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A young man leaves his village to go into the city to audition to enter a dance company. He then is involved in illegal activities such as boxing and more
A young man leaves his village to go into the city to audition to enter a dance company. He then is involved in illegal activities such as boxing and sleeping with men for money. Unwillingly, he falls in love with a man and suddenly is accepted in and starts dancing in the company. But his life will turn upside down when his lover goes to war and he returns to his village. close
Vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, featuring talks with African musicians and restaurant workers, Chinese barkeeps more
Vivid mosaic/portrait of Rome’s biggest public square, Piazza Vittorio, featuring talks with African musicians and restaurant workers, Chinese barkeeps and relocated eastern Europeans, homeless men and women, artists, actors, and many others. close
While it was long thought that his filmography had concluded with the film Life in 1993, Peleshian has now returned with a new film, simply titled La more
While it was long thought that his filmography had concluded with the film Life in 1993, Peleshian has now returned with a new film, simply titled La Nature, through which he once again observes the delicate cohabitation of human communities with their environment. Gathered from the internet, most of the images that compose the film are fragile, amateur-shot traces from within nature and its tremors that regularly rock these communities. Volcanic eruptions, earthquakes, and tsunamis form the film’s visual fabric, and are set against images of grandiose natural landscapes. A visual elegy, the film resolutely acknowledges the superiority of nature, with its unrelenting force, capable of transcending all human ambition. With this, the filmmaker seems to remind us that humankind will not emerge victorious from the ecological havoc that it has created. close
A boy is fighting for survival in the deserted ruins of what used to be a city. Suddenly, from behind a massive wall, someone or something tries to communicate more
A boy is fighting for survival in the deserted ruins of what used to be a city. Suddenly, from behind a massive wall, someone or something tries to communicate with the boy. His reaction might mean the difference between life or death. close
In the film, Jean-Luc Godard addresses members of the Swiss Federal Office of Culture, responding to the award awarded to him in the director’s inherent more
In the film, Jean-Luc Godard addresses members of the Swiss Federal Office of Culture, responding to the award awarded to him in the director’s inherent manner: using a language game, cultural references and other allusions. close
The gorgeous astrakhan fur, that looks so soft, shiny and warm, actually comes from fetal or newborn or even unborn karakul lambs. While the white lamb more
The gorgeous astrakhan fur, that looks so soft, shiny and warm, actually comes from fetal or newborn or even unborn karakul lambs. While the white lamb is the Christian symbol of purity and innocence, the astrakhan evokes the early sacrifice by society of the black lamb, equally innocent, slaughtered before or right after birth. close
Circus strongmen, bearded women, trained elephants, mad dancers, dwarfs and nude starlets behind the velvet curtains——————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— more
Circus strongmen, bearded women, trained elephants, mad dancers, dwarfs and nude starlets behind the velvet curtains——————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————————— Many fragments have never before been shown on the big screen, part of the chronicle of the turn of the XIX-XX centuries was provided by the descendants of ancient circus families. Black and white scenes are interspersed with color, elephants are replaced by a screen of tigers and acrobats, and all this together forms today in a very unfunny, a rather disturbing picture; a panopticum of morals and savages, retouched by the hands of the director with a gloomy, but an excellent sense of humor. close
The 18th-century Indian painter Nainsukh of Guler receives a poetic, visually stunning tribute from a young Indian filmmaker employing an arresting pictorial more
The 18th-century Indian painter Nainsukh of Guler receives a poetic, visually stunning tribute from a young Indian filmmaker employing an arresting pictorial language. Shot in the region where Nainsukh produced his most celebrated work, this is a meditative and meticulous recreation of the world of an artistic genius. close
Ady, a 13 years old boy, no longer listens to his father who raises him alone. The latter, running out of resources, decides to entrust Ady to his uncle more
Ady, a 13 years old boy, no longer listens to his father who raises him alone. The latter, running out of resources, decides to entrust Ady to his uncle Amadou for the summer. Uncle Amadou and his family live on the other side of the Mediterranean sea... in Burkina Faso! There, at 13 years, one must become a man but Ady, persuaded to go on holidays, understands things differently. close
Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century.
