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Warsaw, mid-1980s. When it seemed that the Christmas party with her parents could not be more boring, Basia unexpectedly meets someone very familiar...
Warsaw, mid-1980s. When it seemed that the Christmas party with her parents could not be more boring, Basia unexpectedly meets someone very familiar... close
Alexander’s schooldays aren’t the happiest. He’s the smallest kid in his class and not the most popular. His life doesn’t become easier when a girl films more
Alexander’s schooldays aren’t the happiest. He’s the smallest kid in his class and not the most popular. His life doesn’t become easier when a girl films him under the shower and shares the video with the whole class, earning him the nickname “Mini”. close
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a more
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own? close
Where's Em been? School, fool. But despite his fame and fortune, this exclusive documentary shows that returning to the halls of high school wasn't exactly easy for this international superstar.
Where's Em been? School, fool. But despite his fame and fortune, this exclusive documentary shows that returning to the halls of high school wasn't exactly easy for this international superstar. close
American Miguel Francis went to the Crimea to see with his own eyes the “occupation” troops, the protests of the local population, the devastation and more
American Miguel Francis went to the Crimea to see with his own eyes the “occupation” troops, the protests of the local population, the devastation and chaos that the Western media write about. However, he opened a completely different picture. Residents of Simferopol, Sevastopol and Yalta, with whom Miguel managed to communicate on the streets of these cities, spoke about the long-awaited reunification of the Crimea with Russia, about the history of the peninsula from the time of Peter I to the present day, about their worries, hopes and aspirations. close
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary more
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema. These were Burroughs-themed art and performance nights curated by Psychic TV. Jarman’s film shows Burroughs on Tottenham Court Road signing autographs with fans and inside a shop buying alcohol. The industrial soundtrack by Psychic TV features a sample of Burroughs repeating "boys, school showers and swimming pools full of 'em'". Additional footage shot by Jarman during Burroughs' visit is reported to have been confiscated by Scotland Yard in 1991 and remains lost. Jarman and Psychic TV would continue to collaborate (“magic bound us together” Jarman wrote), with Jarman directing the music video for Catalan and staring as the spokesperson in the Psychic TV video A Spokesman for the Temple of Psychick Youth. close
This documentary takes a closer look at the seedy world of brostitution and brostitutes. This film digs deeper than any other film has when it comes to more
This documentary takes a closer look at the seedy world of brostitution and brostitutes. This film digs deeper than any other film has when it comes to this secret world of bro-on-bro non-sexual love for profit. close
This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not more
This short film is Godard’s message to the people of Lausanne, specifically journalist and critic Freddy Buache, addressing his reasons why he will not make a film about their town’s 500th anniversary. Rather than cynical or defensive, Godard's bemused narration of the footage of Lausanne is imaginative and even playful, a rumination on cinema's possibilities. close