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The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic more
The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather. close
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 more
The earliest surviving celluloid film, and believed second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. It shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley and Miss Harriet Hartley walking around in circles, laughing to themselves and keeping within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds. close
Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage more
Alleged silent black-and-white short film shot at Apsley Gate, Hyde Park, London. It was claimed to be the first motion picture until pre-dating footage shot by Louis Le Prince was discovered. It was never publicly shown and is now considered a lost film with no known surviving prints or stills. close
One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other more
One of the pictures to be seen in the machine, for example, was that of a blacksmith shop in which two men were working, one shoeing a horse, the other heating iron at the forge. One would be seen to drive the nail into the shoe of the horse's hoof, to change his position and every movement needed in the work was clearly shown as if the object was in real (life). In fact, the whole routine of the two men's labor and their movements for the day was presented to the view of the observer. close
“Interior of Barber Shop. Man comes in, takes off his coat; sits down, smokes; is handed a paper by attendant, who points out a joke; both laugh. Meantime more
“Interior of Barber Shop. Man comes in, takes off his coat; sits down, smokes; is handed a paper by attendant, who points out a joke; both laugh. Meantime the man in the chair is shaved and has his hair cut. Very funny.” (Edison's Latest Wonders, 1894) close
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic more
The Glenroy Brothers perform a portion of their vaudeville act, "The Comic View of Boxing: The Tramp & the Athlete", which depicts a boxer with a classic style trying to contend with an opponent who uses a very unorthodox approach. close
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States.
A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the first motion picture to be copyrighted in the United States. close
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. more
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890. close
In the background, five fans lean on the ropes looking into the ring. The referee is to the left; like the fans, he hardly moves as two fighters swing more
In the background, five fans lean on the ropes looking into the ring. The referee is to the left; like the fans, he hardly moves as two fighters swing roundhouse blows at each other. Mike Leonard, in white trunks, is the aggressor; in black, Jack Cushing stands near the edge of the ring, warily pawing the air as Leonard comes at him. A couple of punches land, but the fighters maintain their upright postures. close
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest more
Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns. close
Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what more
Long before Hollywood started painting white men red and dressing them as 'Injuns' Edison's company was using the genuine article! Featuring for what is believed to be the Native Americans first appearance before a motion picture camera 'Buffalo Dance' features genuine members of the Sioux Tribe dressed in full war paint and costume! The dancers are believed to be veteran members of Buffalo Bill's Wild West Show. Filmed again at the Black Maria studios by both Dickson and Heise the 'Buffalo Dance' warriors were named as Hair Coat, Parts His Hair and Last Horse. Its quite strange seeing these movies at first they all stand around waiting to begin and as they start some of the dancers look at the camera in an almost sad way at having lost their way of life. close
Lee Martin, one of the cowboy stars in 'Buffalo Bill's Wild West', rides a bronco as a crowd looks on. While the horse is trying to throw Martin off its more
Lee Martin, one of the cowboy stars in 'Buffalo Bill's Wild West', rides a bronco as a crowd looks on. While the horse is trying to throw Martin off its back, another cowboy stands on top of a fence rail and occasionally fires his six-shooter, to spur on both horse and rider. close
Annie Oakley was probably the most famous marksman/woman in the world when this short clip was produced in Edison's Black Maria studio in West Orange, more
Annie Oakley was probably the most famous marksman/woman in the world when this short clip was produced in Edison's Black Maria studio in West Orange, New Jersey. Barely five feet tall, Annie was always associated with the wild west, although she was born in 1860 as Phoebe Ann Oakley Mozee (or Moses)in Darke County, Ohio. Nevertheless, she was a staple in the Buffalo Bill Wild West Show and similar wild west companies. Because of her diminutive stature, she was billed as "Little Sure Shot." The man assisting her is this appearance is probably her husband, Frank E. Butler. Annie had outshot Butler (a famous dead-eye marksman himself) in a shooting contest in the 1880's. Instead of nursing his bruised ego because he had been throughly outgunned by a woman, Butler fell in love, married Little Sure Shot, and became her manager. close
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed more
[…] by shooting the fish in a globular bowl, the Lumières effectively use a fisheye lens, which offers distortions. The history of cinema has witnessed a struggle between the objective and subjective camera and the optically distorting lenses like the fisheye lens has been a powerful tool for the subjective camera. Here it is at the start. (from IMDB) close
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.
In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier. close
A man and a woman, observed by others, are playing a game of Tric-trac, a French variant of Backgammon. During the course of the game, the man gets caught more
A man and a woman, observed by others, are playing a game of Tric-trac, a French variant of Backgammon. During the course of the game, the man gets caught red-handed, which results in him closing the game board. close
A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. more
A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient. close
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a farrier prepares a horse's hoof to receive a new shoe.
While his aide continuously turns the handle of the bellows, keeping hot a small furnace in front of him, a farrier prepares a horse's hoof to receive a new shoe. close
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first more
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames. close
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