Director Thomas Heise picks up the biographical pieces left by his family, and composes an epic picture of four generations of his family, of a country, of a century. close
Ana, Verónica, Marta, and Toro are four lonely people who live an unadventurous and quiet existence in southern Chile. They are with each other without more
Ana, Verónica, Marta, and Toro are four lonely people who live an unadventurous and quiet existence in southern Chile. They are with each other without the need of using words, trying to save themselves in a stealthy and extreme way. In order not only of getting away of the loneliness that constitutes their innermost core, but also of finding themselves, they reach for each other to get brotherly and sexual love, affection, and a space and time of their own. close
On Iran's northern frontier with Turkmenistan, the land of "heartbreak and tractors", director Babak Jalali mines absurdist humour and quiet pathos from more
On Iran's northern frontier with Turkmenistan, the land of "heartbreak and tractors", director Babak Jalali mines absurdist humour and quiet pathos from the immutable routines of a stranded group of men. close
Lu and Fati are teen mums living in a religious shelter in Buenos Aires. Sister Paola arrives there to take her final vows. But the girls’ impending motherhood more
Lu and Fati are teen mums living in a religious shelter in Buenos Aires. Sister Paola arrives there to take her final vows. But the girls’ impending motherhood faces her with a challenging situation. close
The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, more
The title of this twenty-minute video by Jean-Luc Godard and Anne-Marie Miéville, “Freedom and Fatherland,” is the official slogan of the Canton de Vaud, in Switzerland, where the filmmakers live and grew up. To fulfill their commission from a Swiss cultural festival, they adapted a great Swiss novel, “Aimé Pache, Painter from the Vaud,” by Charles Ferdinand Ramuz, from 1911 (about a local artist who goes to Paris for his education and then returns home) and extruded its autobiographical analogies to Godard’s own life and work. Using a choice set of clips from Godard’s films to coincide with events from the painter’s life, verbal references to modern times and to Godard’s own—Sartre, the late nineteen-sixties, the cinema—and images of the Swiss terrain, which plays a decisive role in the work of Pache, Godard, and Miéville (an important filmmaker in her own right), they produce the effect of mirrors within mirrors. close
In his most recent work, Christian Frei turns to an age-old dream of man: to leave our planet as a «normal person» and travel into outer space. For 20 more
In his most recent work, Christian Frei turns to an age-old dream of man: to leave our planet as a «normal person» and travel into outer space. For 20 million dollars, the American Anousheh Ansari was able to fulfil this childhood dream. This documentary follows her journey into space and shows everyday life as it is on the International Space Station. close
Talk of living wages and religious observances upsets the delicate accord between the boss of a run-down truck yard and his workers in this visually arresting more
Talk of living wages and religious observances upsets the delicate accord between the boss of a run-down truck yard and his workers in this visually arresting take on the French-Algerian immigrant experience. close
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back more
The 8-year-old Aida lives in an apartment in the Parisian suburb. The daily life of Aida and the whole family is overwhelmed when her father comes back from Senegal, their country of origin. Actually, he did not come back alone. He returned with the young Senegalese Rama whom he introduced as his second wife. Aida is very sensitive to her mother's distress. She decides then to get rid of the new visitor. close
"Antwerp" continues telling the picaresque adventures through the world of multi disciplinary artist and professional prisoner Tulse Luper. This movie more
"Antwerp" continues telling the picaresque adventures through the world of multi disciplinary artist and professional prisoner Tulse Luper. This movie premiered at the Venice Film Festival as a separate title located between the first and the second part of the Greenanway Tulse Luper Trilogy. close
When a group of African immigrants builds a cardboard village between the pews of a church soon to be closed, an elderly priest must choose between his calling and his orders.
When a group of African immigrants builds a cardboard village between the pews of a church soon to be closed, an elderly priest must choose between his calling and his orders. close
Psychological drama about a young, inexperienced film reviewer who falls for the charms of a well-established female colleague. A challenging look at more
Psychological drama about a young, inexperienced film reviewer who falls for the charms of a well-established female colleague. A challenging look at the essence of film critique as well as an erotic encounter between two unequals. close
Making a film about a radio station doesn’t sound like the most visually compelling of projects. How many takes do you need before the acoustic transition more
Making a film about a radio station doesn’t sound like the most visually compelling of projects. How many takes do you need before the acoustic transition from the opening to the closing of a door is perfect or the reader's voice correctly modulated? Nicolas Philibert has accepted the challenge to portray that which cannot be seen. Shouldering his camera, he spent half a year wandering the endless corridors of Radio France’s ‘round house’ on the banks of the Seine where he filmed people who dedicate themselves utterly and meticulously to their work. close
Dominick Brassan has the power to turn invisible, but rarely uses it. Instead he has kept it a shameful secret, hidden even from Viveka, his fiancée. more
Dominick Brassan has the power to turn invisible, but rarely uses it. Instead he has kept it a shameful secret, hidden even from Viveka, his fiancée. But when his ability to control his gift gets out of hand, his life, friendships and relationships will be forever turned inside out. close
A quietly comic look at a Madrid housewife's attempt to escape from her mundane and tedious existence. Encountering mostly impersonal bureaucracy, she more
A quietly comic look at a Madrid housewife's attempt to escape from her mundane and tedious existence. Encountering mostly impersonal bureaucracy, she has no specific plan for what she wants to do, just the fervent hope that she will find the adventure she's so desperately seeking. close
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