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A peaceful gas-station employee is pursued by a pair of civil guardians. The story is told by a bizarre conception of time and space, unleashing a frenetically humorous and bizarre odyssey.
A peaceful gas-station employee is pursued by a pair of civil guardians. The story is told by a bizarre conception of time and space, unleashing a frenetically humorous and bizarre odyssey. close
An American soldier and an Arab soldier confront each other during wartime in the desert, each hoping to kill the other. But in order to survive, they must lay down their arms and cooperate.
An American soldier and an Arab soldier confront each other during wartime in the desert, each hoping to kill the other. But in order to survive, they must lay down their arms and cooperate. close
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes more
“Paris, night, 1994. We are in the midst of the darkness, and we are in the midst of it. “Leningrad cowboys” sing in the bar the song “Riding on threes with bells ...”, known on the West as “Those Were the Days”. And then you go to the bar, and you go to the bar, and you go to the door, and you say, "NoDonkeys." “No, no, no, no, no.” We have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of sleeves. We have a sleeve, a sleeve, a sleeve, and a sleeve, and a sleeve, a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, and a sleeve, a sleeve, a sleeve, and a slew, and a slew. In this case, you will find that you will find yourself in a position where you will find yourself in a place where you will find yourself in a place where you will find yourself in a place where you will find yourself. Andrey Plakhov
“Those Were the Days” begins with the unforgettable biblical image: “Seppäl’s power, the most shy and minimal of the cowboys, and the donkey stands at the door of the French cafe. Evening. The magic of the day is that we have a slew of sleeves, and we have a slew of sleeves, and we have a slew of them. We have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun, and we have a lot of fun. Peter von Bagh close
A first-time feature-film director (who's also the writer and producer) is casting the lead actress. We meet him talking to his wife about the picture more
A first-time feature-film director (who's also the writer and producer) is casting the lead actress. We meet him talking to his wife about the picture and the process. We meet the actress, Sandy, negotiating with her roommate and talking by phone to her mother. Then, we watch Sandy audition for the director at the call-back session; also attending are the casting director and the production company's sycophants. The wrinkle is that the director is a homicidal misogynist, his wife is tied up and hanging from the ceiling, and Sandy has something in her purse that bodes a rocky future. (IMDb) close
NASA Deep Space Tracking Facility: Radar is picking something up. An object heading towards earth, L.A., at near light-speed. Impact: 9 seconds. L.A.: more
NASA Deep Space Tracking Facility: Radar is picking something up. An object heading towards earth, L.A., at near light-speed. Impact: 9 seconds. L.A.: A boy, not even 10 years old, is being chased by three older boys. He is holding something small, a 'Terminator' figurine. Dead end! A fence is blocking his way. He is trapped. Standing no chance he hands 'Arnie' over to the gang leader. NASA Deep Space Tracking Facility: Impact! Three... Two... One... ?... Nothing. L.A.: The bullies are leaving the crime scene, now proud owners of an 'Arnie' figurine. But something's happening, something is blocking their way... a man clad in silver, hovering on a surfboard... close
The story of post-war Finland as interpreted by Aki Kaurismäki to Nancy Sinatra’s famous hit “These Boots Are Made For Walking” performed by the Leningrad Cowboys.
The story of post-war Finland as interpreted by Aki Kaurismäki to Nancy Sinatra’s famous hit “These Boots Are Made For Walking” performed by the Leningrad Cowboys. close
Part of Three Hand-Painted Films, Night Music (originally painted on IMAX) attempts to capture the beauty of sadness, as the eyes have it when closed in meditation on sorrow.
Part of Three Hand-Painted Films, Night Music (originally painted on IMAX) attempts to capture the beauty of sadness, as the eyes have it when closed in meditation on sorrow. close
Follows a day in the life of a young artist who longs for professional success and the attention of beautiful women, but who encounters only frustration and violence.
Follows a day in the life of a young artist who longs for professional success and the attention of beautiful women, but who encounters only frustration and violence. close
Three witches worship a bird statue in a postmodern city. When Gisèle Kerozene comes and steals it, the three witches jump on their brooms and initiate a hilarious chase.
Three witches worship a bird statue in a postmodern city. When Gisèle Kerozene comes and steals it, the three witches jump on their brooms and initiate a hilarious chase. close
A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium
A young teacher is the victim of a cruel joke. When she enters the classroom, all her pupils are naked, standing near their bench. Their clothes are heaped up on the podium close
Revisits of locations on the Great Hungarian Plain - the puszta - that were used in Tarr's Sátántangó and Werckmeister harmóniák. Recitations of short more
Revisits of locations on the Great Hungarian Plain - the puszta - that were used in Tarr's Sátántangó and Werckmeister harmóniák. Recitations of short lyric poems by Hungary's national poet Sándor Petofi. close
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody more
Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of Television, and how Television compares with cinema as a medium and form of expression. close