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Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard more
Commissioned by the heads of the 2000 Cannes Film Festival to make an opening-night short commemorating cinema as it enters its second full century, Godard instead offers up a 17-minute barrage of re-edited footage of wars and Nazi atrocities, interspersed with clips of Maurice Chevalier in "Gigi" and Godard's own "À bout de souffle." close
It's triple the trouble when Trakeena teams up with Olympius to steal all of the Earth's power. Their plan? To capture humans and use them as an energy more
It's triple the trouble when Trakeena teams up with Olympius to steal all of the Earth's power. Their plan? To capture humans and use them as an energy source to give Trakeena more power than she's ever had before. No one will be able to defeat her! Not even the Lightspeed Rescue Power Rangers! The world's only hope -- a small girl named Heather. It's up to her to find the courage and heart to stop Trakeena in her tracks. Can she do it or will time run out? And who are the mysterious visitors from the distant planet Mirinoi? Could the Lost Galaxy Power Rangers be back on Earth? close
From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour more
From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000. close
This documentary provides film fans with an in-depth, behind-the-scenes look at the making of the horror comedy about a man who must lead a medieval army more
This documentary provides film fans with an in-depth, behind-the-scenes look at the making of the horror comedy about a man who must lead a medieval army to victory against a horde of undead in order to return to his own time. Includes interviews with star Bruce Cambell, director Sam Raimi and other members of the cast and crew, who discuss what it was like to be a part of the making of this cult classic. close
This is the story of two brothers living in Mexico City, separated by misunderstanding. They spent their entire childhood together. But fate gave them more
This is the story of two brothers living in Mexico City, separated by misunderstanding. They spent their entire childhood together. But fate gave them different gifts: one began to grow up, while the second began to fall lower and lower. close
Lara is only able to escape from the harshness of the mental hospital by submerging herself in a dream world inspired by her goldfish bowl. This world more
Lara is only able to escape from the harshness of the mental hospital by submerging herself in a dream world inspired by her goldfish bowl. This world is filled with the magic of the sea, beautiful, ethereal sounds and her love of dolphins. In the clinic, her imagination is largely suppressed, especially by an envious senior nurse. Only Jacob, a young orderly, is slowly able to get closer to Lara by sharing with her the love of the sea and its secrets. Lara is so strengthened by this gentle bond that she begins to break the hospital regulations. The magic of her dreams begins to spill into her environment as well as the loves of the other patients. The senior nurse is clearly threatened by this turn of events. The growing division in the clinic reaches a dramatic climax which results in Jacob being thrown out and Lara is violently tranquilized. However, the path of destiny continues to wind its mysterious ways.... close
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, more
A premonition of a horror film, lurking danger: A house - at night, slightly tilted in the camera's view, eerily lit - surfaces from the pitch black, then sinks back into it again. A young woman begins to move slowly towards the building. She enters it. The film cuts crackle, the sound track grates, suppressed, smothered. Found footage from Hollywood forms the basis for the film. The figure who creeps through the images, who is thrown around by them and who attacks them is Barbara Hershey. Tscherkassky's dramatic frame by frame re-cycling, re-copying and new exposure of the material, folds the images and the rooms into each other. It removes the ground from under the viewer's feet and splits faces, like in a bad dream. From the off, from outer space, foreign bodies penetrate the images and cause the montage to become panic stricken. The outer edges of the film image, the empty perforations and the skeletons of the optical sound track rehearse an invasion... close
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