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An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps.
An essay film critiquing post-war France's urban developments- Pialat states that modernity and suburban convenience have limited Parisian freedom and widened class gaps. close
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan.
A poetic ode to the River Seine, Ivens' distinguished camera eye surveys its lively banks and step-stone canals with a vérité candor, a beguiling elan. close
A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between more
A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject. close
We learn the true stories behind various nursery rhymes. Little Jack Horner: a servant to a city official was delivering a present to King Henry VIII, more
We learn the true stories behind various nursery rhymes. Little Jack Horner: a servant to a city official was delivering a present to King Henry VIII, baked, as was the custom of the time, in a pie. The present was the deed to a valuable estate, which Horner stole. Mary, Mary, Quite Contrary: Mary Stuart brought "quite contrary" French style to the Scottish court. After a series of disastrous romances, she was jailed; the jailer's son, captivated by her, helped her escape. After a brief but disastrous attempted coup, she fled to England, where her sister, Queen Elizabeth, soon grew jealous and had her imprisoned. London Bridge: The bridge, finished in 1209, was soon lined by shops with luxury apartments upstairs, turning into a popular commercial and cultural zone. The Great Fire that broke out in 1666 spread to the bridge, but the houses were rebuilt. Over the ages, things decayed. In 1823, things finally got bad enough that the bridge was demolished and replaced. close
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer more
Director Chris Marker begins by recounting his childhood dream of visiting the city of Peking - a city he was once only able to admire in books. The viewer is taken on a journey through this city, as if experiencing it from the mind and through the eyes of Marker. His thoughts and observations about the traditions, history, and banalities of everyday life in Peking are woven together in elegant fashion. close
In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of more
In August 1963, just a couple of months before his death, Jean Cocteau made one last short film. The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was sealed and stored with the understanding that it would be opened only in the year 2000. As it turned out, it was discovered and exhumed a few years shy of that date. Where in The Testament of Orpheus Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state. By the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead. close
The third directorial work of Milos Forman is a story about the Czech provincial life and the first creative achievements of beginning provincial musicians.
The third directorial work of Milos Forman is a story about the Czech provincial life and the first creative achievements of beginning provincial musicians. close