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Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in more
Our presidential hunter runs across the landscape and falls down in the snow, gets up with his rifle, and gazes upward at a treed animal which isn't in the camera's view. He fires a shot into the tree, then leaps on the ground to grab the fallen prey, a domestic cat, finishing it off with wild blows of his hunting knife while his companions, a photographer and a press agent, record the event that will be reported far and wide as a manly moment. Teddy then rides out of the forest followed by two companions afoot, never mind that they all originally arrived afoot. Perhaps it was funnier in its day than it is now, but apparently shooting cats was regarded as funny in those days. The larger point was to use a minor whimsy as a political criticism, in this case of Teddy Roosevelt's easy manipulations of the press. It was based on two frames of a political cartoon that had appeared in the paper a mere week before the film was made. close
Facing a stationary camera, sitting at a desk, a man works busily. Posters of burlesque queens are on the wall behind him. A single woman, followed later more
Facing a stationary camera, sitting at a desk, a man works busily. Posters of burlesque queens are on the wall behind him. A single woman, followed later by later two others, comes into the office seeking a job. The manager hands each a box with a costume in it and points to dressing rooms. Each of the women has a different reaction when she discovers the nature of her costume, and the busy manager has a distinct response to each of the women as well. close
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some more
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside. close
"Grandpa sits nodding in his armchair in the kitchen, where a sout, jolly washerwoman is washing clothes. While the woman leaves the tub to talk to a more
"Grandpa sits nodding in his armchair in the kitchen, where a sout, jolly washerwoman is washing clothes. While the woman leaves the tub to talk to a book agent, a small boy enters, and ties grandpa's chair to a towel which is hanging over the tub. The washerwoman begins vigorously wringing the clothes. The towel is drawn into the wringer, and as grandpa is sitting with his feet on the stove and the chair tilted back, a collision is brought about by the towel pulling grandpa and the tub together. This is a crowning success as a comic picture."—Edison Catalog close
A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks more
A fellow in a wide-brimmed hat, with a willowy stick for a rod and a baited hook, sits down on a plank hanging over a bridge above a stream. He sticks the rod under his seat and picks up his bottle to take a swig. Behind him creeps a joker who removes the large flagstone that's holding the fisherman's plank in place (IMDb) close
“A comic subject, clear, bright and characteristic. Shows four girls in their night dresses, engaged in an animated pillow fight. During the action the more
“A comic subject, clear, bright and characteristic. Shows four girls in their night dresses, engaged in an animated pillow fight. During the action the pillows become torn, and the feathers fly over their heads and about the room in great numbers, producing with the white dresses and the black background a novel effect. Sharp, full of action, and popular in character.” (Edison Catalog) close
An old maid is walking about the studio while the photographer is getting his camera ready. She first looks at a hanger, which immediately falls from more
An old maid is walking about the studio while the photographer is getting his camera ready. She first looks at a hanger, which immediately falls from the wall, not being able to stand her gaze. Then she looks at the clock, and her face causes it to fall to the floor with a crash. She then walks over to the mirror, which suddenly cracks in several places. The photographer then poses her. Just as he is to press the button the camera explodes with a great puff of smoke, completely destroying the camera and demolishing the studio. The picture finishes up with the old maid tipping back in her chair and losing her balance, displaying a large quantity of fancy lace goods. close
Uncle Josh returns in this sequel to UNCLE JOSH'S NIGHTMARE. This time he checks into a hotel, presumably to get a better nights rest than he got at home. more
Uncle Josh returns in this sequel to UNCLE JOSH'S NIGHTMARE. This time he checks into a hotel, presumably to get a better nights rest than he got at home. Of course the way bad luck follows Josh around we know this is a forlorn hope. Sure enough, quicker than you can say "Georges Méliès" a ghost pops up to make sure Uncle Josh is denied yet another good nights rest. close
A boy is led into the frame by two nursemaids who give him a big ball to play with. For the remainder of the film heads appear and disappear, stage props more
A boy is led into the frame by two nursemaids who give him a big ball to play with. For the remainder of the film heads appear and disappear, stage props blow up and turn into other objects or people, and finally Bob Kick disappears. close
Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film more
Poor Uncle Josh is trying to get to sleep, but being constantly bedevilled by a fellow in red long underwear with horns. A short early trick editing film using a stationary camera much more valuable for its historical, rather than entertainment value. close
Several men in a basement barbershop become excited by women walking past the window. The ankles and knees of the passersby are visible to the men below, more
Several men in a basement barbershop become excited by women walking past the window. The ankles and knees of the passersby are visible to the men below, causing pandemonium among the barbershop customers. Possibly released in 1901. close
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink.
An old man gets progressively livelier - and drunker - as he downs his bottle of beer. Finally, he cocks a snook - and doesn't bother to uncock it as he continues to drink. close
An engaged couple, dressed in white, meet each other at a train station. When the train arrives, they get on board, and they enjoy the sights from the more
An engaged couple, dressed in white, meet each other at a train station. When the train arrives, they get on board, and they enjoy the sights from the platform on the last car. The workers on the train are eager to help, and they make some special arrangements for the couple. close
A gardener is watering a garden. A prankster stands on his hose halting the flow until he looks at the nozzle and gets a stream of water to the face. more
A gardener is watering a garden. A prankster stands on his hose halting the flow until he looks at the nozzle and gets a stream of water to the face. He notices the prankster and gives him his comeuppance. Remake of the Lumiere film Arroseur et arrosé. close
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