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A mockumentary starring Warwick Davis, the actor who played the Ewok, Wicket W. Warrick in Star Wars Episode VI: Return of the Jedi and the Ewok spin-off more
A mockumentary starring Warwick Davis, the actor who played the Ewok, Wicket W. Warrick in Star Wars Episode VI: Return of the Jedi and the Ewok spin-off films. Davis and David Tomblin, Return of the Jedi's first assistant director, created it, with Tomblin directing. Lucasfilm planned to use the movie as a promotional film for Return of the Jedi, but post-production on the film was never completed. close
A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, more
A collage of two-dimensional images of vegetation, each appearing only for a moment, sometimes as a single image, more often with other bits of stem, leaf, bud, or petal. Often we see only the outline of objects against a black background. Black and green are occasionally joined by fragments of orange or of white and blue. The objects in the frame don't move but they are quickly replaced by another collage, giving the feel of rapid motion. Each collage is crisp, its lines etched against the background of black and later of white. Whitman anyone, or Hieronymus Bosch? Although there is no soundtrack, the rapidity of changing images and colors suggests a riot. close
An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious more
An anonymous narrator outlines a bizarre journey taken through "H", aided by a series of extraordinary maps, and his previous dealings with the mysterious Tulse Luper and the keeper of the bird house at the Amsterdam Zoo. close
Dr. Bernard Nathanson, former abortionist and founder of NARAL, teaches the audience about the specifics of suction abortion, followed by an actual abortion more
Dr. Bernard Nathanson, former abortionist and founder of NARAL, teaches the audience about the specifics of suction abortion, followed by an actual abortion of an 11-week old fetus as seen through ultrasound. close
A woman and an engineered man are sent in a gigantic sentient starship to search space for a place to start a new life cycle. Raj decides to take a look more
A woman and an engineered man are sent in a gigantic sentient starship to search space for a place to start a new life cycle. Raj decides to take a look around the ship. He comes across a gigantic robotic cleaner. Combat ensues. close
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots more
As a visual narrative it is reminiscent of a pile of postcards from a journey, which indeed is what the film is. It consists of a series of lengthy shots of a tableau nature, each appearing to be a more or less random cross section of American reality, but which in total invoke a highly emblematic picture of the USA. close
The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed more
The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles. close
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions more
Alix Cléo Roubaud, a photographer, describes her images to Eustache’s son Boris. An “essay in the shape of a hoax”, Eustache’s last film wittily questions the relationship between showing and telling as it gradually shifts Alix’s narration out of sync with what we see. close
Anne-Marie Miéville, frequent collaborator of Jean-Luc Godard, made this partner piece to Godard's own 'Je vous salue, Marie'. Marie, eleven years old, more
Anne-Marie Miéville, frequent collaborator of Jean-Luc Godard, made this partner piece to Godard's own 'Je vous salue, Marie'. Marie, eleven years old, is experiencing difficult times. Her parents will separate. The perception of her universe is profoundly disturbed. This exacting portrait of a child immersed in her books, music and dancing casts a dispassionate yet touching eye on the girl's reaction to the new upheaval in her life. close
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary more
Derek Jarman's film portrait of American writer William S. Burroughs was shot in September 1982 during his first visit to England to attend the legendary Final Academy events at the South London Ritzy Cinema. These were Burroughs-themed art and performance nights curated by Psychic TV. Jarman’s film shows Burroughs on Tottenham Court Road signing autographs with fans and inside a shop buying alcohol. The industrial soundtrack by Psychic TV features a sample of Burroughs repeating "boys, school showers and swimming pools full of 'em'". Additional footage shot by Jarman during Burroughs' visit is reported to have been confiscated by Scotland Yard in 1991 and remains lost. Jarman and Psychic TV would continue to collaborate (“magic bound us together” Jarman wrote), with Jarman directing the music video for Catalan and staring as the spokesperson in the Psychic TV video A Spokesman for the Temple of Psychick Youth. close
The documentary follows Gene Scott, famous televangelist involved with constant fights against FCC, who tried to shut down his TV show during the 1970s more
The documentary follows Gene Scott, famous televangelist involved with constant fights against FCC, who tried to shut down his TV show during the 1970s and '80s, and even argues with his viewers, complaining about their lack of support by not sending enough money to keep going with the show. close
At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director behind more
At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director behind the camera, seems to instruct the objects. close
Apple and Ridley Scott presented the most awaited event of 1984: the introduction of Apple Macintosh personal computer to the world. With a concept directly more
Apple and Ridley Scott presented the most awaited event of 1984: the introduction of Apple Macintosh personal computer to the world. With a concept directly influenced by George Orwell's classic novel "Nineteen Eighty-Four", Scott offers a heroine who destroys the repressive present led by the Big Brother in order to bring a future full of new perspectives. close
Hardware Wars (1978) is a short film parody of the classic science fiction film Star Wars. The thirteen-minute film, which premiered in theatres only more
Hardware Wars (1978) is a short film parody of the classic science fiction film Star Wars. The thirteen-minute film, which premiered in theatres only seven months after Star Wars, consisted of little more than inside jokes and visual puns that heavily depended upon audience familiarity with the original. The theme song is Richard Wagner's famous "Ride of the Valkyries". The tagline was "You'll laugh, you'll cry, you'll kiss three bucks goodbye." close