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Akira is haunted by a "bouncing ball" song that he remembers his mother singing when he was a small child, and now on the verge of a sexually active adulthood, more
Akira is haunted by a "bouncing ball" song that he remembers his mother singing when he was a small child, and now on the verge of a sexually active adulthood, he wants to find the origins of the song. The young man ostensibly wanders into a time-warp in which aspects from his childhood and adulthood mix together. In this never-never land he comes across a beautiful woman/witch who is lost inside the labyrinth of her mansion, just as the young man is lost in the labyrinth of time — and on some levels, perhaps the labyrinth of his subconscious. close
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era more
A surreal journey of a displaced spirit as he wanders in the interminable darkness through the temporal landscape of a quaint and isolated feudal-era fishing village. Guided by a series of faintly illuminated rooms, the wandering spirit comes upon ancient souls who take on physical forms as they recount their personal stories of daily existence, loss, and tragedy in the peasant community. Intrigued by his initial visit to a curiously distracted elderly woman, the spirit returns to her home in order to ask a fundamental question - "What is happiness?" - an existential query that is innocently answered with innate humility and accepted unknowingness. close
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. more
Virgile and Blanche, both aged 17, correspond by e-mail. Virgile loves Blanche, but Blanche loves a boy named Eustache. Nobody knows the other's thoughts. Virgile talks about life and death and Blanche listens acceptingly. Eustache enters the room in a blue cap. He sees Virgile first, then Blanche. Then Blanche remembers having danced with Virgile and leves the room to join him. close
A diary film about Kawase's relationship with her Grandma and the search for her Father, whom she has not seen since her parents divorced during her early childhood.
A diary film about Kawase's relationship with her Grandma and the search for her Father, whom she has not seen since her parents divorced during her early childhood. close
This ethereal montage of still images with darkly somber undertones, Yunbogi’s Diary is based on photographs that Oshima took during his two-month research more
This ethereal montage of still images with darkly somber undertones, Yunbogi’s Diary is based on photographs that Oshima took during his two-month research trip to South Korea in 1965 during which he was haunted by his encounters with impoverished street children in Seoul. The voice-over comprises diary entries from a six-year-old Korean boy and Oshima’s own reflections on Japanese-Korean relations, a controversial subject that he revisited in his later films Sing a Song of Sex and Death by Hanging. close
Jia Zhangke brings to this edition of the Beautiful series The Hedonists, an engaging drama about several unemployed Shanxi coalminers looking for work.
Jia Zhangke brings to this edition of the Beautiful series The Hedonists, an engaging drama about several unemployed Shanxi coalminers looking for work. close
The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's more
The history and art of ikebana, a centuries old Japanese art of flower arrangement and a look inside the Sogetsu School of Ikebana, where the director's father Sofu Teshigahara worked as the grand master of the school. close
Hwa-nyeo and Chung-nyeo, two country girls who have come to Seoul with big dreams. They are thrilled just to see the wondrous Seoul landscape, but a group more
Hwa-nyeo and Chung-nyeo, two country girls who have come to Seoul with big dreams. They are thrilled just to see the wondrous Seoul landscape, but a group of thugs, including Shanghai Park, appears before them. Just as they face a terrible fate, a man by the name of Dachimawa Lee appears like a comet. He suavely fights off the thugs and rescues Hwa-nyeo and Chung-nyeo. The two girls become infatuated with his manly image, and Hwa-nyeo and Dachimawa Lee fall in love. Meanwhile, the head of the thugs, the Nameless Man of the East, hears that his underlings have been harshly beaten and decides to make Dachimawa Lee pay. Finally, there is a battle between Dachimawa Lee and the gang of the Nameless Man of the East. close
"His films are like a roller-coaster. His way of throwing the act of seeing into utter confusion is an attack on the eyes in their corporeal function, more
"His films are like a roller-coaster. His way of throwing the act of seeing into utter confusion is an attack on the eyes in their corporeal function, and to attack the eyes is to take on tile body itself as your opponent. The film makes you break out in sweat only by shooting a safe, peaceful gymnasium in the dark." - Koharu Kisaragi close
