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One of the earliest silent films that led to the development of films. It consists of a series of 24 fast-moving photographs that were shown on the zoopraxiscope.
One of the earliest silent films that led to the development of films. It consists of a series of 24 fast-moving photographs that were shown on the zoopraxiscope. close
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic more
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. more
Hyde Park Corner (also known as Leisurely Pedestrians, Open Topped Buses and Hansom Cabs with Trotting Horses) depicts life at Hyde Park Corner in London. It is claimed to be the first film set in London, as well as the first to be filmed on celluloid. It is currently considered a partially lost film, with only 6 possible film frames preserved as part of the Jonathan Silent Film Collection. close
Experimental film that follows up on the results of "Monkeyshines, No. 1" and "Monkeyshines, No. 2". Once again, an Edison company worker moves around more
Experimental film that follows up on the results of "Monkeyshines, No. 1" and "Monkeyshines, No. 2". Once again, an Edison company worker moves around in front of the motion picture camera. Lost film. close
Experimental film that follows up on the results of "Monkeyshines, No. 1". Once again, an Edison company worker moves around in front of the motion picture camera.
Experimental film that follows up on the results of "Monkeyshines, No. 1". Once again, an Edison company worker moves around in front of the motion picture camera. close
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first more
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press. close
Directed by Étienne-Jules Marey, a French scientist, this is believed to be the first cat ever filmed in cinematic history. Jules Marey created the chronophotographic more
Directed by Étienne-Jules Marey, a French scientist, this is believed to be the first cat ever filmed in cinematic history. Jules Marey created the chronophotographic gun in 1882, a device which looked like a short barrelled shotgun with a magazine on top. It was capable of taking twelve consecutive frames a second. He used this to study various animals, the most famous study in what was called Marey’s ‘animated zoo’, was the one involving a cat which was dropped from a height of a few feet in order to see if it always landed on its feet. close
“Interior of Barber Shop. Man comes in, takes off his coat; sits down, smokes; is handed a paper by attendant, who points out a joke; both laugh. Meantime more
“Interior of Barber Shop. Man comes in, takes off his coat; sits down, smokes; is handed a paper by attendant, who points out a joke; both laugh. Meantime the man in the chair is shaved and has his hair cut. Very funny.” (Edison's Latest Wonders, 1894) close
Hadji Cheriff, a performer known for a variety of unusual abilities, demonstrates part of his act in the Thomas Edison studio. He has a large knife in more
Hadji Cheriff, a performer known for a variety of unusual abilities, demonstrates part of his act in the Thomas Edison studio. He has a large knife in his hand at the opening of the act. He then hurls the knife away and begins a rapid series of dance-like motions, executing numerous cartwheels and whirling movements. close
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic more
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach. close
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States.
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States. close
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. more
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890. close