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La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the more
La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company.
The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society.
The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour. close
Candice Renoir had put her career on standby for 10 years. When she returns from Singapore to resume service in a port town in the south of France, she more
Candice Renoir had put her career on standby for 10 years. When she returns from Singapore to resume service in a port town in the south of France, she feels a bit “rusty”. Despite the obvious defiance of her unit and a cynical superior who doesn’t make her job any easier, she is determined to turn her so-called weaknesses into strengths, solving the most complex cases with her common sense, her acute observation and her practical nature seasoned by a busy daily routine.
Only Candice can catch a killer because she knows the chemical composition of a window-cleaning product or determine the hour of a murder from the cooking-time of kebabs… Candice is only naive on the outside, and nobody can resist her! close
Patrick, a travel agent in his early 30s, lives with Arthur, an immigration lawyer; but for a long time, Patrick has been sleeping on an air mattress more
Patrick, a travel agent in his early 30s, lives with Arthur, an immigration lawyer; but for a long time, Patrick has been sleeping on an air mattress on the floor of their bedroom. His younger brother, Tony, plans to marry his high school sweetheart but is having an affair that is far more satisfying than his relationship with his fiancee. Their older brother, Ryan, is divorced, living at home and working at his parents’ hopelessly unprofitable men’s clothing store. And McCauley soon makes achingly clear that the parents’ marriage is far from happy. close
Thanks to the law of 1948 and to her grandmother, the nominal tenant who is always absent, Francesca Cigalone and all her tribe (thoughtless husband, more
Thanks to the law of 1948 and to her grandmother, the nominal tenant who is always absent, Francesca Cigalone and all her tribe (thoughtless husband, orphan sister, self-centered film maker and his mistress of the day, eccentric granny, friends, friends of the friends, daughter...) live on a shoestring in a very big apartment. Which is not to the liking of supercilious bitchy owner Charlotte Falingard, who has been intent for some time on having them evicted for obvious speculative reasons. But suing Francesca is no bed of roses. The lady is tenacious. Moreover she once studied law... Written by Guy Bellinger close
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And more
Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go. close