A fragmentary landscape for a little train station in a suburban area and a bus stop in a mining town. A lonely soldier in his heavy coat, a tired old more
A fragmentary landscape for a little train station in a suburban area and a bus stop in a mining town. A lonely soldier in his heavy coat, a tired old man, a bubbly young lady, a punk, a woman waiting in the street... From all those different people in these unfamiliar places, we can feel the exhaustion of every life. close
Oshima exposes the fact that many wounded soldiers cannot receive compensation from the Japanese government because of their Korean nationality, while more
Oshima exposes the fact that many wounded soldiers cannot receive compensation from the Japanese government because of their Korean nationality, while questioning if this is a just way for the Japanese to act. The documentary uses TV to problematize the apathy of the Japanese people. According to Oshima’s 'The Idea of Evil and Cruelty' and Sato Tadao’s 'History of Japanese Documentary Film', the actual situation was much more serious and harsher than the documentary depicts. close
A nightclub manager is in love with his pianist. However, she has a ranger boyfriend who's been permanently stationed in the mountain wilderness. Their more
A nightclub manager is in love with his pianist. However, she has a ranger boyfriend who's been permanently stationed in the mountain wilderness. Their only communication is by letter. As time passes the correspondence slows to a trickle. Then nothing. The manager persuades the girl to visit the boy. She does, but she's totally unprepared for her bizarre discovery. close
An award winning short with a hyper-kinetic, mind-bending foray into the world of adolescent Singaporean boys. '15': The Short; mixes documentary realism, more
An award winning short with a hyper-kinetic, mind-bending foray into the world of adolescent Singaporean boys. '15': The Short; mixes documentary realism, dream sequences, rapid montages, and other stylistic flurries to unleash a hard-hitting cinematic assault on Singaporean oppression and teen angst. close
The Anthem is a celebration of filmmaking and the viewing experience. In Thailand, before every cinema film screening, there will be a Royal Anthem before more
The Anthem is a celebration of filmmaking and the viewing experience. In Thailand, before every cinema film screening, there will be a Royal Anthem before the feature presentation. The purpose is to honour the King. It is one of the rituals imbedded in Thai society to give a blessing to something or someone before certain ceremonies. The Anthem presents a 'Cinema Anthem' that praises and blesses the approaching feature for each screening. This audio-visual purification process is performed by three old ladies. They also channel energy to the audience in order to give them a clear mind. close
Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, more
Tarachime is a documentary film which observes 'life' through childbirth. Kawase Naomi, a film director working under the theme of family, life and death, presents the bond of life through her own childbirth experience. "First, I was planning to film from the day I conceived a child and to the moment I gave birth. But I realized, while filming, that this is not the story of "one life." In the end, the film sublimed to a higher stage on which we can witness the knot tying one life with another." close
Middle-class housewife Ae-soon is excessively vain and neglectful of her duties as a homemaker. Unable to tolerate her any longer, Ae-soon’s husband kicks more
Middle-class housewife Ae-soon is excessively vain and neglectful of her duties as a homemaker. Unable to tolerate her any longer, Ae-soon’s husband kicks her out, and she leaves him and their daughter Jeong-hee to take up with her lover in a hotel. close
Late at night, a woman is kidnapped by an unknown assailant and taken back to his blood-spattered dungeon, where he turns her into a "flower of blood more
Late at night, a woman is kidnapped by an unknown assailant and taken back to his blood-spattered dungeon, where he turns her into a "flower of blood and flesh" through a series of dismemberment and evisceration. close
The film uses the haiku of early 19th century poet Kobayashi Issa as its motif to portray the lives of farmers residing deep in the mountains of Nagano. more
The film uses the haiku of early 19th century poet Kobayashi Issa as its motif to portray the lives of farmers residing deep in the mountains of Nagano. Commissioned by the Nagano Prefectural Department of Tourism, the movie became instead, in the hands of Kamei, a depiction, sometimes ironic, of poverty and the harsh life of the inhabitants of the area. The short movie is often considered Japan’s first “poetic documentary”. close
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