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English short movies of 1896-1905 years - quite rare category. We know total 75 this movies.
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A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman more
A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries? close
Three hunters surprise two poachers in the act. The hunters take umbrage and give chase over fences and through fields. The hunters fire away, but the more
Three hunters surprise two poachers in the act. The hunters take umbrage and give chase over fences and through fields. The hunters fire away, but the poachers have guns as well, and a fight ensues with casualties for the hunters. Two cops appear and so do dogs as the chase continues. Will the poachers escape, or will they, like the game they were after, be trapped? close
This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She more
This is the first movie version of the famous story. Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. close
A short melodrama based on Hans Christian Andersen's harrowing tale. A poor little girl tries to sell matchsticks in the freezing December cold. She lights more
A short melodrama based on Hans Christian Andersen's harrowing tale. A poor little girl tries to sell matchsticks in the freezing December cold. She lights matches for some light and warmth. There are visions: a fireplace, dinner, a Christmas tree. She sees her dead mother, welcoming her. close
A simple scene of two rather flamboyantly-dressed Edwardian children attempting to feed a spoonful of medicine to a sick kitten. The film is important more
A simple scene of two rather flamboyantly-dressed Edwardian children attempting to feed a spoonful of medicine to a sick kitten. The film is important for being one of the earliest films to cut to a close-up, then back again to the same medium shot as before. close
A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers. The first officer more
A thief jumps a fence and removes the shutter from a house. He enters, but a lad who's witnessed the crime runs off to hail the coppers. The first officer on the scene climbs the fence, enters the house, and is soon fighting with the thief on the roof. Falling from the roof, the officer is injured and requires an ambulance. Meanwhile, the thief flees, pursued by more men in blue. close
A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A more
A stationary camera looks on as two dapper gents play a game of chess. One drinks and smokes, and when he looks away, his opponent moves two pieces. A fight ensues, first with the squirting of a seltzer bottle, then with fisticuffs. The combatants wrestle each other to the floor and continue the fight out of the camera's view, hidden by the table. The waiter arrives to haul both of them out. close
A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk more
A man and a woman talk beside a street near a corner where a cop stands. Just as a horse-drawn cart rounds the corner, the man backs off the sidewalk saying good-by to his companion. The horse and cart flatten him and continue on, out of the camera's stationary range. The cop runs after the cab, the woman dashes to the body. The cop brings back the driver; is the victim dead? close
Mary Jane tries to light the oven. When she's unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it's more
Mary Jane tries to light the oven. When she's unsuccessful, she plays around, getting black boot polish on her face. She mugs before a mirror. Then, it's back to work. When the stove still won't light, she pours in paraffin, winks at the camera, and lights a match. Kaboom! Is there any rest for the foolish, even in the grave? close
A lad from a butcher shop is carrying a tray laden with a roast or a leg of lamb. A hobo grabs it and runs. The boy gives chase, joined by dogs, as neighbors more
A lad from a butcher shop is carrying a tray laden with a roast or a leg of lamb. A hobo grabs it and runs. The boy gives chase, joined by dogs, as neighbors watch the spectacle. The hobo jumps into a large rain barrel, followed by the dogs. close
Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the more
Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet. close
A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and more
A man, objecting to being filmed, comes closer and closer to the camera lens until his mouth is all we see. Then he opens wide and swallows camera and cinematographer. He steps back, chews, and grins. close
An artist draws the head of a pretty girl, takes the drawing off the paper and places it on a small table, turning the image into the head of a real woman. more
An artist draws the head of a pretty girl, takes the drawing off the paper and places it on a small table, turning the image into the head of a real woman. He then continuous drawing the lady, one body part after the other. close
An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth more
An up to date idea and a great picture. The professor sits in his laboratory with his newly invented baby incubator. A mother who is anxious for the growth of her child enters, places her baby in care of the professor, who promptly places it in the incubator. An alcohol lamp is lighted under the apparatus, but the professor evidently gets his machine too hot, for in a few seconds the top is opened and the baby taken out. To the great anger of its mother it has grown about two feet in height and has long hair and a full beard. (Edison Catalog) close
A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated more
A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train. close
Here we present a picture that simply convulses an audience with laughter. The scene opens in the bedroom of a hotel. A traveler appears, evidently a more
Here we present a picture that simply convulses an audience with laughter. The scene opens in the bedroom of a hotel. A traveler appears, evidently a "little worse for wear." After stretching and yawning, he proceeds to disrobe. He throws off his coat and vest, but to his surprise and anguish, he suddenly finds himself clothed in a continental uniform. He throws this off in anger, but immediately a policeman's costume flies on him. This is in turn thrown aside in great rage and he finds himself clothed in a soldier's uniform. At last, thinking himself successful, he makes for the bed and finds a skeleton complacently resting on his pillow. The bed suddenly disappears, leaving him seated on the floor, and great quantities of bed clothes rain down from the ceiling. The picture ends leaving the audience simply convulsed in laughter. (Edison Catalog) close
The Waif and the Wizard features the same young man who appeared in Undressing Extraordinary (and who might be early filmmaker Walter Booth). It's another more
The Waif and the Wizard features the same young man who appeared in Undressing Extraordinary (and who might be early filmmaker Walter Booth). It's another early example of a two-shot film along the lines of Paul's earlier film Come Along Do!. The young man plays a magician who, after completing his act, agrees to go home with the young boy from the audience who helped him perform his tricks. At the boy's home he finds a sick sister and a worried mother being threatened with eviction by her landlord. close
On the roof of an ancient palace appear a young Knight and his lady. While they are making love an ugly old witch appears and is rather troublesome. The more
On the roof of an ancient palace appear a young Knight and his lady. While they are making love an ugly old witch appears and is rather troublesome. The Knight commands her to leave, and when he is about to force her away she sits on her broom and rises to the moon. After disappearing she causes various hob-goblins to haunt the pair, the last of them stealing away the lady while the Knight's back is turned. The Knight, frantic with grief, is suddenly confronted by a Fairy, who presents him with a magical sword, and tells him that he can use it to regain the young woman. close