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This film is a poetic endeavor about Life and Death. A brown hen was selected to convey motion. The soundtrack is a collage of approximately 200 beginnings more
This film is a poetic endeavor about Life and Death. A brown hen was selected to convey motion. The soundtrack is a collage of approximately 200 beginnings and endings of different musical pieces. close
An ailing elderly woman is paid a perfunctory visit by her family while she sits despondently in a nursing home. Nobody can get through to her except more
An ailing elderly woman is paid a perfunctory visit by her family while she sits despondently in a nursing home. Nobody can get through to her except for her young grandson, who talks to her about the happy times they shared between the two of them when she was well. close
The first attempt to translate Wonder Woman to the small screen in 1967. Diana lives with her mother close to a United States Air Force base. Much of more
The first attempt to translate Wonder Woman to the small screen in 1967. Diana lives with her mother close to a United States Air Force base. Much of the film consists of her mother berating Diana about not having a boyfriend. When her mother leaves the room, Diana changes into her Wonder Woman costume and admires her reflection in a mirror. What she sees is not Diana Prince, but rather a sexy super-heroic figure (played by Linda Harrison) who proceeds to preen and pose as the song "Oh, You Beautiful Doll" plays on the soundtrack. close
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard more
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min close
The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture.
The film may be viewed as a study of the nature of the medium and more specifically of the phenomena of framing, movement, and synchronicity of sound and picture. close
At the Gotham City library, Barbara Gordon helps Bruce Wayne find a book on butterflies so he can prove a point to a friend, a millionaire explorer. As more
At the Gotham City library, Barbara Gordon helps Bruce Wayne find a book on butterflies so he can prove a point to a friend, a millionaire explorer. As Bruce and his youthful ward, Dick Grayson, are leaving they spot the villainous Killer Moth and three of his henchmen and, suspecting they are up to no good, determine to return as their superhero alter-egos, Batman and Robin. While the Caped Crusaders are donning their costumes, the criminal quartet knock out the millionaire, lock Barbara in an alcove and prepare to spirit their victim away. When the Dynamic Duo attempt to capture the crooks, they are encased in Killer Moth's silk cocoon. Is this the end of our Gotham City heroes? And why does a beautiful librarian have a cowl and a cape hanging in a convenient closet? close
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man more
A 1968 British musical short film (30 mins) starring Judy Huxtable and Anthony May. It was directed by Douglas Hickox. It tells the story of a young man (May) cycling around the Hampstead (NW3) area of London on a Raleigh RSW16. After crashing into a billboard he falls in love with a fashion model (Huxtable) depicted on it. Despite the title, the Belsize Park area does not actually feature. There is almost no spoken dialogue, and the soundtrack to the film is musical virtually throughout. The title song of the film has been a hit for Mireille Mathieu and Engelbert Humperdinck (a top ten hit in the UK and a top 40 hit in the USA) amongst others. The title is derivative of the French film, Les Parapluies de Cherbourg; apart from a musical theme there is no other obvious link. close
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement more
Serene Velocity stares down the center of an empty institutional hallway while shifting the focal length of a stationary zoom lens, transforming the basement corridor into a nexus of visual and conceptual energy. close
The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured more
The human eye, the human form, the human face: these are the three central images of this avant-garde collage and kaleidoscope of shifting and fractured images, changing colors, and pulsing rhythms. Near the end, a tree appears briefly, and birds fly - first white, then red and blue. Celtic knots morph from one to another. The images become Rorschach tests although the mood, driven by the rapid changing images and the soundtrack, remains frantic. close
Part of the "Through Navajo Eyes" series of seven short documentaries, along with Intrepid Shadows (1966), The Navajo Silversmith (1966), Old Antelope more
Part of the "Through Navajo Eyes" series of seven short documentaries, along with Intrepid Shadows (1966), The Navajo Silversmith (1966), Old Antelope Lake (1966), Second Weaver (1966), The Shallow Well Project (1966), and The Spirit of the Navajos (1966). close
A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the more
A 26-second documentary filmed by Abraham Zapruder in Dallas on the day of the assassination of John F. Kennedy on November 22, 1963. The film shows the movement of the presidential motorcade and the hit of two shots in the neck and head of Kennedy. close
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for more
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971. close
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as more
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt? close
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their more
We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children. close
A stand of birches. Sunlight brightens and dims, revealing more or less of the woods. A little grass is on the forest floor. Is there a shape in the shadows? more
A stand of birches. Sunlight brightens and dims, revealing more or less of the woods. A little grass is on the forest floor. Is there a shape in the shadows? Something green is out of focus. The light flashes, and the screen goes dark from time to time. We look up close at the bark of trees. Is the god of the forest to be seen? close
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