1994 World Cup in Los Angeles. It was there, in a game against the U.S., that Andres committed one of the most shocking mistakes in soccer history, scoring an "own goal" that eliminated his team from the competition and ultimately cost him his life. The Two Escobars is a riveting examination of the intersection of sports, crime, and politics. close
A drama-documentary presented by Alan Yentob, with Benedict Cumberbatch in the lead role. Every word spoken by the actors in this film is sourced from more
A drama-documentary presented by Alan Yentob, with Benedict Cumberbatch in the lead role. Every word spoken by the actors in this film is sourced from the letters that Van Gogh sent to his younger brother Theo, and of those around him. What emerges is a complex portrait of a sophisticated, civilised and yet tormented man. close
The documentary Perfumer (44500 Max, The Perfumer) by Finnish director and screenwriter Jari Kokko tells the story of Max Perttula, a simple rural youth more
The documentary Perfumer (44500 Max, The Perfumer) by Finnish director and screenwriter Jari Kokko tells the story of Max Perttula, a simple rural youth who dreamed of creating his own exclusive perfumes.
Max Perttula, for as long as he can remember, has always lived with a dream of his cosmetics business. While his peers were playing football, seven-year-old Max created his first cream. He spent hours in the library studying the ingredients of cosmetics and fragrances. In 2005, at the age of 32, Max finally started his own business, which, however, two years later, almost led to his financial collapse. Despite all the difficulties, the hero of the film “Perfume” continued to fight for his dream, facing then with little success, then with complete despair, and eventually reaching international fame. close
“You bet on someone in the beginning of the process and then you wait and see what life does with them.” This is how Czech director Helena Trestikova more
“You bet on someone in the beginning of the process and then you wait and see what life does with them.” This is how Czech director Helena Trestikova explains her long-term documentaries. Following on from the European Film Academy Award winning RENE (2008), Trestikova brings us KATKA – 14 years in the life of a drug addict. KATKA is an extraordinarily raw and uncensored character portrait of a troubled young woman living on the edge of human existence, desperately searching for love and salvation. Will she find it in the rehab? Will she find it in the arms of the man she loves? Or in the first cry of her long-desired baby? Tagging along with her through the back streets and squalors of Prague, Trestikova gets deep under the skin of a person most of us would cross the road to avoid, and shows us Katka’s profoundly human face. You might be angry with Katka, or your heart may go out to her. One thing is certain – you will never forget her. close
The eastern Ukrainian town of Snezhnoje, which prospered during the Soviet era when miners there were spoiled with all kinds of privileges, now lives in poverty.
The eastern Ukrainian town of Snezhnoje, which prospered during the Soviet era when miners there were spoiled with all kinds of privileges, now lives in poverty. close
ReGeneration is a 2010 American documentary film written and directed by Phillip Montgomery that looks at the issues facing today's youth and young adults, more
ReGeneration is a 2010 American documentary film written and directed by Phillip Montgomery that looks at the issues facing today's youth and young adults, and the influences that contribute to America's current culture of apathy toward to political and social causes. close
Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two more
Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire. close
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